Göteborgs Konserthus Night of the Giants

Brahms's third symphony boasts one of the most beautiful romantic themes ever written: the allegretto in C minor, which with its easy three-beat chords resonates with most discerning people. In modern times, it became known as the theme of the Ingrid Bergman film Do you like Brahms... (1961) after Françoise Sagan's short story Aimez-vous Brahms? as it is more affectionately called in the original. Brahms's third symphony was inspired by nature, he created best with the greenery in the knots. He had inherited the strategy of Beethoven and other predecessors: work as a pianist, musician and teacher from fall to spring, compose in the summer. For Brahms it became a way of life. Mahler followed the same model. Originally, Brahms had intended to spend the summer in Bad Ischl, but plans changed when he found seclusion and inspiration in the German city of Wiesbaden, an old health resort, where he arrived after a journey along the Rhine. It is clear that Brahms wrote the symphony under happy circumstances this summer of 1883. Was he in love? Always in Clara Schumann. After playing through the symphony in the version for two pianos, she wrote to Brahms: "All the movements seem to form a unity, like a heartbeat." The symphony is a salute to her and a tribute to her late husband Robert Schumann, Brahms' mentor and friend. The very introduction to the symphony - which opens up like a wonderful view when one reaches a high altitude after a long hike among pines and firs - is not a little reminiscent of the introduction to Schumann's "Rhine Symphony" (the third). The mentioned allegretto also has similarities with the romance in Schumann's fourth symphony, which Brahms published in the original version at his own expense after the composer's death. Brahms also makes an ironic comment on the ongoing feud between Brahms followers (traditionalists) and Wagnerians (new German school) - three notes in horn and oboe at the end of the first movement. Do you recognize it? That's right, Tristan and Isolde. Wagner had died in February of that year… STEFAN NÄVERMYR

The Gothenburg Symphony Orchestra was founded in 1905 and currently consists of 109 musicians. The orchestra is based in Gothenburg Concert Hall – a gem of functionalism on Götaplatsen square that has enchanted music lovers since 1935. Wilhelm Stenhammar was the orchestra’s Chief Conductor from 1907 until 1922. He gave the Gothenburg Symphony Orchestra a strong Nordic profile and invited his colleagues Carl Nielsen and Jean Sibelius to collaborate with the orchestra. Under the leadership of Chief Conductor Neeme Järvi between 1982 and 2004, the Gothenburg Symphony Orchestra undertook a number of international tours and made a hundred or so album recordings while establishing itself as one of Europe’s foremost orchestras. In 1997 the Gothenburg Symphony Orchestra received the title of the National Orchestra of Sweden. Since season 2017-2018 Santtu-Matias Rouvali is Chief Conductor of the Gothenburg Symphony Orchestra. Since season 2019-2020 Barbara Hannigan is Principal Guest Conductor. Christoph Eschenbach was also Principal Guest Conductor of Gothenburg Symphony in the years 2019-2022 – together they formed a strong three-leaf clover consisting of three completely different types of artists. We are also extremely proud to be an official partner of soprano Barbara Hannigan’s mentor initiative Equilibrium, with focus on young singers and musicians who are just beginning their careers. Sten Cranner is the orchestra’s CEO and Artistic Director, while Gustavo Dudamel holds the title of Honorary Conductor and Neeme Järvi that of Principal Conductor Emeritus. Region Västra Götaland is owner of the orchestra. The Gothenburg Symphony Orchestra works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.