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Brahms's Violin Sonata in G major, composed at the height of his creative career after completing Symphony No. 1 and the Violin Concerto, is a brilliantly lyrical work with long melodies rather than concise themes. The opening Vivace, considerably slowed by its modifying ma non troppo, has two lyrical themes. The central Adagio is in tripartite form, with a heartfelt main theme full of double and triple registers in the violin. The concluding Allegro molto moderato begins with a direct quotation from Brahms' Regenlied (Rain Song), a melancholic minor-key song recalling the long-gone days of youth.

Brahms's second violin sonata is sometimes called the Thun sonata because it was composed at the Swiss lake, a beloved retreat that Brahms visited for three summers in a row, starting in 1886. Here his inner feelings were released. He wrote the sonata "while waiting for the arrival of a dear friend". The friend in question was the young, beautiful singer Hermine Spies, with whom he had a very intense and noted love affair at the time. This may also be the explanation for why Brahms quotes a couple of his own songs in his bright and charged music, the lyrics of which can be given loving associations.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

Since his debut with the Royal Swedish Philharmonic in 1981, pianist Roland Pöntinen has appeared with major orchestras all over the world, including the Philharmonia Orchestra in London, the Los Angeles Philharmonic, the Scottish Chamber Orchestra and at the BBC Proms. His repertoire ranges from Bach to Ligeti, with an emphasis on the “golden era” of piano literature with composers such as Debussy, Busoni, Szymanowski and Rachmaninov. He has performed the complete cycles of Beethoven’s sonatas and Liszt’s Années de Pèlerinage. Composers such as Sven-Erik Bäck, Veli-Matti Puumala, Anders Eliasson and Anders Hillborg have dedicated works to him, and in 2007 he premiered Shchedrin’s Romantic Duets with the composer at the Verbier Festival. As a chamber musician, Roland Pöntinen has worked with prominent artists such as Barbara Hendricks, Janine Jansen, Nobuko Imai, Peter Mattei, Martin Fröst, Christian Lindberg and Nicolai Gedda. He has played Rachmaninoff's Paganini Rhapsodies with the Liverpool Philharmonic Orchestra, Shostakovich's First Piano Concerto with the Orchestre de La Suisse Romande, the Schumann Concerto with the Gothenburg Symphony Orchestra and Messiaen's Turangalîla Symphony in 2017 with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. Roland Pöntinen is also active as a composer.

Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

Lisa Ford has been the principal horn player in the Gothenburg Symphony Orchestra for 30 years. Lisa is an active chamber musician and soloist and a member of the ensemble Gageego!. She is a senior lecturer at the Gothenburg Academy of Music and Performing Arts and a mentor in the master's program in symphony orchestra performance, she is a horn teacher and teaches wind and chamber music ensembles. Lisa Ford is educated at the Interlochen Arts Academy. She has been a member of the Civic Orchestra of Chicago and has a diploma from the Norwegian Academy of Music, NMH. She was previously assistant principal horn player in the San Diego Symphony Orchestra. She is also a certified professional coach.

Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.

Brahms's Violin Sonata in G major, composed at the height of his creative career after completing Symphony No. 1 and the Violin Concerto, is a brilliantly lyrical work with long melodies rather than concise themes. The opening Vivace, considerably slowed by its modifying ma non troppo, has two lyrical themes. The central Adagio is in tripartite form, with a heartfelt main theme full of double and triple registers in the violin. The concluding Allegro molto moderato begins with a direct quotation from Brahms' Regenlied (Rain Song), a melancholic minor-key song recalling the long-gone days of youth.

Brahms's second violin sonata is sometimes called the Thun sonata because it was composed at the Swiss lake, a beloved retreat that Brahms visited for three summers in a row, starting in 1886. Here his inner feelings were released. He wrote the sonata "while waiting for the arrival of a dear friend". The friend in question was the young, beautiful singer Hermine Spies, with whom he had a very intense and noted love affair at the time. This may also be the explanation for why Brahms quotes a couple of his own songs in his bright and charged music, the lyrics of which can be given loving associations.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

Erik Risberg was employed as a pianist in the Gothenburg Symphony Orchestra from 1995 to 2023, also performing on organ, harpsichord and other keyboard instruments. He regularly performed as a chamber musician, including in a piano duo with Bengt Forsberg. Erik Risberg has also been a valued teacher of musical performance at the Gothenburg Academy of Music and Drama for many years and also gives introductions at the Symphony Orchestra's concerts.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.

The last of Brahms' violin sonatas took two years to write and, unlike the two previous violin sonatas, is in four movements. The sonata is dedicated to Brahms' friend and colleague Hans von Bülow and was first performed in Budapest in 1888. In contrast to his lyrical and sunnier works, this sonata has a darker and stormier feel.