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The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Erik Risberg was employed as a pianist in the Gothenburg Symphony Orchestra from 1995 to 2023, also performing on organ, harpsichord and other keyboard instruments. He regularly performed as a chamber musician, including in a piano duo with Bengt Forsberg. Erik Risberg has also been a valued teacher of musical performance at the Gothenburg Academy of Music and Drama for many years and also gives introductions at the Symphony Orchestra's concerts.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Erik Risberg was employed as a pianist in the Gothenburg Symphony Orchestra from 1995 to 2023, also performing on organ, harpsichord and other keyboard instruments. He regularly performed as a chamber musician, including in a piano duo with Bengt Forsberg. Erik Risberg has also been a valued teacher of musical performance at the Gothenburg Academy of Music and Drama for many years and also gives introductions at the Symphony Orchestra's concerts.

Richard Strauss’s symphonic poem Till Eulenspiegels lustige Streiche is one of the great masterpieces of the orchestral repertoire. Until this point the composer had been known as a scholarly and rather serious young master, but after the premiere of Till in Cologne on 5 November 1895, it became clear that he also possessed a sparkling sense of humour. Formally the work resembles a rondo, inviting us to follow the various escapades of the title character. Till Eulenspiegel, a famous trickster who had appeared in literature since the Middle Ages, is introduced in unmistakably fairy-tale fashion: the violins begin the piece with a dreamy phrase that seems to sing, “Once upon a time...”. We then encounter Till as an itinerant preacher, see him fall in love, watch as he is brought to trial and sentenced to death, and finally witness his hanging. No name was inscribed on his gravestone, but an image of an owl and a mirror got to illustrate an old proverb: “Man sees his own faults as little as an owl recognizes his ugliness in looking into a mirror.” Hence the name Eulenspiegel (The Owl’s Mirror).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Richard Strauss’s symphonic poem Till Eulenspiegels lustige Streiche is one of the great masterpieces of the orchestral repertoire. Until this point the composer had been known as a scholarly and rather serious young master, but after the premiere of Till in Cologne on 5 November 1895, it became clear that he also possessed a sparkling sense of humour. Formally the work resembles a rondo, inviting us to follow the various escapades of the title character. Till Eulenspiegel, a famous trickster who had appeared in literature since the Middle Ages, is introduced in unmistakably fairy-tale fashion: the violins begin the piece with a dreamy phrase that seems to sing, “Once upon a time...”. We then encounter Till as an itinerant preacher, see him fall in love, watch as he is brought to trial and sentenced to death, and finally witness his hanging. No name was inscribed on his gravestone, but an image of an owl and a mirror got to illustrate an old proverb: “Man sees his own faults as little as an owl recognizes his ugliness in looking into a mirror.” Hence the name Eulenspiegel (The Owl’s Mirror).

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

In Serenade for tenor, horn and strings from 1943, English poets from the 15th to 19th centuries contribute texts that revolve around the night. Six songs as both rest and threat. Two horn solos frame the work and the natural tones create with their – to the unaccustomed – almost false-sounding intervals, an ambivalent sound space between light and darkness. Clearly chiseled movements characterize the serenade. This applies to both the almost parading Nocturne and the more ghostly Dirge, with its trait of mechanical inexorability. Britten works sparingly, and often ties the motif to the horn, where a contrapuntal dialogue arises between horn and tenor soloist. The harmonics move freely, tension is created through shifts, not through traditional resolution. Perhaps the restraint and the mix of threat and hope are the composer's way of relating to the horrors that unfolded in the midst of a burning war. Such were the conditions when Britten wrote his work, in an England where the concept of night was synonymous with fearful anticipation of the rumble of approaching German bombers.

With his broad musical experience (he played cornet, percussion and violin), Nielsen has always been popular with orchestras: he is a "musicians' composer" whose parts are almost always rich in content and challenging. The Fourth Symphony (1916) is dense and intense, but there are also peaceful islands of recovery. The symphony opens with a powerful, completely surprising first movement, moves through a graceful allegretto (in which the wind instruments initially dominate) and a glowing third movement before ending with a blazing finale in which two drummers duel violently - incited and supported by the rest of the orchestra. This is how Nielsen himself described the symphony: "The title (The Inextinguishable) suggests something that only music itself can express: the elementary will to live. /.../ Life is indelible and inextinguishable, yesterday, today and tomorrow, life was, is and will exist in struggle, conflict, generation and annihilation."