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Highlighting the home region was an expression of Finnish patriotism and the fight for freedom, which was highly relevant in Sibelius' time. One of the more effective artistic expressions of that time was the equivalent of today's art installation: the so-called tableau. Imagine a stage with natural environments, backdrops, props and decorations (scenography, that is) and place real and living people in this room, standing motionless in predetermined poses with convincing expressions. The Vyborg student department at the University of Helsinki had decided to depict important events in the history of Karelia, and Sibelius was asked to write music for these tableaus. The Karelian city of Vyborg was founded by Swedes at the end of the 13th century and was Finland's second largest city until World War II. A contemporary description of the three tableaux reads: Intermezzo: "To the sounds of fanfares and festive processional music, the people of Karelia carry out their tribute to a Lithuanian prince." Ballad: "Karl Knutsson, overthrown from his throne, listens to a monotonous stylized Finnish song and then dreams himself back to the moods of bygone years, colored by a Scandinavian ballad: the girl in the 'rose haven'." Alla marcia: "Pontus de la Gardie and his troops march towards Kexholm Castle on the vast Lake Ladoga." Sibelius originally composed an overture and music for eight tableaux. The overture was published as an independent work, and parts of tableaux nos. 3, 4 and 5 as this Karelia Suite.

Wilhelm Stenhammar was a brilliant pianist who played Beethoven and Mozart's concertos as a soloist, and he toured the whole country with piano recitals or as a chamber musician. He was also one of the foremost Swedish conductors of the time and as such director of the Gothenburg Symphony Orchestra for many years. In addition, he was a romantic composer with a classical and clear musical language. His two symphonies and piano concertos, the serenade for orchestra, choral works, string quartets, songs and piano pieces are among the most beloved Swedish standard repertoire. He was very self-critical, and after listening to his colleague and friend Jean Sibelius's second symphony, he no longer wanted to hear about his own first - and he waited decades before he dared to write his second. The piece Reverenza has a peculiar background. "I want to write as beautifully about the South as only a Northerner can," Stenhammar wrote in a letter. He wants to write about "flutes and oboes that quintillate like thrushes," about "long, sucking string phrases," about "something at the same time sensual and spiritual, about the strong scent of flowers in pure, sunny air." He was in Florence when he began thinking about Serenade for orchestra in March 1907, which was completed in 1914. A brilliant movement of its own came to live a life of its own under the name Reverenza. It is now often played as a standalone piece, a kind of minuet pastiche, unless one chooses to let it ring in its original place during performances of the Serenade.

Andreas Hanson is leader of the Västra Götalands Youth Symphony from 2025. He studied conducting at the Royal Academy of Music in Stockholm, London and Milan. He is a guest conductor of the major Swedish orchestras and appears as a guest conductor in Europe. He has recorded nearly 20 albums for BIS, Serpent and Chandos. With a strong passion for contemporary music, he has premiered over a hundred contemporary works. After decades as chief conductor of national wind ensembles, Andreas Hanson has also built up an extensive repertoire knowledge of Nordic musical treasures and symphonic wind music. He has a great commitment to the next generation of musicians and conductors and to the music creation of the future. He is teaching conducting at the Royal Academy of Music and works with Dirigentløftet in Norway.

Highlighting the home region was an expression of Finnish patriotism and the fight for freedom, which was highly relevant in Sibelius' time. One of the more effective artistic expressions of that time was the equivalent of today's art installation: the so-called tableau. Imagine a stage with natural environments, backdrops, props and decorations (scenography, that is) and place real and living people in this room, standing motionless in predetermined poses with convincing expressions. The Vyborg student department at the University of Helsinki had decided to depict important events in the history of Karelia, and Sibelius was asked to write music for these tableaus. The Karelian city of Vyborg was founded by Swedes at the end of the 13th century and was Finland's second largest city until World War II. A contemporary description of the three tableaux reads: Intermezzo: "To the sounds of fanfares and festive processional music, the people of Karelia carry out their tribute to a Lithuanian prince." Ballad: "Karl Knutsson, overthrown from his throne, listens to a monotonous stylized Finnish song and then dreams himself back to the moods of bygone years, colored by a Scandinavian ballad: the girl in the 'rose haven'." Alla marcia: "Pontus de la Gardie and his troops march towards Kexholm Castle on the vast Lake Ladoga." Sibelius originally composed an overture and music for eight tableaux. The overture was published as an independent work, and parts of tableaux nos. 3, 4 and 5 as this Karelia Suite.

Wilhelm Stenhammar was a brilliant pianist who played Beethoven and Mozart's concertos as a soloist, and he toured the whole country with piano recitals or as a chamber musician. He was also one of the foremost Swedish conductors of the time and as such director of the Gothenburg Symphony Orchestra for many years. In addition, he was a romantic composer with a classical and clear musical language. His two symphonies and piano concertos, the serenade for orchestra, choral works, string quartets, songs and piano pieces are among the most beloved Swedish standard repertoire. He was very self-critical, and after listening to his colleague and friend Jean Sibelius's second symphony, he no longer wanted to hear about his own first - and he waited decades before he dared to write his second. The piece Reverenza has a peculiar background. "I want to write as beautifully about the South as only a Northerner can," Stenhammar wrote in a letter. He wants to write about "flutes and oboes that quintillate like thrushes," about "long, sucking string phrases," about "something at the same time sensual and spiritual, about the strong scent of flowers in pure, sunny air." He was in Florence when he began thinking about Serenade for orchestra in March 1907, which was completed in 1914. A brilliant movement of its own came to live a life of its own under the name Reverenza. It is now often played as a standalone piece, a kind of minuet pastiche, unless one chooses to let it ring in its original place during performances of the Serenade.

Andreas Hanson is leader of the Västra Götalands Youth Symphony from 2025. He studied conducting at the Royal Academy of Music in Stockholm, London and Milan. He is a guest conductor of the major Swedish orchestras and appears as a guest conductor in Europe. He has recorded nearly 20 albums for BIS, Serpent and Chandos. With a strong passion for contemporary music, he has premiered over a hundred contemporary works. After decades as chief conductor of national wind ensembles, Andreas Hanson has also built up an extensive repertoire knowledge of Nordic musical treasures and symphonic wind music. He has a great commitment to the next generation of musicians and conductors and to the music creation of the future. He is teaching conducting at the Royal Academy of Music and works with Dirigentløftet in Norway.

Highlighting the home region was an expression of Finnish patriotism and the fight for freedom, which was highly relevant in Sibelius' time. One of the more effective artistic expressions of that time was the equivalent of today's art installation: the so-called tableau. Imagine a stage with natural environments, backdrops, props and decorations (scenography, that is) and place real and living people in this room, standing motionless in predetermined poses with convincing expressions. The Vyborg student department at the University of Helsinki had decided to depict important events in the history of Karelia, and Sibelius was asked to write music for these tableaus. The Karelian city of Vyborg was founded by Swedes at the end of the 13th century and was Finland's second largest city until World War II. A contemporary description of the three tableaux reads: Intermezzo: "To the sounds of fanfares and festive processional music, the people of Karelia carry out their tribute to a Lithuanian prince." Ballad: "Karl Knutsson, overthrown from his throne, listens to a monotonous stylized Finnish song and then dreams himself back to the moods of bygone years, colored by a Scandinavian ballad: the girl in the 'rose haven'." Alla marcia: "Pontus de la Gardie and his troops march towards Kexholm Castle on the vast Lake Ladoga." Sibelius originally composed an overture and music for eight tableaux. The overture was published as an independent work, and parts of tableaux nos. 3, 4 and 5 as this Karelia Suite.

Wilhelm Stenhammar was a brilliant pianist who played Beethoven and Mozart's concertos as a soloist, and he toured the whole country with piano recitals or as a chamber musician. He was also one of the foremost Swedish conductors of the time and as such director of the Gothenburg Symphony Orchestra for many years. In addition, he was a romantic composer with a classical and clear musical language. His two symphonies and piano concertos, the serenade for orchestra, choral works, string quartets, songs and piano pieces are among the most beloved Swedish standard repertoire. He was very self-critical, and after listening to his colleague and friend Jean Sibelius's second symphony, he no longer wanted to hear about his own first - and he waited decades before he dared to write his second. The piece Reverenza has a peculiar background. "I want to write as beautifully about the South as only a Northerner can," Stenhammar wrote in a letter. He wants to write about "flutes and oboes that quintillate like thrushes," about "long, sucking string phrases," about "something at the same time sensual and spiritual, about the strong scent of flowers in pure, sunny air." He was in Florence when he began thinking about Serenade for orchestra in March 1907, which was completed in 1914. A brilliant movement of its own came to live a life of its own under the name Reverenza. It is now often played as a standalone piece, a kind of minuet pastiche, unless one chooses to let it ring in its original place during performances of the Serenade.

Andreas Hanson is leader of the Västra Götalands Youth Symphony from 2025. He studied conducting at the Royal Academy of Music in Stockholm, London and Milan. He is a guest conductor of the major Swedish orchestras and appears as a guest conductor in Europe. He has recorded nearly 20 albums for BIS, Serpent and Chandos. With a strong passion for contemporary music, he has premiered over a hundred contemporary works. After decades as chief conductor of national wind ensembles, Andreas Hanson has also built up an extensive repertoire knowledge of Nordic musical treasures and symphonic wind music. He has a great commitment to the next generation of musicians and conductors and to the music creation of the future. He is teaching conducting at the Royal Academy of Music and works with Dirigentløftet in Norway.

Highlighting the home region was an expression of Finnish patriotism and the fight for freedom, which was highly relevant in Sibelius' time. One of the more effective artistic expressions of that time was the equivalent of today's art installation: the so-called tableau. Imagine a stage with natural environments, backdrops, props and decorations (scenography, that is) and place real and living people in this room, standing motionless in predetermined poses with convincing expressions. The Vyborg student department at the University of Helsinki had decided to depict important events in the history of Karelia, and Sibelius was asked to write music for these tableaus. The Karelian city of Vyborg was founded by Swedes at the end of the 13th century and was Finland's second largest city until World War II. A contemporary description of the three tableaux reads: Intermezzo: "To the sounds of fanfares and festive processional music, the people of Karelia carry out their tribute to a Lithuanian prince." Ballad: "Karl Knutsson, overthrown from his throne, listens to a monotonous stylized Finnish song and then dreams himself back to the moods of bygone years, colored by a Scandinavian ballad: the girl in the 'rose haven'." Alla marcia: "Pontus de la Gardie and his troops march towards Kexholm Castle on the vast Lake Ladoga." Sibelius originally composed an overture and music for eight tableaux. The overture was published as an independent work, and parts of tableaux nos. 3, 4 and 5 as this Karelia Suite.

Wilhelm Stenhammar was a brilliant pianist who played Beethoven and Mozart's concertos as a soloist, and he toured the whole country with piano recitals or as a chamber musician. He was also one of the foremost Swedish conductors of the time and as such director of the Gothenburg Symphony Orchestra for many years. In addition, he was a romantic composer with a classical and clear musical language. His two symphonies and piano concertos, the serenade for orchestra, choral works, string quartets, songs and piano pieces are among the most beloved Swedish standard repertoire. He was very self-critical, and after listening to his colleague and friend Jean Sibelius's second symphony, he no longer wanted to hear about his own first - and he waited decades before he dared to write his second. The piece Reverenza has a peculiar background. "I want to write as beautifully about the South as only a Northerner can," Stenhammar wrote in a letter. He wants to write about "flutes and oboes that quintillate like thrushes," about "long, sucking string phrases," about "something at the same time sensual and spiritual, about the strong scent of flowers in pure, sunny air." He was in Florence when he began thinking about Serenade for orchestra in March 1907, which was completed in 1914. A brilliant movement of its own came to live a life of its own under the name Reverenza. It is now often played as a standalone piece, a kind of minuet pastiche, unless one chooses to let it ring in its original place during performances of the Serenade.

Andreas Hanson is leader of the Västra Götalands Youth Symphony from 2025. He studied conducting at the Royal Academy of Music in Stockholm, London and Milan. He is a guest conductor of the major Swedish orchestras and appears as a guest conductor in Europe. He has recorded nearly 20 albums for BIS, Serpent and Chandos. With a strong passion for contemporary music, he has premiered over a hundred contemporary works. After decades as chief conductor of national wind ensembles, Andreas Hanson has also built up an extensive repertoire knowledge of Nordic musical treasures and symphonic wind music. He has a great commitment to the next generation of musicians and conductors and to the music creation of the future. He is teaching conducting at the Royal Academy of Music and works with Dirigentløftet in Norway.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Emilia Hoving has emerged as one of the most exciting young Finnish conductors today. In 2024-2025 she returned to prominent orchestras such as the Philharmonia Orchestra, the Swedish Royal Philharmonic Orchestra, the Helsinki Philharmonic, the BBC National Orchestra of Wales, the Norwegian Radio Orchestra, Malmö Symphony Orchestra, the Gothenburg Symphony and the Adelaide Symphony. She also made her debuts with the Strasbourg Philharmonic, the Belgian National, the Trondheim Symphony, the Stavanger Symphony, the Royal Scottish National, the Orquesta Castilla y Leon, the Tasmanian Symphony and the Netherlands Radio Philharmonic (at the Concertgebouw). Other highlights of the past season were the Orchestre Philharmonique de Radio France, the BBC Symphony, the Royal Philharmonic, the Tonkünstler Orchestra Wien, the Tenerife Symphony and the Swedish Radio Symphony Orchestra. Emilia Hoving conducted the final concert at Side by Side in 2025 and 2024 and the school concert Bubblor at the Gothenburg Symphony in 2023. In the summer of 2022, she made her Tokyo debut at Suntory Hall as conductor of the Yomiuri Nippon Symphony and her UK debut at the Philharmonia, where she has now become a regular guest. Hoving has conducted many works by living (especially Finnish) composers and gave the Australian premiere of Missy Mazzoli's Procession at the Adelaide Festival. Hoving studied at the Sibelius Academy in Helsinki with Sakari Oramo, Atso Almila and Jorma Panula. She received the Finnish Critics' Prize in 2021 as best newcomer and was an assistant to Hannu Lintu at Finnish Radio (2019) and to Mikko Franck at Radio France (2020-22).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland. He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic. International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher. During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.

Tomas von Brömssen is one of our most popular actors. He has been a prominent figure on the Gothenburg theatre scene since the 1970s and is known from countless film and television productions. Through television series such as Albert & Herbert and Saltön, he has won a place in the hearts of the Swedish people. In 1995 he received a Guldbagge for his role in Bo Widerberg's Lust och fägring stor. In the same year he was named Gothenburger of the Year. Tomas von Brömssen is also a musician, including in the orchestra Majornas Tredje Rote. At Gothenburg City Theatre he has appeared in Påklädaren, Pygmalion and Karl Gerhard, and in Gisslan 1994 at Backa Teater, all directed by Eva Bergman. In 2022 he had great success with the performance Kontrabasen.

The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas. GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.