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Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The famous intermezzo comes from the mini-opera Cavalleria rusticana (previously called “På Sicilien” in Swedish). It is a jealousy drama that takes place in a small Sicilian village on Easter Sunday. Pietro Mascagni won an opera competition with Cavalleria rusticana and it became his biggest hit. The rumor must have spread quickly, because the Swedish premiere was held at the Stockholm Opera the same year as the first performance, in December 1890.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

Ludwig van Beethoven's First Symphony, written in 1799-1800, is not a tentative attempt by some inexperienced and immature composer. No, Beethoven had long been known as one of the foremost pianists and improvisers of his time, and his compositions had already received considerable attention. He had managed to write two piano concertos, eleven piano sonatas and six string quartets - to name a few. But on the other hand, he was not as bold as he might have been in some of his chamber music works. The critics nevertheless thought that the symphony was generally good and that it offered many novelties and "a whole world of ideas". "But too many wind instruments were used, so it sounded more like a brass band than an orchestra". 200 years later, we find the symphony both clear and concise, conventional and strongly related to the symphonies of Mozart and Haydn. But we also notice that there is something more here - a strong personal touch. The driving spirit is not borrowed, it is Beethoven's own signature.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Initially, Sibelius believed this first symphony would be programmatic: a symphony telling of his homeland’s geology and the triumph of Christianity over paganism. But seven years after the success of his choral-orchestral work based Finnish folklore Kullervo, friends and critics were urging Sibelius to think in more rigorous symphonic terms. Finland, they argued, needed art that was more international than parochial – a symphony that stood its ground on musical terms alone. Such thinking would give the First Symphony its musical weight irrespective of political context. In his student days in Vienna and Berlin, Sibelius’s teachers had stressed the importance of working through musical themes – lathing them continuously until they were fit for purpose. Ultimately, Sibelius took that advice to a level that couldn’t have been anticipated. Already in this symphony, the composer was handling his material in a distinctive way. Its misty opening on a solitary clarinet doesn’t just prepare us for the shock of the movement’s fast-paced Allegro; it infiltrates the work’s musical ideas like nutrients in their soil. The shape of the clarinet’s theme can be detected in numerous fragments right up to the final bars. The fourth movement launches with a transfigured version of it on thrusting strings. That gesture speaks of another conceptual difference in Sibelius’s symphonic designs: his response to the colours and capabilities of instruments. In a departure from traditional Germanic symphonic argument (which would make sense on a piano), Sibelius allowed the particular colour of instruments and instrumental groups to shape the path of his music. The symphony’s opening clarinet solo presents one example. The long-held pedal notes in the slow Andante, and the pizzicatos of the Scherzo, two more. These led the critic Ernest Newman to conclude that ‘every page breathes of another manner of thought, another way of living, even another landscape.’ That ‘other way of living’ can be rationalized. The use of recitation – a note repeating itself, like something half-sung – has its roots in Finland’s runic singing tradition. Others have heard something distinctly Russian in the clarinet solo, in the fur-wrapped melancholy of the slow movement and in the feverish way in which the final Allegro molto erupts. It’s in this movement that we hear Sibelius at his most unique. The organic treatment of themes continues. But as part of that process, the movement appears to reconcile the symphony’s poles of energy and stasis in a way only Sibelius could have conceived: by tricking us into assuming the music is operating at one distinct velocity when it’s actually locked into another. Andrew Mellor, from Sibelius: Symphony 1 & En Saga; Rouvali & Göteborgs Symfoniker (Alpha, 2019)

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

Ludwig van Beethoven (1770-1827) Symphony No. 4 Op 60 The Fourth Symphony is, as often said, situated between two symphonic giants. A reputation that has often led to its being overlooked, but in fact it follows a working method that is more the rule than the exception in Beethoven. The revolutionary works are often followed by music that seems to take care of what follows the storm. And this year, 1806 – we are in perhaps the most insanely productive of Beethoven’s life – is no exception. The symphony begins with a tender entry followed by a plateau of unison Bb in strings and winds that is shadowily surrounded by slow melodic movements. The music grows suggestively from a melancholy to a euphoria – from minor to major – when the allegro breaks through in all its splendor. After the first movement's alternating shift between intense outbursts and calm breaths, one of Beethoven's most lyrical adagios follows, where the repetitive rhythm (you hear it immediately in the verse) makes the movement dance forward stubbornly. In the third and fourth movements, a scherzo and an allegro, the music rushes forward. For those who have already noticed how the form of the adagio rhythm is a variation of the first movement's syncopated outbursts, here, in the more dance-like parts of the symphony, you can notice how Beethoven turns the building blocks of the music inside and outside, but at the same time joins them together. In this way, he lets us anticipate the revolution that the symphony's form is facing. Fate will soon be knocking on the door.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

George Bizet (1838-1875) L'Arlésienne Suite No. 1 Preludium Menuett Adagietto Carillon Author Alphonse Daudet depicted the countryside and people of exotic Provence. One of his most beloved short stories he called The Girl from Arles, which he expanded into a drama in five acts. The play eventually became an opera by Francesco Cilea (1897), but the stage music composed by Georges Bizet was most appreciated. In total, he contributed 27 short vignettes for a small chamber orchestra of 26 musicians, the Théatre de Vaudeville could not afford more. Bizet himself contributed free piano playing. A few movements were written for choir. The first performance on 1 October 1872 was a complete flop, and the play was closed after 21 performances for half a salon. The author exclaimed: "It was a dazzling fiasco with the most charming music in the world, costumes of silk and velvet, and Opéra-Comique scenery. I left the theater dejected, and with the same laughter that pierced the tragic scenes still in my ears, I resolved to write no more plays." But Bizet believed in his music and was eager to save it, so he immediately compiled four of the pieces into an orchestral suite, while arranging them for large symphony orchestra, retaining the important saxophone part; an exciting, new instrument that until now has been mostly used for experiments. This first suite was premiered six weeks after the stage premiere, and was an immediate success. He did not keep the chronology of the drama, it was more important that the movements create a unity. The plot is very simple but told with psychological depth in a dreamy and poetic way. "His name was Jan. He only had eyes for one - a little girl from Arles, dressed in velvet and lace, whom he had once met in the market place in Arles. At his house - to begin with - the party was not looked upon kindly. It was said that the girl was coquettish and her parents were not from the area, but Jan wanted his girl from Arles at all costs. He said: I will die if I don't get her." These few words capture and summarize the whole story. Everything revolves around her, but the girl from Arles never appears on stage, and he takes his own life when it becomes clear to him that she has another lover. Those who know their Christmas music recognize the Kings' March in the opening movement.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Haydn Variations Op 56 Like Beethoven, Brahms was very interested in the variation form and stands out as one of the foremost composers in this area. The theme for the Haydn variations is a chorale called St Antoni, followed by eight variations and a grand finale. A good friend of Brahms, Karl Ferdinand Pohl, had brought some unknown music to Brahms in 1870, including some scores or divertimenti for wind orchestra. One partita contained the Antonius Chorale, which Brahms fell in love with and noted in his sketchbook. At first it was believed to have been composed by Haydn, but researchers increasingly believe that it was possibly one of Haydn's students, probably Ignatz Pleyel, who composed the partita. The theme is based on a hymn that pilgrims used to sing on St. Anthony's Day. The Brahms work is available in two versions, one for two pianos and one for orchestra. Brahms entered the orchestral version in his catalog first, but it was the piano version that first appeared in print. The duo version was first performed by Brahms himself and Clara Schumann. The orchestral version was first performed in November 1873 by the Vienna Philharmonic under Brahms.

Wolfgang Amadeus Mozart (1756-1791) Overture to Le nozze di Figaro The task of an overture is to create anticipation and excitement and to give a foreshadowing of the dramatic events of the opera. Mozart signals joy and comedy with the high tempo, but the dark tones also let us suspect that this is an opera with serious elements. The frame plot is one of the most common in Mozart's time: the struggle between the lord - the count - and the servant, where the latter ultimately draws the longest straw. When the overture's humming flight of bumblebees has come to an end, the curtain rises, and we meet the servant Figaro and his fiancée Susanna in the process of finding the best place for their new bed - they are getting married.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.