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Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Anna Clyne (f 1980) Abstractions Abstractions is a suite in five movements inspired by five contrasting contemporary artworks from the Baltimore Museum of Art and from the private collection of Rheda Becker and Robert Meyerhoff. The work premiered in North Bethesda, Maryland in 2016 with the Baltimore Symphony conducted by Marin Alsop. "By drawing inspiration from these works of art, I have tried to capture emotions or imagery that they evoke, the concept of the work or the process that the artists adopted. Some common threads between the artworks are their use of limited color palettes, references to nature and capturing time as a flowing stream, distilling and preserving it for us to contemplate. I was also attracted to the structures in these works, which at first glance could be seen as random, and even chaotic, but which are in fact created within a sense of order – they feel both dynamic and structural.” (Anna Clyne)

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra. She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.

The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas. GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.

Birgitta Mannerström-Molin is a choir conductor and singing teacher. She also teaches at the University of Stage and Music in Gothenburg and is involved as a course instructor and choir conductor at national level. She has also been involved in the development of El Sistema in Sweden and is the conductor and artistic advisor for Side by Side by El Sistema, which is performed every year by the Gothenburg Symphony. In 2016, Birgitta Mannerström-Molin was appointed Children's and Youth Choir leader of the Year. She is also a teacher at Hvitfeldtska Musikgymnasiet and project leader for young people at Sweden's Church Song Association.

Michail Glinka (1804-1857) Capriccio Brillante (Spanish ouverture nr 1) In 1844, Michail Glinka – “the father of Russian music” – left his homeland for Spain. Earlier, Glinka had shown great interest in Russian folk music. Now it was instead the Spanish that attracted. Spain in the 19th century had something foreign and exotic about it. After the golden age of the 17th century, the country had lost influence and become more culturally isolated. From a Western point of view, the country behaved on one hand superstitious and religious, on the other sinful and carnal. But unlike many others, Glinka actually tried to familiarize himself with their culture. He even learned Spanish. In Castile and Aragon, Glinka met the popular dance "jota aragonesa". Based on it, he wrote his first Spanish piece, Capriccio Brillante, or Spanish Overture No. 1, in which a light and dancing theme, after a dramatic introduction, blossoms and increases in intensity into pizzicati and castanets. Whether it is more authentic or not, we can leave unsaid.

Nikolaj Kapustin (1937-2020) Concerto No. 5 for piano and orchestra The interest in Nikolaj Kapustin's jazz-flavored music has only increased over the past 20 years. Not least thanks to recordings by pianists such as Yuja Wang, Marc-André Hamelin and Frank Dupree. Kapustin was born in 1937 in the town of Horlivka in eastern Ukraine. He had one foot in classical music and the other in jazz, which gave rise to his particular style. He himself never considered himself a jazz musician. He also never really stuck to improvising. However, the influences are clear. His improvisationally inspired piano music has been compared to, among others, Oscar Peterson. The Fifth Piano Concerto was composed in 1993 and consists of five movements in one sweep. It did not make its debut until 2023 in Germany. Kapustin appears here as Russia's answer to George Gershwin, only slightly wilder and more modern. After a short introduction, the piano enters with the instruction "a piacere" - as you wish! – and without a bar. Despite a very careful notation, the work gives a free and spontaneous expression. And it's fast!

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Nikolai Rimsky-Korsakov (1844-1908) Capriccio espagnol Alborada - Variazioni - Alborada - Scena e canto gitano - Fandango asturiano Considering the interest that Michail Glinka devoted to Spanish music, it is perhaps not difficult to imagine that something would also rub off on his student Nikolai Rimsky-Korsakov. In 1887 he wrote his great Spanish piece, Spanish capriccio in five movements for orchestra, in which he also explores Spanish rhythms and harmonies. This spanish capriccio would become one of Rimsky-Korsakov's most popular works. It was quickly followed in time by two more major orchestral works, the Russian Easter Overture and Scheherazade, which together demonstrate his orchestration and sensitivity to each instrument's personal timbre and technical possibilities. The spanish suite has its starting point in a fast and playful theme with inspiration from a dance from the region Asturias. The theme then returns in the middle movement in new combinations – and also towards the end where another Asturian dance plays the main role. With Rimsky-Korsakov, the spanish sound gets a sonorous and glittering design with lots of percussion and cymbals.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland. He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic. International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher. During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.

Frank Dupree is one of the new generation's most versatile pianists and conductors. With infectious energy and unbridled enthusiasm, Dupree captivates audiences not only as a soloist, but also as a conductor and leader of his own jazz ensemble, the Frank Dupree Trio. Dupree's recordings of Nikolai Kapustin's piano concertos have attracted great international attention. Since 2023, he is artistic partner of the Württemberg Chamber Orchestra Heilbronn. During the 2024-2025 season, he will make his debut with London Symphony Orchestra, Frankfurt Radio Orchestra and Gothenburg Symphony Orchestra. Re-invitations take him to the SWR Symphony Orchestra, Stuttgarter Philharmoniker, Dortmunder Philharmoniker, Münchner Symphoniker, Robert Schumann Philharmonie Chemnitz, Göttinger Symphonie Orchester and Sinfonieorchester Liechtenstein. He also performs chamber music at the Alte Oper Frankfurt, Tonhalle Zürich, Konzerthaus Wien, Brucknerhaus Linz and Concertgebouw Amsterdam. He has previously played with Malmö Symphony Orchestra and conducted and played at Malmö Opera. With his trio (Jakob Krupp, double bass and Obi Jenne, drums), Dupree explores the intersection between jazz and classical music. Dupree's great interest in contemporary music is reflected in the premieres he has played both on record and on stage, and close collaborations with composers such as Wolfgang Rihm, HK Gruber, Péter Eötvös, Christian Jostand and Daníel Bjarnason. Dupree was born in 1991 in Rastatt, Germany, and is also an artist for Steinway.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Early in his career, the young Lars-Erik Larsson traveled to Vienna to learn twelve-tone music. But it was as a civil servant at Radiotjänst (now Sveriges Radio) that he blossomed as a composer. He was hired in 1937 and that same year also saw the start of Dagens Dikt, a program accompanied by Larsson's music. With works such as Pastoral Suite and Förklädd gud, which were included in other radio programs, Lars-Erik Larsson became one of Sweden's greatest and most beloved composers of the 20th century. The text for the lyrical suite Förklädd gud is taken from the poems of Love in 21st Century by Hjalmar Gullberg (1933), also from Skåne and one of the radio's employees. The music, written for reciter, soprano, baritone, choir and orchestra, moves between pastoral sounds, Nordic folk tones and neoclassicism. Larsson lets the choir's soft harmonies carry Gullberg's humanistic message while the soloists give the story both intimacy and brilliance. When Förklädd gud was first performed on the radio in 1940, a world war was raging on the continent. In a time of deep unrest, the music became a quiet respite of hope. The entire work breathes the same idea: that the divine is found in the simple and everyday life. Gods still walk this earth. One of them may be sitting at your table.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Early in his career, the young Lars-Erik Larsson traveled to Vienna to learn twelve-tone music. But it was as a civil servant at Radiotjänst (now Sveriges Radio) that he blossomed as a composer. He was hired in 1937 and that same year also saw the start of Dagens Dikt, a program accompanied by Larsson's music. With works such as Pastoral Suite and Förklädd gud, which were included in other radio programs, Lars-Erik Larsson became one of Sweden's greatest and most beloved composers of the 20th century. The text for the lyrical suite Förklädd gud is taken from the poems of Love in 21st Century by Hjalmar Gullberg (1933), also from Skåne and one of the radio's employees. The music, written for reciter, soprano, baritone, choir and orchestra, moves between pastoral sounds, Nordic folk tones and neoclassicism. Larsson lets the choir's soft harmonies carry Gullberg's humanistic message while the soloists give the story both intimacy and brilliance. When Förklädd gud was first performed on the radio in 1940, a world war was raging on the continent. In a time of deep unrest, the music became a quiet respite of hope. The entire work breathes the same idea: that the divine is found in the simple and everyday life. Gods still walk this earth. One of them may be sitting at your table.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

Edward Elgar (1857 – 1934) Variations on an Original Theme (Enigma) The word enigma (riddle) says something about one of English music's most notorious orchestral suites. Part of the puzzle can be found in the subtitles of the different variation sets (14 in number) where name initials are preferably written. These recall various people who had a tangible impact on Elgar. From his wife, a musician, to close friends. Not infrequently their names form the melodic and even rhythmic variations which the original theme undergoes, but more clearly they are found in the temperament of the movements and sonorous execution of the characteristic of his friends. In everything from almost didactic interpretations, such as the sixth movement's play with string changes, which recalls one of his viola adepts' struggle with this very thing, or as in the most beloved ninth movement ("Nimrod"), where the conversations with Elgar's publisher shine through through the numerous musical references to Beethoven. The second riddle of the Enigma Variations remains unsolved to this day. It is said that there is a red thread hidden through the variations, identified by some as a melody, by others as an element of form, but we probably do best not to look too closely, but to do as Elgar emphasized already at the premiere: "but the work can be listened to to as a 'piece of music' free of any extra-musical references.” It is in the sound that the music has survived the centuries, the enigma is probably ultimately woven into a creative process that has long since ended. ESAIAS JÄRNEGARD

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Alexander Borodin (1833-1887) Symphony No. 2 Alexander Borodin composed his second symphony over a long period of time, between 1869 and 1876, and continued to polish it until his death. In his early works, he was influenced by classical music that originated in Russian folk music. The second symphony shows a developed and more original style. The symphony opens with a powerful unison theme that gives associations to Beethoven's Fifth. There is plenty of drama there. Parts of the symphony's material were also originally written for the abandoned opera Prince Igor (which he then picked up again in 1874). In the light and exuberant second movement, you can hear how Borodin was inspired by new brass instruments that he got to see and feel thanks to Rimsky-Korsakov. The finale is an exuberant and grand finale in major.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.