{"id":69375,"date":"2022-01-25T13:49:58","date_gmt":"2022-01-25T12:49:58","guid":{"rendered":"https:\/\/www.gso.se\/concert-hall\/art-in-the-concerthall\/edvard-grieg-brons-byst\/"},"modified":"2022-02-14T09:56:32","modified_gmt":"2022-02-14T08:56:32","slug":"edvard-grieg-bronze-bust","status":"publish","type":"page","link":"https:\/\/www.gso.se\/en\/gothenburg-concert-hall\/art-in-the-concerthall\/edvard-grieg-bronze-bust\/","title":{"rendered":"Edvard Grieg"},"content":{"rendered":"<p>Grieg lived in a turning point when Norway was creating and formulating its own identity after living for centuries in the shadow of Denmark and Sweden &#8211; a fascinating period of constant development where he influenced and was affected to the same extent.<\/p>\n<p>His production includes a large number of lyrical pieces for piano, songs, orchestral suites, music for plays such as Ibsen&#8217;s Peer Gynt, the often played piano concerto in A minor, the melodrama Bergljot and chamber music. There is a weightlessness and a twist in Grieg&#8217;s music that makes it go straight in. Good examples are the hit songs from Peer Gynt: Anitra&#8217;s dance, Morning mood, Solveig&#8217;s song, In Bergakungen&#8217;s hall\u2026 it&#8217;s hard to sit still.<\/p>\n<h4>Arnold Haukeland (1920-1983)<\/h4>\n<p>Norwegian sculptor who has made himself known as one of the foremost representatives of abstract sculpture in post-war Norway<\/p>\n<p><em>43 x 29 x 26 cm (hxdxb)<\/em><\/p>\n<p><em>\u00a9 Arnold Haukeland \/BUS 2009<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grieg lived in a turning point when Norway was creating and formulating its own identity after living for centuries in the shadow of Denmark and Sweden &#8211; a fascinating period of constant development where he influenced and was affected to the same extent. His production includes a large number of lyrical pieces for piano, songs,<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3825,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/standard-small-image.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-69375","page","type-page","status-publish","hentry"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-15 14:55:01","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"translation_priority"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/69375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/comments?post=69375"}],"version-history":[{"count":6,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/69375\/revisions"}],"predecessor-version":[{"id":76594,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/69375\/revisions\/76594"}],"up":[{"embeddable":true,"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/pages\/3825"}],"wp:attachment":[{"href":"https:\/\/www.gso.se\/en\/wp-json\/wp\/v2\/media?parent=69375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}