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3 concerts
2025-05-25 11:00 Dresden Kulturpalast
Göteborgs Symfoniker
Programme
Frédéric Chopin (1810–1849)
Piano Concerto No. 1
Allegro maestoso
Romanze - Largetto
Rondo – Vivace
Chopin's piano concerto in E minor was published in 1833, and "the second" in F minor in 1836 (although he had already composed it at age 19). Both reflect his fondness for Bellini's operas, especially Norma, whose ornaments he adapted and personified. The main theme is introduced by the orchestra at considerable length, adding to the tension. Once the piano enters, glowing lyrical ornaments follow. Chopin was sometimes criticized for focusing more on the strength of the piano than on the qualities of the orchestra, but this probably contributed to his success with audiences.
The second movement is slow and caressing. Chopin wrote under the composition: "I am using muted strings - I wonder how they will sound?" He described the largetto as having "a romantic, calm and rather melancholic character ... a kind of moonlight dream on a beautiful spring night." The main theme of the rondo in E major has been likened to a polka or krakowiac (also a dance). Chopin modulates to A major, and before the refreshing final clip, he moves into E flat, then B flat in the section's return.
The Piano Concerto in E minor was first performed in Warsaw in 1830 with Chopin as soloist, shortly before he left his homeland for Paris and never returned.
Peter Tchaikovsky (1840-1893)
Symphony No. 6 Pathetique Op 74
Adagio;Allegro non troppo - Allegro con grazia - Allegro molto vivace - Finale:Adagio lamentoso
Few symphonies contain as many outbursts of emotion and sudden mood swings as Tchaikovsky's Sixth, with the telling title Pathétique ("passionate suffering"). It reflects his manic-depressive personality, he suffered throughout his life from crises and often struggled with illness and depression. Tchaikovsky's death in Saint Petersburg, just nine days after he conducted the premiere, also gave the work a tragic aura right from the start. It was even said that the music deliberately foreshadowed his own death, which occurred after he drank cholera-tainted water. Even today, musicologists disagree whether it was an accident or a forced suicide, to avoid public scandal as a homosexual.
Is the sixth symphony really a self-composed requiem? This theory is fueled by the "dark" key of B minor, which stands for great passion and tragedy, and by the unusual structure. The main motif that runs throughout the work consists of a plaintive, descending second interval. The gloomy character of the symphony is clear already in the first movement, with its slow, dark introduction. The second movement is reminiscent of Don José's flower aria from Bizet's opera Carmen, which Tchaikovsky greatly admired. Towards the end of the movement there is a chorale-like funeral march, and even a quote from the Russian Orthodox funeral liturgy. The second movement provides some lightening, and Tchaikovsky wrote it in an elegant 5/4 time signature, which is a fairly common time signature in Russian folk music. The "limping" character makes the movement almost humorous, despite the loving waltz or minuet-like style.
In the third movement he returns to the march as idea, but it begins as an cheerful scherzo that gradually unfolds in its full life-affirming power. The fourth movement is the most famous in the symphony, and is partly reminiscent of a mournful requiem. The main theme is characterized by sighing motifs, and at the end the music fades into a low string chord in B minor.
Tchaikovsky considered the symphony to be his most important, most personal composition, but the premiere was received cautiously.
Participants
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland.
He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic.
International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher.
During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.
Seong-Jin Cho gained attention in 2015 when he won the International Chopin Competition in Warsaw. In 2016 he signed an exclusive contract with Deutsche Grammophon and in 2023 he was awarded the prestigious Samsung Ho-Am Prize in the Arts. Cho collaborates with the world's leading orchestras including the Berlin Philharmonic, the Vienna Philharmonic, the London Symphony Orchestra, the Orchester de Paris, the New York Philharmonic and the Philadelphia Orchestra. He works with conductors such as Myung-Whun Chung, Gustavo Dudamel, Andris Nelsons, Yannick Nézet-Séguin, Gianandrea Noseda, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen and Lahav Shani.
In the 2024/25 season Seong-Jin Cho takes up the mantle of Artist in Residence with the Berliner Philharmoniker. He notably returns to London’s BBC Proms, to the Philadelphia Orchestra to open their season with Yannick Nézet-Séguin, to New York Philharmonic and Chicago Symphony Orchestra with Santtu-Matias Rouvali, and to The Cleveland Orchestra under Franz Welser-Möst. Cho embarks on several international tours, including his notable return to Wiener Philharmoniker with Andris Nelsons in Korea and to Symphonieorchester des Bayerischen Rundfunks with Sir Simon Rattle in Korea, Japan, and Taiwan, following a performance of Brahms Piano Concerto. No. 2 in Munich.
Born in 1994 in Seoul, Seong-Jin Cho gave his first public solo concert aged 11. In 2009, he became the youngest ever winner of Japan's Hamamatsu International Piano Competition. Seong-Jin Cho is now based in Berlin. He visited Sweden in the spring of 2024 and performed with the Swedish Royal Philharmonic at a guest concert in Gothenburg.
Maurice Ravel (1875-1937)
Piano Concerto G Major
Allegramente - Adagio assai - Presto
After a long tour of the United States in 1928, Ravel wrote his last three major works the following year: the super hit Bolero and two piano concertos. The journey can be felt above all in the Piano Concerto in G major, which was influenced by the blues, the freedom of jazz and the rhythms of New York nightclubs. On the trip, Ravel also met George Gershwin. The American composer knew what the pulse of a big city and modernity should sound like. Ravel was inspired by the style. Despite the presence of jazz, the work is elaborated with Ravel's meticulous precision and French elegance – the orchestral sounds of the wind, every drum beat and syncopation, every bluesy piano chord and glissando have their exact place.
The two outer movements of the work crackle with energy, rhythmic precision and virtuosity, but it is in the slow middle movement that Ravel opens his most intimate space. The movement’s opening three-minute solo on the piano, which hovers silently, is reminiscent of Erik Satie. The keys speak with deep humanity and the simple, almost pastoral melody slowly unfolds in an endless line. When the clarinet and flute then respond to the piano in a languid dialogue, it is as if time has stood still.
The Piano Concerto in G major is the last major work in which Ravel was in full artistic control – a shimmering farewell from one of the most refined musical poets of the 20th century.
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland.
He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic.
International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher.
During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.
Maurice Ravel (1875-1937)
Piano Concerto G Major
Allegramente - Adagio assai - Presto
After a long tour of the United States in 1928, Ravel wrote his last three major works the following year: the super hit Bolero and two piano concertos. The journey can be felt above all in the Piano Concerto in G major, which was influenced by the blues, the freedom of jazz and the rhythms of New York nightclubs. On the trip, Ravel also met George Gershwin. The American composer knew what the pulse of a big city and modernity should sound like. Ravel was inspired by the style. Despite the presence of jazz, the work is elaborated with Ravel's meticulous precision and French elegance – the orchestral sounds of the wind, every drum beat and syncopation, every bluesy piano chord and glissando have their exact place.
The two outer movements of the work crackle with energy, rhythmic precision and virtuosity, but it is in the slow middle movement that Ravel opens his most intimate space. The movement’s opening three-minute solo on the piano, which hovers silently, is reminiscent of Erik Satie. The keys speak with deep humanity and the simple, almost pastoral melody slowly unfolds in an endless line. When the clarinet and flute then respond to the piano in a languid dialogue, it is as if time has stood still.
The Piano Concerto in G major is the last major work in which Ravel was in full artistic control – a shimmering farewell from one of the most refined musical poets of the 20th century.
Compared to the Fourth Symphony, Sibelius's Fifth Symphony is colorful and vibrant, heroic and accessible. But equally it required more work than the brooding and introverted four. No other work caused him so much trouble.
"Walked in the cold spring sun. Had a violent impression of Symphony No. 5. The new one!" "Saw today (April 21, 1915) ten before eleven 16 swans. One of the greatest impressions of my life! ... The sound of the same woodwind type as the cranes, but without tremolo. The swans are closer to the trumpet although the sarrusophone sound is clear. Nature mystery and life's woe! The fifth symphony's final theme."
The first movement consists of two parts. The first of these begins with a true pastoral idyll, with signal horn motifs and responding woodwinds. Throughout this part the experience of nature is strong, but in the second part of the movement the music takes on a more scherzo-like character. In the slow movement, the idyllic returns, this time with a graceful, almost rococo elegance. "In the background wander the ever-changing cloud formations of the clarinets, bassoons and horns." The finale's main theme shines through an impressionistic shimmer of strings, which contrasts with the swan theme of the trumpets. And then the doomed, severely isolated chords that end this architectural masterpiece.
STIG JACOBSSON
Participants
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland.
He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic.
International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher.
During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.