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The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

At the very first performance of the German composer Max Bruch’s final version in 1868, the audience embraced the work at once. Bruch’s thoughtful approach to instrumentation allows both soloist and orchestra to shine – their interplay flows with melodic richness and expressive warmth. Like Felix Mendelssohn, Max Bruch was a musical prodigy. He wrote his first symphony and a string quartet at the age of fourteen. Yet it must have been a strange fate for a composer whose works were widely performed and admired to be celebrated, for the rest of his long life, almost exclusively for a single piece: the Violin Concerto in G minor. The world’s great violinists adored it, the public adored it, but Bruch eventually grew weary of players who wanted to perform only that concerto. Unfortunately, he had sold the rights to his publisher early on, meaning he received no income from the immense number of performances during his lifetime. Bruch described the first movement as a prelude – a long one – which leads almost imperceptibly into the second movement. Like Mendelssohn, he lets the soloist enter swiftly rather than opening with the full orchestra. Here, inspired melodies unfold in dialogue with the orchestra, interrupted by two brief solo cadenzas. The violin begins the adagio with a nostalgic, heartfelt line, later followed by brilliant solo writing that avoids any hint of undue sentimentality. A short pause leads into an energetic allegro, where a Hungarian-inspired dance takes command, complete with virtuosic solo passages and a romantic theme that captivates and seduces.

Since his debut with the Royal Swedish Philharmonic in 1981, pianist Roland Pöntinen has appeared with major orchestras all over the world, including the Philharmonia Orchestra in London, the Los Angeles Philharmonic, the Scottish Chamber Orchestra and at the BBC Proms. His repertoire ranges from Bach to Ligeti, with an emphasis on the “golden era” of piano literature with composers such as Debussy, Busoni, Szymanowski and Rachmaninov. He has performed the complete cycles of Beethoven’s sonatas and Liszt’s Années de Pèlerinage. Composers such as Sven-Erik Bäck, Veli-Matti Puumala, Anders Eliasson and Anders Hillborg have dedicated works to him, and in 2007 he premiered Shchedrin’s Romantic Duets with the composer at the Verbier Festival. As a chamber musician, Roland Pöntinen has worked with prominent artists such as Barbara Hendricks, Janine Jansen, Nobuko Imai, Peter Mattei, Martin Fröst, Christian Lindberg and Nicolai Gedda. He has played Rachmaninoff's Paganini Rhapsodies with the Liverpool Philharmonic Orchestra, Shostakovich's First Piano Concerto with the Orchestre de La Suisse Romande, the Schumann Concerto with the Gothenburg Symphony Orchestra and Messiaen's Turangalîla Symphony in 2017 with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. Roland Pöntinen is also active as a composer.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

"Only once have I succeeded in fully realizing my intentions, in Boléro." Maurice Ravel composed Boléro (1928) as a bold experiment in rhythm, timbre, and endurance. Originally written as ballet music for the Russian ballerina Ida Rubinstein, the work is based on an almost ascetic musical material - an unchanging rhythm of the snare drum together with two simple melodies repeated without thematic development. What changes instead is the color, density, and dynamics of the orchestra. Over a sustained ostinatory rhythm, the melody wanders through the orchestra's instruments, one by one, in a slow and relentless rise toward a monumental climax. Ravel himself emphasized the monotonous and almost mechanical character of the work, describing it as a pure study in orchestration rather than an expression of drama or narrative. It is precisely this consistent limitation that gives the music its hypnotic, almost trance-like effect. Boléro immediately attracted great attention upon its premiere in Paris, and achieved worldwide success within months. It became Ravel's most famous work, remains one of the most frequently performed classical pieces in the world, and is considered one of the most iconic and powerful orchestral experiences of the 20th century.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Hans Davidsson is an internationally active organist, church musician, researcher, author and consultant and artistic director of Gothenburg International Organ Academy. Since 2017 he is back in Gothenburg as organist in Älvsborg church. From 1986 he worked as a teacher of organ and church music at the Academy of Music at the University of Gothenburg and was appointed professor in 1988. He has also taught at the Eastman School of Music 2000-2012, the Hochschule för Künste in Bremen 2006-2013 and the Royal Danish Music Conservatory in Copenhagen in 2011 -2018. Among Hans Davidsson's many recordings are all organ works by Matthias Weckman, Georg Böhm, Dietrich Buxtehude and Felix Mendelssohn's Six Sonatas (Loft). Hans Davidsson was a driving force in the construction of the new Rieger organ in Gothenburg's Concert Hall, which was inaugurated in 2021.

Concerto for Orchestra (1950–54) gives us a concentrate of Lutoslawski's early style: rhythmic sharpness, clear sense of form and a virtuoso treatment of the orchestra. The collective becomes the soloist. The Intrada of the first movement is tightly structured, we hear blocks of sound that gradually become denser. In the second movement, Capriccio notturno e arioso, solo elements wander between groups of instruments in a refined work of sound. The finale – Passacaglia, toccata e corale – combines rigor with explosive energy. The relentless drive of the bass line leads into the calm of the chorale and is followed by a monumental recapitulation. In the coda, one perceives not only echoes from the beginning of the movement, but also earlier parts return, albeit in disguised and varied form. In his music, Lutoslawski combines elements of folk music with modernist discipline. The form carries an architectural weight. Conductor Marta Gardolinska, not least through her anchoring in the Polish repertoire, has a particularly warm relationship with the Concerto for Orchestra. During the 1950s, the Polish musical wonder emerged and often bears traces of Lutoslawski, even though his music during the 1960s and until his death came to explore radically different sounds and notational possibilities. Despite the notation and aesthetics, he never sacrificed the precision and craftsmanship that the Concerto for Orchestra testifies to.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Concerto for Orchestra (1950–54) gives us a concentrate of Lutoslawski's early style: rhythmic sharpness, clear sense of form and a virtuoso treatment of the orchestra. The collective becomes the soloist. The Intrada of the first movement is tightly structured, we hear blocks of sound that gradually become denser. In the second movement, Capriccio notturno e arioso, solo elements wander between groups of instruments in a refined work of sound. The finale – Passacaglia, toccata e corale – combines rigor with explosive energy. The relentless drive of the bass line leads into the calm of the chorale and is followed by a monumental recapitulation. In the coda, one perceives not only echoes from the beginning of the movement, but also earlier parts return, albeit in disguised and varied form. In his music, Lutoslawski combines elements of folk music with modernist discipline. The form carries an architectural weight. Conductor Marta Gardolinska, not least through her anchoring in the Polish repertoire, has a particularly warm relationship with the Concerto for Orchestra. During the 1950s, the Polish musical wonder emerged and often bears traces of Lutoslawski, even though his music during the 1960s and until his death came to explore radically different sounds and notational possibilities. Despite the notation and aesthetics, he never sacrificed the precision and craftsmanship that the Concerto for Orchestra testifies to.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 21 Piano Concerto No. 21 is most often associated in Sweden with Bo Widerberg's international film success Elvira Madigan from 1967. The middle movement was used as a theme in the tragic love story of the line dancer Elvira Madigan and Lieutenant Sixten Sparre. Mozart knew a lot about young love being destined for ruin. This is one of Mozart's most self-indulgent slow movements. Mozart's importance for the development of the piano concerto was as great as Beethoven's for the symphony. He innovated both form and content, for example by allowing the wind instruments not only to amplify the sound but also to provide additional color. In addition, there was a free interplay between soloist and orchestra. A total of 27 piano concertos was composed by Mozart's in his short life.

The glory days of the Viennese waltz at the end of the 19th century were pure madness - completely comparable to today's unrestrained club dancing. Swirling around giant ballrooms with thousands of other couples, over and over again, was the great pleasure and enjoyment of the time. The young loved to be swept up in these communal excesses while the opposing side argued that it was harmful and immoral to spin around in this way. But the Viennese waltz could not be stopped - the Strauss family and their successors spread the courage to the rest of Europe, Russia and the USA. Ravel was born early enough to know the ravages of the Viennese waltz. This familiarity probably inspired him when he began the orchestral piece intended for Diaghilev's Russian ballet. However, he refused. The "choreographic poem" that was finished in 1920 only became a ballet in 1929 when the dancer Ida Rubinstein staged it. The work's working name was Vienna, a city Ravel knew well by the way, but in the end was given an even more stripped-down and concentrated title: La valse, the waltz. Like the Strauss waltzes, La valse has a slow opening, after which it finds its rhythm and melody and dances away in good old three-bar. But where Strauss keep the music under soft reins and gently slow down at the end to let off their travelers, Ravel does the opposite: the waltz completely explodes, swells over all borders and explodes both tempo and melody. Ravel simply captures the essence of the Viennese waltz - the rapture and total indulgence. An emotional discharge, or for the theorist: music that comments on itself. The ironic Ravel did not deny himself - what is wrong with satisfying different tastes at the same time?

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 21 Piano Concerto No. 21 is most often associated in Sweden with Bo Widerberg's international film success Elvira Madigan from 1967. The middle movement was used as a theme in the tragic love story of the line dancer Elvira Madigan and Lieutenant Sixten Sparre. Mozart knew a lot about young love being destined for ruin. This is one of Mozart's most self-indulgent slow movements. Mozart's importance for the development of the piano concerto was as great as Beethoven's for the symphony. He innovated both form and content, for example by allowing the wind instruments not only to amplify the sound but also to provide additional color. In addition, there was a free interplay between soloist and orchestra. A total of 27 piano concertos was composed by Mozart's in his short life.

The glory days of the Viennese waltz at the end of the 19th century were pure madness - completely comparable to today's unrestrained club dancing. Swirling around giant ballrooms with thousands of other couples, over and over again, was the great pleasure and enjoyment of the time. The young loved to be swept up in these communal excesses while the opposing side argued that it was harmful and immoral to spin around in this way. But the Viennese waltz could not be stopped - the Strauss family and their successors spread the courage to the rest of Europe, Russia and the USA. Ravel was born early enough to know the ravages of the Viennese waltz. This familiarity probably inspired him when he began the orchestral piece intended for Diaghilev's Russian ballet. However, he refused. The "choreographic poem" that was finished in 1920 only became a ballet in 1929 when the dancer Ida Rubinstein staged it. The work's working name was Vienna, a city Ravel knew well by the way, but in the end was given an even more stripped-down and concentrated title: La valse, the waltz. Like the Strauss waltzes, La valse has a slow opening, after which it finds its rhythm and melody and dances away in good old three-bar. But where Strauss keep the music under soft reins and gently slow down at the end to let off their travelers, Ravel does the opposite: the waltz completely explodes, swells over all borders and explodes both tempo and melody. Ravel simply captures the essence of the Viennese waltz - the rapture and total indulgence. An emotional discharge, or for the theorist: music that comments on itself. The ironic Ravel did not deny himself - what is wrong with satisfying different tastes at the same time?

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.