{"id":63759,"date":"2021-10-13T10:04:56","date_gmt":"2021-10-13T08:04:56","guid":{"rendered":"https:\/\/www.gso.se\/concert-hall\/organ-in-gothenburg-concert-hall\/orgelns-ordlista\/"},"modified":"2022-02-08T15:25:06","modified_gmt":"2022-02-08T14:25:06","slug":"organ-dictionary","status":"publish","type":"page","link":"https:\/\/www.gso.se\/en\/discover\/glossary\/organ-dictionary\/","title":{"rendered":"Organ dictionary"},"content":{"rendered":"<p><em>* = see the entry for this term<\/em><\/p>\n<h3>Action<\/h3>\n<p>The totality of the devices in an organ that make the depressing of a key result in one or more pipes sounding.<\/p>\n<h3>Attack<\/h3>\n<p>The beginning of a sounding tone<\/p>\n<h3>Bombarde<\/h3>\n<p>A stop* with a trumpet- or trombone-like sound or a division* of the organ consisting mainly of such stops<\/p>\n<h3>Brustwerk<\/h3>\n<p>A division* of the organ with a small number of stops and a light, high-pitched sound<\/p>\n<h3>Choir organ<\/h3>\n<p>A division* with a somewhat less powerful sound than the Great organ*<\/p>\n<h3>Console<\/h3>\n<p>The \u2018cockpit\u2019 of an organ, with manual* and pedal* keyboards* as well as couplers* and other devices for determining tone colour and loudness<\/p>\n<h3>Coupler<\/h3>\n<p>A device (mechanical, pneumatic or electric) that enables stops* in more than one division* to sound when one manual* is played<\/p>\n<h3>Crescendo<\/h3>\n<p>Successively increasing loudness<\/p>\n<h3>Diminuendo<\/h3>\n<p>Successively decreasing loudness<\/p>\n<h3>Division<\/h3>\n<p>Any of the main sounding parts of an organ, consisting of a number of stops*<\/p>\n<h3>Flue stop<\/h3>\n<p>A stop* in which each pipe is constructed more or less like a recorder; the majority of the stops in an organ are flue stops, and the stops visible in the organ\u2019s fa\u00e7ade are of this kind<\/p>\n<h3>Frequency<\/h3>\n<p>The number of regular oscillations per second that produces a tone of a certain pitch (for example, 442 = a1)<\/p>\n<h3>Fundamental<\/h3>\n<p>The pitch heard most prominently when a tone is sounded; the fundamental always sounds together with a number of harmonics*<\/p>\n<h3>General crescendo<\/h3>\n<p>A device operated with the foot, by means of which the stops* of the organ are made to sound in a predetermined order, enabling powerful crescendo* and diminuendo* effects<\/p>\n<h3>Great organ<\/h3>\n<p>(French: Grand Orgue; German: Hauptwerk) The biggest and most powerful division* in an organ<\/p>\n<h3>Harmonics<\/h3>\n<p>Tones of higher pitch sounding together with the fundamental,* thereby creating the sound of the tone<\/p>\n<h3>Keyboard<\/h3>\n<p>The set of keys to be played on an clavier instrument, such as an organ or a piano<\/p>\n<h3>Keynote<\/h3>\n<p>The first and harmonically fundamental tone of a scale (for example, C in C major)<\/p>\n<h3>Manual<\/h3>\n<p>A keyboard* played with the hands<\/p>\n<h3>Mixture<\/h3>\n<p>A stop* in which several pipes (mostly high-pitched) sound simultaneously when a note is played<\/p>\n<h3>Orchestre<\/h3>\n<p>A division* consisting of stops* that imitate orchestral instruments\u00a0(such as strings)<\/p>\n<h3>Organ division<\/h3>\n<p>see Division<\/p>\n<h3>Overtones<\/h3>\n<p>see Harmonics<\/p>\n<h3>Pedal<\/h3>\n<p>a keyboard* played with the feet; the division* sounding when such a keyboard is played<\/p>\n<h3>P\u00e9dale Expressif<\/h3>\n<p>\u2018expressive pedal\u2019; a pedal* division* equipped with a swell* device<\/p>\n<h3>Pipework<\/h3>\n<p>The totality of pipes in an organ or a division*<\/p>\n<h3>Positif<\/h3>\n<p>French term roughly corresponding to Choir organ*<\/p>\n<h3>Principal<\/h3>\n<p>The most important and powerful flue* stop* in an organ<\/p>\n<h3>R\u00e9cit<\/h3>\n<p>A French term for a division* equipped with a swell* device (in older French organs a division with a small number of stops, without swell)<\/p>\n<h3>Reed stops<\/h3>\n<p>Stops* constructed in a special manner, producing a sound similar to that of reed or brass instruments<\/p>\n<h3>Ruckpositiv<\/h3>\n<p>A division placed behind the organist\u2019s back<\/p>\n<h3>Scaling<\/h3>\n<p>The various measurements of and proportions between different parts of an organ pipe, for example, the relationship between the pipe\u2019s length and width (diameter or circumference)<\/p>\n<h3>Solo stop<\/h3>\n<p>A stop* intended for use, or used, in a solo function, accompanied on another manual*<\/p>\n<h3>Stop<\/h3>\n<p>A set (in mixtures* several sets) of pipes with different pitches but similar in sound and construction, each pipe corresponding to a key in a manual* or pedal* division*<\/p>\n<h3>Swell<\/h3>\n<p>A device, operated with the foot, for opening and closing shutters placed in front of the pipes in a division*, enabling crescendo* and diminuendo* effects<\/p>\n<h3>Trompette royale<\/h3>\n<p>\u2018Royal trumpet\u2019; French name for a particularly brilliant-sounding trumpet stop*<\/p>\n<h3>Voicing<\/h3>\n<p>The organ builder\u2019s art, creating the desired sound of an organ pipe<\/p>\n<h3>Windchest<\/h3>\n<p>A wooden box, placed below the pipes, where the air used for making the pipes sound is stored under pressure<\/p>\n<p><em>by Sverker Jullander<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>* = see the entry for this term Action The totality of the devices in an organ that make the depressing of a key result in one or more pipes sounding. Attack The beginning of a sounding tone Bombarde A stop* with a trumpet- or trombone-like sound or a division* of the organ consisting mainly<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":53712,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/standard-small-image.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-63759","page","type-page","status-publish","hentry"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-15 19:32:19","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"translation_priority"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/63759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/comments?post=63759"}],"version-history":[{"count":10,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/63759\/revisions"}],"predecessor-version":[{"id":76192,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/63759\/revisions\/76192"}],"up":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/53712"}],"wp:attachment":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/media?parent=63759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}