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Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

Nino Rota (1911–1979) Trombone Concerto The Italian composer Nino Rota was extremely prolific, achieving his greatest renown for his film scores. Between 1952 and 1978, he composed the music for every film directed by Federico Fellini. He also composed scores for other masterpieces such as The Godfather, Romeo and Juliet (1968), and The Leopard (1963). His various works for orchestra and solo instruments display a blend of technical skill and simplicity. The Trombone Concerto premiered in Milan in 1969, performed by the dedicated soloist Bruno Ferrari. Utilizing a reduced orchestra, well-defined rhythms, and the full range of the solo instrument's capabilities, Rota created one of the most beautiful concertos written for the trombone. It has been recorded by artists including the Swedish trombonist Christian Lindberg.

Beethoven really had to struggle with his music. He worked meticulously on every detail, and the work is still extant in his sketchbooks. Even the seemingly obvious opening of the Fifth Symphony, the knocking on the door of fate that immediately seizes the listener and which seems to be such an unshakable thought, undergoes a series of transformations in the sketches that are difficult to understand in retrospect. The energetic scherzo transition in the finale has undergone countless phases of development. The sketches also show that Beethoven originally did not at all envision a finale in a triumphant major, but in a minor key. Beethoven's Fifth is certainly worthy of all the admiring attention it receives. It is the result of the tribulations of a hard-working genius.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Franco-British Stephanie Childress is passionate about cross-over projects in music, film and the performing arts. This summer she collaborates with director Tom Morris on The Mahler Project in London, a semi-stageing of Mahler’s Symphony No. 1. During the season, she made her debut with the L.A. Phil at the Hollywood Bowl, followed by guest appearances at The Juilliard School. She continues her position as Principal Guest Conductor of the Orquestra Simfònica de Barcelona. Childress has been praised for her interpretations of Mozart operas, and will make her debut at the Paris Opera in 2027. She was assistant conductor of the St. Louis Symphony Orchestra from 2021-2023 and was one of the first to be accepted into the training academy at the Paris National Opera.

Endre Rydland Vetås grew up on Radøy outside Bergen and took his first steps in music life within the local brass band movement. He later studied at the Norwegian Academy of Music under Aline Nistad. Vetås established himself professionally early. At the age of 19, he was hired as a solo trombonist in the Kristiansand Symphony Orchestra. In 2017, he moved to Sweden and the Gothenburg Symphony Orchestra, where he has been the orchestra's solo trombonist since spring 2025. In addition to his regular orchestral work, Vetås appeares as soloist, is an active chamber musician and has toured Europe with the Nordic Brass Ensemble. He is also a regular guest in the contemporary music ensemble called Gageego!. Endre Vetås is passionate about the next generation of trombonists and is committed to young talents, including through YOMA (Young Musicians Academy) in Vänersborg.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

Nino Rota (1911–1979) Trombone Concerto The Italian composer Nino Rota was extremely prolific, achieving his greatest renown for his film scores. Between 1952 and 1978, he composed the music for every film directed by Federico Fellini. He also composed scores for other masterpieces such as The Godfather, Romeo and Juliet (1968), and The Leopard (1963). His various works for orchestra and solo instruments display a blend of technical skill and simplicity. The Trombone Concerto premiered in Milan in 1969, performed by the dedicated soloist Bruno Ferrari. Utilizing a reduced orchestra, well-defined rhythms, and the full range of the solo instrument's capabilities, Rota created one of the most beautiful concertos written for the trombone. It has been recorded by artists including the Swedish trombonist Christian Lindberg.

Beethoven really had to struggle with his music. He worked meticulously on every detail, and the work is still extant in his sketchbooks. Even the seemingly obvious opening of the Fifth Symphony, the knocking on the door of fate that immediately seizes the listener and which seems to be such an unshakable thought, undergoes a series of transformations in the sketches that are difficult to understand in retrospect. The energetic scherzo transition in the finale has undergone countless phases of development. The sketches also show that Beethoven originally did not at all envision a finale in a triumphant major, but in a minor key. Beethoven's Fifth is certainly worthy of all the admiring attention it receives. It is the result of the tribulations of a hard-working genius.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra. She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.

Endre Rydland Vetås grew up on Radøy outside Bergen and took his first steps in music life within the local brass band movement. He later studied at the Norwegian Academy of Music under Aline Nistad. Vetås established himself professionally early. At the age of 19, he was hired as a solo trombonist in the Kristiansand Symphony Orchestra. In 2017, he moved to Sweden and the Gothenburg Symphony Orchestra, where he has been the orchestra's solo trombonist since spring 2025. In addition to his regular orchestral work, Vetås appeares as soloist, is an active chamber musician and has toured Europe with the Nordic Brass Ensemble. He is also a regular guest in the contemporary music ensemble called Gageego!. Endre Vetås is passionate about the next generation of trombonists and is committed to young talents, including through YOMA (Young Musicians Academy) in Vänersborg.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

Nino Rota (1911–1979) Trombone Concerto The Italian composer Nino Rota was extremely prolific, achieving his greatest renown for his film scores. Between 1952 and 1978, he composed the music for every film directed by Federico Fellini. He also composed scores for other masterpieces such as The Godfather, Romeo and Juliet (1968), and The Leopard (1963). His various works for orchestra and solo instruments display a blend of technical skill and simplicity. The Trombone Concerto premiered in Milan in 1969, performed by the dedicated soloist Bruno Ferrari. Utilizing a reduced orchestra, well-defined rhythms, and the full range of the solo instrument's capabilities, Rota created one of the most beautiful concertos written for the trombone. It has been recorded by artists including the Swedish trombonist Christian Lindberg.

Beethoven really had to struggle with his music. He worked meticulously on every detail, and the work is still extant in his sketchbooks. Even the seemingly obvious opening of the Fifth Symphony, the knocking on the door of fate that immediately seizes the listener and which seems to be such an unshakable thought, undergoes a series of transformations in the sketches that are difficult to understand in retrospect. The energetic scherzo transition in the finale has undergone countless phases of development. The sketches also show that Beethoven originally did not at all envision a finale in a triumphant major, but in a minor key. Beethoven's Fifth is certainly worthy of all the admiring attention it receives. It is the result of the tribulations of a hard-working genius.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra. She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.

Endre Rydland Vetås grew up on Radøy outside Bergen and took his first steps in music life within the local brass band movement. He later studied at the Norwegian Academy of Music under Aline Nistad. Vetås established himself professionally early. At the age of 19, he was hired as a solo trombonist in the Kristiansand Symphony Orchestra. In 2017, he moved to Sweden and the Gothenburg Symphony Orchestra, where he has been the orchestra's solo trombonist since spring 2025. In addition to his regular orchestral work, Vetås appeares as soloist, is an active chamber musician and has toured Europe with the Nordic Brass Ensemble. He is also a regular guest in the contemporary music ensemble called Gageego!. Endre Vetås is passionate about the next generation of trombonists and is committed to young talents, including through YOMA (Young Musicians Academy) in Vänersborg.