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Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Jean Sibelius (1865-1957) Symphony No. 6 Op 104 Allegro molto moderato Allegretto moderato Poco vivace Allegro molto As early as 1915, Sibelius had begun work on what would become the Sixth and Seventh Symphonies, but it was not an easy journey. In February 1920, work on the Sixth Symphony seems to have come to a halt. He writes in his diary: "I am getting older and youth brings new ideals and interests people in them. Shall the evening of my life find me listless and resigned, quietly awaiting death?" His question seems frighteningly prophetic. After the Seventh Symphony and Tapiola (1926), a 30-year musical silence awaited the Finn in Ainola. It was fundamentally about being true to himself, and Sibelius found that his voice was no longer relevant. But in the 1920s, a lively glow still remained. The Fifth Symphony was a success in the United States (with Stokowski in Philadelphia and Stransky in New York). Sibelius also received a well-paid offer to become a teacher at the prestigious Eastman-Rochester School, but after many turns he turned it down: "To leave composing now would be suicide." In the autumn of 1922, work on the Sixth Symphony gained new momentum and by January 1923 most of it was finished. The premiere took place in Helsinki on 19 February 1923. Just a week later, the symphony received its Swedish premiere in Stockholm, and on 10 April Sibelius took the symphony to Gothenburg. Julius Rabe wrote in Göteborgs Handels och Sjöfartstidning: "Yesterday's Sibelius concert was without a doubt the greatest day of this now-passing musical year. It had both a powerful inner significance and an outer festivity. And there was in the audience a willingness to receive and let themselves be carried away, which gives a concert such an invaluable addition of atmosphere and resonance, which welds together the thousand-strong crowd of the public into a humbly listening congregation, where the individuals disappear and merge into a collective personality."

Hugo Alfvén (1872-1960) Suite from The Prodigal Son With a music that can be said to be characterized by the musical aftermath of Romanticism, the composer and conductor Hugo Alfvén left his mark on Swedish musical life during the first half of the 20th century. The ballet The Prodigal Son, or more precisely: the orchestral suite from it, would become Alfvén's last major composition. The ballet depicts the biblical story of the son who leaves his father, squanders his inheritance, but who then returns in repentance and through reconciliation is given a picture of what is genuinely human. The music can be said to reflect this inner journey – we travel from the lyrical to the dramatic. From the youthful to the thoughtful of age. In between we hear evidence of Alfvén's soft spot for folk melody and the rhythmic danceable. Several of the melodies are also found in the many songs that Alfvén had arranged and composed for choir Orphei Drängar, which he over many years turned into the notorious male choir it still is today.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Conductor Laureate of Minnesota Orchestra, where he held the Music Directorship for 19 years, Osmo Vänskä is recognised for his compelling interpretations of repertoire of all ages and an energetic presence on the podium. He was Music Director of Seoul Philharmonic Orchestra from 2020 to 2023 and has long-standing relationships with many orchestras worldwide. With Minnesota Orchestra he undertook five major European tours, as well as an historic trip to Cuba in 2015. They also made a ground-breaking tour to South Africa in 2018 and made an acclaimed return to the BBC Proms the same year. This season he appears with Gothenburg Symphony, Symphonieorchester des Bayerischen Rundfunks, Oslo Philharmonic, Bergen and Helsinki Philharmonic orchestras, Antwerp and Iceland symphonies as well as City of Birmingham Symphony Orchestra. He also returns to his long-time partner Minnesota Orchestra and to the Tokyo Metropolitan Symphony Orchestra and Tokyo Symphony Orchestra. Vänskä studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besançon Competition. He began his career as a clarinetist, occupying the co-principal chair of Helsinki Philharmonic Orchestra.

Truls Mørk is an acclaimed cellist and performs with the most prominent orchestras including the Orchestre de Paris, Berliner Philharmoniker, Vienna Philharmonic, Concertgebouw Orchestra, Munich Philharmonic, Philharmonia and London Philharmonic and Gewandhausorchester Leipzig. In North America, he has appeared with the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Boston Symphony Orchestra and Los Angeles Philharmonic. Conducting collaborations include Esa-Pekka Salonen, David Zinman, Manfred Honeck, Gustavo Dudamel, Sir Simon Rattle, Kent Nagano, Yannick Nézet-Séguin and Christoph Eschenbach, among others. In the 2024-2025 season, Mørk returned to the Rotterdam, London and Bergen Philharmonic Orchestras, RAI Turin, Orchestre Phiharmonique de Radio France and the ORF Vienna Radio Symphony Orchestra. Truls Mørk is a great advocate for contemporary music and has given over 30 world premieres. He has performed Esa-Pekka Salonen's Cello Concerto with a number of prominent orchestras, Victoria Borisova-Olla's Cello Concerto Oh Giselle Remember Me, Rautavaara's Towards the Horizon, Pavel Haas's Cello Concerto with the Vienna Philharmonic and Jonathan Nott, Penderecki's Concerto for Three Cellos with the Hafliði Symphony Orchestra and Charles Hallgrímsson's Cello Concerto commissioned by the Oslo Philharmonic, Iceland Symphony and the Scottish Chamber Orchestra. He last visited the Gothenburg Symphony in season 2016-2017 when he was Artist in Residence.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Jean Sibelius (1865-1957) Symphony No. 6 Op 104 Allegro molto moderato Allegretto moderato Poco vivace Allegro molto As early as 1915, Sibelius had begun work on what would become the Sixth and Seventh Symphonies, but it was not an easy journey. In February 1920, work on the Sixth Symphony seems to have come to a halt. He writes in his diary: "I am getting older and youth brings new ideals and interests people in them. Shall the evening of my life find me listless and resigned, quietly awaiting death?" His question seems frighteningly prophetic. After the Seventh Symphony and Tapiola (1926), a 30-year musical silence awaited the Finn in Ainola. It was fundamentally about being true to himself, and Sibelius found that his voice was no longer relevant. But in the 1920s, a lively glow still remained. The Fifth Symphony was a success in the United States (with Stokowski in Philadelphia and Stransky in New York). Sibelius also received a well-paid offer to become a teacher at the prestigious Eastman-Rochester School, but after many turns he turned it down: "To leave composing now would be suicide." In the autumn of 1922, work on the Sixth Symphony gained new momentum and by January 1923 most of it was finished. The premiere took place in Helsinki on 19 February 1923. Just a week later, the symphony received its Swedish premiere in Stockholm, and on 10 April Sibelius took the symphony to Gothenburg. Julius Rabe wrote in Göteborgs Handels och Sjöfartstidning: "Yesterday's Sibelius concert was without a doubt the greatest day of this now-passing musical year. It had both a powerful inner significance and an outer festivity. And there was in the audience a willingness to receive and let themselves be carried away, which gives a concert such an invaluable addition of atmosphere and resonance, which welds together the thousand-strong crowd of the public into a humbly listening congregation, where the individuals disappear and merge into a collective personality."

Hugo Alfvén (1872-1960) Suite from The Prodigal Son With a music that can be said to be characterized by the musical aftermath of Romanticism, the composer and conductor Hugo Alfvén left his mark on Swedish musical life during the first half of the 20th century. The ballet The Prodigal Son, or more precisely: the orchestral suite from it, would become Alfvén's last major composition. The ballet depicts the biblical story of the son who leaves his father, squanders his inheritance, but who then returns in repentance and through reconciliation is given a picture of what is genuinely human. The music can be said to reflect this inner journey – we travel from the lyrical to the dramatic. From the youthful to the thoughtful of age. In between we hear evidence of Alfvén's soft spot for folk melody and the rhythmic danceable. Several of the melodies are also found in the many songs that Alfvén had arranged and composed for choir Orphei Drängar, which he over many years turned into the notorious male choir it still is today.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Conductor Laureate of Minnesota Orchestra, where he held the Music Directorship for 19 years, Osmo Vänskä is recognised for his compelling interpretations of repertoire of all ages and an energetic presence on the podium. He was Music Director of Seoul Philharmonic Orchestra from 2020 to 2023 and has long-standing relationships with many orchestras worldwide. With Minnesota Orchestra he undertook five major European tours, as well as an historic trip to Cuba in 2015. They also made a ground-breaking tour to South Africa in 2018 and made an acclaimed return to the BBC Proms the same year. This season he appears with Gothenburg Symphony, Symphonieorchester des Bayerischen Rundfunks, Oslo Philharmonic, Bergen and Helsinki Philharmonic orchestras, Antwerp and Iceland symphonies as well as City of Birmingham Symphony Orchestra. He also returns to his long-time partner Minnesota Orchestra and to the Tokyo Metropolitan Symphony Orchestra and Tokyo Symphony Orchestra. Vänskä studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besançon Competition. He began his career as a clarinetist, occupying the co-principal chair of Helsinki Philharmonic Orchestra.

Truls Mørk is an acclaimed cellist and performs with the most prominent orchestras including the Orchestre de Paris, Berliner Philharmoniker, Vienna Philharmonic, Concertgebouw Orchestra, Munich Philharmonic, Philharmonia and London Philharmonic and Gewandhausorchester Leipzig. In North America, he has appeared with the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Boston Symphony Orchestra and Los Angeles Philharmonic. Conducting collaborations include Esa-Pekka Salonen, David Zinman, Manfred Honeck, Gustavo Dudamel, Sir Simon Rattle, Kent Nagano, Yannick Nézet-Séguin and Christoph Eschenbach, among others. In the 2024-2025 season, Mørk returned to the Rotterdam, London and Bergen Philharmonic Orchestras, RAI Turin, Orchestre Phiharmonique de Radio France and the ORF Vienna Radio Symphony Orchestra. Truls Mørk is a great advocate for contemporary music and has given over 30 world premieres. He has performed Esa-Pekka Salonen's Cello Concerto with a number of prominent orchestras, Victoria Borisova-Olla's Cello Concerto Oh Giselle Remember Me, Rautavaara's Towards the Horizon, Pavel Haas's Cello Concerto with the Vienna Philharmonic and Jonathan Nott, Penderecki's Concerto for Three Cellos with the Hafliði Symphony Orchestra and Charles Hallgrímsson's Cello Concerto commissioned by the Oslo Philharmonic, Iceland Symphony and the Scottish Chamber Orchestra. He last visited the Gothenburg Symphony in season 2016-2017 when he was Artist in Residence.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Compared to the Fourth Symphony, Sibelius's Fifth Symphony is colorful and vibrant, heroic and accessible. But equally it required more work than the brooding and introverted four. No other work caused him so much trouble. "Walked in the cold spring sun. Had a violent impression of Symphony No. 5. The new one!" "Saw today (April 21, 1915) ten before eleven 16 swans. One of the greatest impressions of my life! ... The sound of the same woodwind type as the cranes, but without tremolo. The swans are closer to the trumpet although the sarrusophone sound is clear. Nature mystery and life's woe! The fifth symphony's final theme." The first movement consists of two parts. The first of these begins with a true pastoral idyll, with signal horn motifs and responding woodwinds. Throughout this part the experience of nature is strong, but in the second part of the movement the music takes on a more scherzo-like character. In the slow movement, the idyllic returns, this time with a graceful, almost rococo elegance. "In the background wander the ever-changing cloud formations of the clarinets, bassoons and horns." The finale's main theme shines through an impressionistic shimmer of strings, which contrasts with the swan theme of the trumpets. And then the doomed, severely isolated chords that end this architectural masterpiece. STIG JACOBSSON

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Maurice Ravel (1875-1937) Suite No 2 from Daphnis et Chloé It is difficult to capture this orchestral suite in a few words, which after more than 100 years strikes an audience with enormous richness of color and virtuosity. A music that is only remarkable at the time of its creation. 1913 is the year that Stravinsky's Rite of Spring is played for the first time, and Anton Webern's 6 orchestral works are performed in Vienna. Two concerts whose musical revolution was for a long time overshadowed by the scuffles that arose during the concerts. Ravel's suite was already embraced during the composer's lifetime, but its musical revolution in harmony and orchestration is no lesser. This suite, which is part of a ballet set to the Greek tale of Daphnis and Chloé, to which Diaghilev's famous dance company danced, bears all the characteristics that made Ravel's music immortal. The examples are countless, but the level of subtle genius is present already in the opening of the work, when the sun rises in the impressionistic orchestral scree. Not least listen to how this is embodied in the string section. The timbre, which is like a fund for the moving wind motifs, is in fact the sunrise's most sonorous transformation; how the strings in a slow procession during the opening bars raise the chords, from desk to desk, from section to section, and in that way - sifted through the sound of the strings - sweetly let the overtones from the strings go from the dark to the clear. Esaias Järnegard

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Highlighting the home region was an expression of Finnish patriotism and the fight for freedom, which was highly relevant in Sibelius' time. One of the more effective artistic expressions of that time was the equivalent of today's art installation: the so-called tableau. Imagine a stage with natural environments, backdrops, props and decorations (scenography, that is) and place real and living people in this room, standing motionless in predetermined poses with convincing expressions. The Vyborg student department at the University of Helsinki had decided to depict important events in the history of Karelia, and Sibelius was asked to write music for these tableaus. The Karelian city of Vyborg was founded by Swedes at the end of the 13th century and was Finland's second largest city until World War II. A contemporary description of the three tableaux reads: Intermezzo: "To the sounds of fanfares and festive processional music, the people of Karelia carry out their tribute to a Lithuanian prince." Ballad: "Karl Knutsson, overthrown from his throne, listens to a monotonous stylized Finnish song and then dreams himself back to the moods of bygone years, colored by a Scandinavian ballad: the girl in the 'rose haven'." Alla marcia: "Pontus de la Gardie and his troops march towards Kexholm Castle on the vast Lake Ladoga." Sibelius originally composed an overture and music for eight tableaux. The overture was published as an independent work, and parts of tableaux nos. 3, 4 and 5 as this Karelia Suite.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.