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Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Jean Sibelius (1865-1957) Symphony No. 6 Op 104 Allegro molto moderato Allegretto moderato Poco vivace Allegro molto As early as 1915, Sibelius had begun work on what would become the Sixth and Seventh Symphonies, but it was not an easy journey. In February 1920, work on the Sixth Symphony seems to have come to a halt. He writes in his diary: "I am getting older and youth brings new ideals and interests people in them. Shall the evening of my life find me listless and resigned, quietly awaiting death?" His question seems frighteningly prophetic. After the Seventh Symphony and Tapiola (1926), a 30-year musical silence awaited the Finn in Ainola. It was fundamentally about being true to himself, and Sibelius found that his voice was no longer relevant. But in the 1920s, a lively glow still remained. The Fifth Symphony was a success in the United States (with Stokowski in Philadelphia and Stransky in New York). Sibelius also received a well-paid offer to become a teacher at the prestigious Eastman-Rochester School, but after many turns he turned it down: "To leave composing now would be suicide." In the autumn of 1922, work on the Sixth Symphony gained new momentum and by January 1923 most of it was finished. The premiere took place in Helsinki on 19 February 1923. Just a week later, the symphony received its Swedish premiere in Stockholm, and on 10 April Sibelius took the symphony to Gothenburg. Julius Rabe wrote in Göteborgs Handels och Sjöfartstidning: "Yesterday's Sibelius concert was without a doubt the greatest day of this now-passing musical year. It had both a powerful inner significance and an outer festivity. And there was in the audience a willingness to receive and let themselves be carried away, which gives a concert such an invaluable addition of atmosphere and resonance, which welds together the thousand-strong crowd of the public into a humbly listening congregation, where the individuals disappear and merge into a collective personality."

Hugo Alfvén (1872-1960) Suite from The Prodigal Son With a music that can be said to be characterized by the musical aftermath of Romanticism, the composer and conductor Hugo Alfvén left his mark on Swedish musical life during the first half of the 20th century. The ballet The Prodigal Son, or more precisely: the orchestral suite from it, would become Alfvén's last major composition. The ballet depicts the biblical story of the son who leaves his father, squanders his inheritance, but who then returns in repentance and through reconciliation is given a picture of what is genuinely human. The music can be said to reflect this inner journey – we travel from the lyrical to the dramatic. From the youthful to the thoughtful of age. In between we hear evidence of Alfvén's soft spot for folk melody and the rhythmic danceable. Several of the melodies are also found in the many songs that Alfvén had arranged and composed for choir Orphei Drängar, which he over many years turned into the notorious male choir it still is today.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Conductor Laureate of Minnesota Orchestra, where he held the Music Directorship for 19 years, Osmo Vänskä is recognised for his compelling interpretations of repertoire of all ages and an energetic presence on the podium. He was Music Director of Seoul Philharmonic Orchestra from 2020 to 2023 and has long-standing relationships with many orchestras worldwide. With Minnesota Orchestra he undertook five major European tours, as well as an historic trip to Cuba in 2015. They also made a ground-breaking tour to South Africa in 2018 and made an acclaimed return to the BBC Proms the same year. This season he appears with Gothenburg Symphony, Symphonieorchester des Bayerischen Rundfunks, Oslo Philharmonic, Bergen and Helsinki Philharmonic orchestras, Antwerp and Iceland symphonies as well as City of Birmingham Symphony Orchestra. He also returns to his long-time partner Minnesota Orchestra and to the Tokyo Metropolitan Symphony Orchestra and Tokyo Symphony Orchestra. Vänskä studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besançon Competition. He began his career as a clarinetist, occupying the co-principal chair of Helsinki Philharmonic Orchestra.

Truls Mørk is an acclaimed cellist and performs with the most prominent orchestras including the Orchestre de Paris, Berliner Philharmoniker, Vienna Philharmonic, Concertgebouw Orchestra, Munich Philharmonic, Philharmonia and London Philharmonic and Gewandhausorchester Leipzig. In North America, he has appeared with the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Boston Symphony Orchestra and Los Angeles Philharmonic. Conducting collaborations include Esa-Pekka Salonen, David Zinman, Manfred Honeck, Gustavo Dudamel, Sir Simon Rattle, Kent Nagano, Yannick Nézet-Séguin and Christoph Eschenbach, among others. In the 2024-2025 season, Mørk returned to the Rotterdam, London and Bergen Philharmonic Orchestras, RAI Turin, Orchestre Phiharmonique de Radio France and the ORF Vienna Radio Symphony Orchestra. Truls Mørk is a great advocate for contemporary music and has given over 30 world premieres. He has performed Esa-Pekka Salonen's Cello Concerto with a number of prominent orchestras, Victoria Borisova-Olla's Cello Concerto Oh Giselle Remember Me, Rautavaara's Towards the Horizon, Pavel Haas's Cello Concerto with the Vienna Philharmonic and Jonathan Nott, Penderecki's Concerto for Three Cellos with the Hafliði Symphony Orchestra and Charles Hallgrímsson's Cello Concerto commissioned by the Oslo Philharmonic, Iceland Symphony and the Scottish Chamber Orchestra. He last visited the Gothenburg Symphony in season 2016-2017 when he was Artist in Residence.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Jean Sibelius (1865-1957) Symphony No. 6 Op 104 Allegro molto moderato Allegretto moderato Poco vivace Allegro molto As early as 1915, Sibelius had begun work on what would become the Sixth and Seventh Symphonies, but it was not an easy journey. In February 1920, work on the Sixth Symphony seems to have come to a halt. He writes in his diary: "I am getting older and youth brings new ideals and interests people in them. Shall the evening of my life find me listless and resigned, quietly awaiting death?" His question seems frighteningly prophetic. After the Seventh Symphony and Tapiola (1926), a 30-year musical silence awaited the Finn in Ainola. It was fundamentally about being true to himself, and Sibelius found that his voice was no longer relevant. But in the 1920s, a lively glow still remained. The Fifth Symphony was a success in the United States (with Stokowski in Philadelphia and Stransky in New York). Sibelius also received a well-paid offer to become a teacher at the prestigious Eastman-Rochester School, but after many turns he turned it down: "To leave composing now would be suicide." In the autumn of 1922, work on the Sixth Symphony gained new momentum and by January 1923 most of it was finished. The premiere took place in Helsinki on 19 February 1923. Just a week later, the symphony received its Swedish premiere in Stockholm, and on 10 April Sibelius took the symphony to Gothenburg. Julius Rabe wrote in Göteborgs Handels och Sjöfartstidning: "Yesterday's Sibelius concert was without a doubt the greatest day of this now-passing musical year. It had both a powerful inner significance and an outer festivity. And there was in the audience a willingness to receive and let themselves be carried away, which gives a concert such an invaluable addition of atmosphere and resonance, which welds together the thousand-strong crowd of the public into a humbly listening congregation, where the individuals disappear and merge into a collective personality."

Hugo Alfvén (1872-1960) Suite from The Prodigal Son With a music that can be said to be characterized by the musical aftermath of Romanticism, the composer and conductor Hugo Alfvén left his mark on Swedish musical life during the first half of the 20th century. The ballet The Prodigal Son, or more precisely: the orchestral suite from it, would become Alfvén's last major composition. The ballet depicts the biblical story of the son who leaves his father, squanders his inheritance, but who then returns in repentance and through reconciliation is given a picture of what is genuinely human. The music can be said to reflect this inner journey – we travel from the lyrical to the dramatic. From the youthful to the thoughtful of age. In between we hear evidence of Alfvén's soft spot for folk melody and the rhythmic danceable. Several of the melodies are also found in the many songs that Alfvén had arranged and composed for choir Orphei Drängar, which he over many years turned into the notorious male choir it still is today.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Conductor Laureate of Minnesota Orchestra, where he held the Music Directorship for 19 years, Osmo Vänskä is recognised for his compelling interpretations of repertoire of all ages and an energetic presence on the podium. He was Music Director of Seoul Philharmonic Orchestra from 2020 to 2023 and has long-standing relationships with many orchestras worldwide. With Minnesota Orchestra he undertook five major European tours, as well as an historic trip to Cuba in 2015. They also made a ground-breaking tour to South Africa in 2018 and made an acclaimed return to the BBC Proms the same year. This season he appears with Gothenburg Symphony, Symphonieorchester des Bayerischen Rundfunks, Oslo Philharmonic, Bergen and Helsinki Philharmonic orchestras, Antwerp and Iceland symphonies as well as City of Birmingham Symphony Orchestra. He also returns to his long-time partner Minnesota Orchestra and to the Tokyo Metropolitan Symphony Orchestra and Tokyo Symphony Orchestra. Vänskä studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besançon Competition. He began his career as a clarinetist, occupying the co-principal chair of Helsinki Philharmonic Orchestra.

Truls Mørk is an acclaimed cellist and performs with the most prominent orchestras including the Orchestre de Paris, Berliner Philharmoniker, Vienna Philharmonic, Concertgebouw Orchestra, Munich Philharmonic, Philharmonia and London Philharmonic and Gewandhausorchester Leipzig. In North America, he has appeared with the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Boston Symphony Orchestra and Los Angeles Philharmonic. Conducting collaborations include Esa-Pekka Salonen, David Zinman, Manfred Honeck, Gustavo Dudamel, Sir Simon Rattle, Kent Nagano, Yannick Nézet-Séguin and Christoph Eschenbach, among others. In the 2024-2025 season, Mørk returned to the Rotterdam, London and Bergen Philharmonic Orchestras, RAI Turin, Orchestre Phiharmonique de Radio France and the ORF Vienna Radio Symphony Orchestra. Truls Mørk is a great advocate for contemporary music and has given over 30 world premieres. He has performed Esa-Pekka Salonen's Cello Concerto with a number of prominent orchestras, Victoria Borisova-Olla's Cello Concerto Oh Giselle Remember Me, Rautavaara's Towards the Horizon, Pavel Haas's Cello Concerto with the Vienna Philharmonic and Jonathan Nott, Penderecki's Concerto for Three Cellos with the Hafliði Symphony Orchestra and Charles Hallgrímsson's Cello Concerto commissioned by the Oslo Philharmonic, Iceland Symphony and the Scottish Chamber Orchestra. He last visited the Gothenburg Symphony in season 2016-2017 when he was Artist in Residence.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Fabian Kallerdahl is a jazz pianist and composer in jazz, pop, rock and theater based in Gothenburg. He has released over 20 albums with groups such as Musicmusicmusic together with his brother Josef, with The Splendor, The World, Förnuft och Känsla, in duo with partner Lindha Kallerdahl and under his own name. He has toured with Pulse Trio, Andreas Gidlund Quartet, Our Park, Lisa Björänge Quintet, HOME collective, Joel Alme, Daniel Lemma, Anna Lundqvist Quintet and Lina Nyberg. In theatre, he has written music for performances such as Lång Dags Färd Mot Natt at Göteborgs Stadsteater, Samlarna at Teater Bhopa, Gothenburg, Macbeth at Den Nasjonale Scene, Bergen, Kvinnan Från Havet at Malmö Dramatiska Teater, Tonje i Glimmerdalen (SR's Christmas calendar 2018 ), the Moonlight Sonata at Hagateatern as well as Hemsöborna and Bohuslän Stories at Stallebrottet, Bohus Malmö.

Victor Hultin is a rapper and poet from Majorna and runs projects to help young people write music. He has released albums such as Medicinen and HEM and collaborated with producer Victor Ax. Vic Vem was also behind the school concert GBG 402 with the Gothenburg Symphony and the hip-hop concert This Is What I Mean.

Pershenk Ahmed is a poet from Gothenburg who reaches her audience on social media such as Tiktok and Instagram. She has participated in the performance GBG402 and created Allt jag begär in 2024 together with Vic Vem.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland. He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic. International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher. During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a five-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Swedish conductor Johannes Gustavsson works regularly with all major Nordic orchestras, being in demand as an interpreter of extensive symphonic and operatic repertoire. He established close relationships with orchestras such as the Royal Stockholm Philharmonic, Swedish Radio Symphony, Gothenburg Symphony Orchestra, Oslo Philharmonic, the Norwegian Radio Orchestra, Helsinki Philharmonic Orchestra, the Royal Swedish Opera, and the Gothenburg Opera. The soloists he often performs with include Janine Jansen, Peter Jablonski, Martin Fröst, Nina Stemme, Vikingur Olafsson, Olli Mustonen, Isbelle van Keulen, Torleif Thedeen, Guy Braunstein, and many others. He has a over 20 year partnership with the Gothenburg Symphony Orchestra, which to date includes almost 40 concerts and countless days in the recording studio. He has held senior conducting posts at the Ostrobothnian Chamber Orchestra, the Västerås Sinfonietta, the Nordic Chamber Orchestra, and was chief conductor at the Wermland Opera and at the Oulu Symphony Orchestra until 2021. As a champion of new music, he is dedicated to ensuring that works of his contemporaries are heard in concert halls, and to date he has premiered over 50 orchestral works written in the 21st century. Since 2023 he is Artistic director of Jönköping's Sinfonietta. His recordings includes world premiere of Valborg Aulin’s Tableaux Parisiens for Nilento Records, and Anders Eliasson’s Double Concerto and Sinfonia per Archi with the Swedish Radio Symphony Orchestra for the CPO label. He has recorded for Dacapo with the Danish National Symphony Orchestra, for Ondine with the Iceland Symphony Orchestra (works by Jón Nordal) andthe Oulu Symphony Orchestra (works by Uuno Klami and Einar Englung), to name a few. He was prizewinner at the Solti Conducting Competition in Frankfurt and the Toscanini Competition in Parma, and the first artist to be awarded both the Swedish Conductor’s Prize and the Herbert Blomstedt Award. Originally trained as a violist, his strong passion for conducting led him to study conducting at the Norwegian Academy of Music with Ole Kristian Ruud and Olav Anton Thommessen, and with the great Finnish conductor Jorma Panula.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Swedish conductor Johannes Gustavsson works regularly with all major Nordic orchestras, being in demand as an interpreter of extensive symphonic and operatic repertoire. He established close relationships with orchestras such as the Royal Stockholm Philharmonic, Swedish Radio Symphony, Gothenburg Symphony Orchestra, Oslo Philharmonic, the Norwegian Radio Orchestra, Helsinki Philharmonic Orchestra, the Royal Swedish Opera, and the Gothenburg Opera. The soloists he often performs with include Janine Jansen, Peter Jablonski, Martin Fröst, Nina Stemme, Vikingur Olafsson, Olli Mustonen, Isbelle van Keulen, Torleif Thedeen, Guy Braunstein, and many others. He has a over 20 year partnership with the Gothenburg Symphony Orchestra, which to date includes almost 40 concerts and countless days in the recording studio. He has held senior conducting posts at the Ostrobothnian Chamber Orchestra, the Västerås Sinfonietta, the Nordic Chamber Orchestra, and was chief conductor at the Wermland Opera and at the Oulu Symphony Orchestra until 2021. As a champion of new music, he is dedicated to ensuring that works of his contemporaries are heard in concert halls, and to date he has premiered over 50 orchestral works written in the 21st century. Since 2023 he is Artistic director of Jönköping's Sinfonietta. His recordings includes world premiere of Valborg Aulin’s Tableaux Parisiens for Nilento Records, and Anders Eliasson’s Double Concerto and Sinfonia per Archi with the Swedish Radio Symphony Orchestra for the CPO label. He has recorded for Dacapo with the Danish National Symphony Orchestra, for Ondine with the Iceland Symphony Orchestra (works by Jón Nordal) andthe Oulu Symphony Orchestra (works by Uuno Klami and Einar Englung), to name a few. He was prizewinner at the Solti Conducting Competition in Frankfurt and the Toscanini Competition in Parma, and the first artist to be awarded both the Swedish Conductor’s Prize and the Herbert Blomstedt Award. Originally trained as a violist, his strong passion for conducting led him to study conducting at the Norwegian Academy of Music with Ole Kristian Ruud and Olav Anton Thommessen, and with the great Finnish conductor Jorma Panula.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

With his broad musical experience (he played cornet, percussion and violin), Nielsen has always been popular with orchestras: he is a "musicians' composer" whose parts are almost always rich in content and challenging. The Fourth Symphony (1916) is dense and intense, but there are also peaceful islands of recovery. The symphony opens with a powerful, completely surprising first movement, moves through a graceful allegretto (in which the wind instruments initially dominate) and a glowing third movement before ending with a blazing finale in which two drummers duel violently - incited and supported by the rest of the orchestra. This is how Nielsen himself described the symphony: "The title (The Inextinguishable) suggests something that only music itself can express: the elementary will to live. /.../ Life is indelible and inextinguishable, yesterday, today and tomorrow, life was, is and will exist in struggle, conflict, generation and annihilation."

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Gustav Mahler (1860-1911) Symphony No 1 "Titan" The first symphony was premiered in Budapest with the composer as conductor. The music attracted violent criticism, because this was something that was not expected. Mahler had made a name for himself as a brilliant opera conductor but as a composer he was virtually unknown, and now he came up with an ambitious, stylistically variegated and strangely personal symphony. Few works by Mahler have since undergone so many revisions - right up until 1898. When the first version was found in the 1960s, it was clear that the differences were large. The opening is compelling: it begins with an unforgettable feeling of space and stillness. Perhaps Mahler was thinking of when he was left alone in the forest by his father with the promise not to move until his father returned - and it took many hours. Gradually, thematic fragments emerge: horn calls, trumpet fanfares, birdsong. The second movement was first called "Full Sails" and reflects a longing for nature and lively, Austrian-inspired peasant dances. "Mourning march à la Callot" he called the third movement, and the etching intended by the artist shows the dead hunter being carried on a stretcher by the animals of the forest. It is a parodic picture and a highly parodic piece of music, which is based on the well-known children's song Frère Jacques in an ironic, grotesque and bitter minor version. In the trio part there is another quote from Lieder eines fahrenden Gesellen. The finale is the despair of a wounded heart. He borrowed the title of the movement from Dante: "From inferno to paradise". Music may seem to start in hell, and Mahler was probably a long way to paradise. But he didn't get there yet, he did so only in the second symphony - and it was started immediately after the first.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Gustav Mahler (1860-1911) Symphony No 1 "Titan" The first symphony was premiered in Budapest with the composer as conductor. The music attracted violent criticism, because this was something that was not expected. Mahler had made a name for himself as a brilliant opera conductor but as a composer he was virtually unknown, and now he came up with an ambitious, stylistically variegated and strangely personal symphony. Few works by Mahler have since undergone so many revisions - right up until 1898. When the first version was found in the 1960s, it was clear that the differences were large. The opening is compelling: it begins with an unforgettable feeling of space and stillness. Perhaps Mahler was thinking of when he was left alone in the forest by his father with the promise not to move until his father returned - and it took many hours. Gradually, thematic fragments emerge: horn calls, trumpet fanfares, birdsong. The second movement was first called "Full Sails" and reflects a longing for nature and lively, Austrian-inspired peasant dances. "Mourning march à la Callot" he called the third movement, and the etching intended by the artist shows the dead hunter being carried on a stretcher by the animals of the forest. It is a parodic picture and a highly parodic piece of music, which is based on the well-known children's song Frère Jacques in an ironic, grotesque and bitter minor version. In the trio part there is another quote from Lieder eines fahrenden Gesellen. The finale is the despair of a wounded heart. He borrowed the title of the movement from Dante: "From inferno to paradise". Music may seem to start in hell, and Mahler was probably a long way to paradise. But he didn't get there yet, he did so only in the second symphony - and it was started immediately after the first.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Gustav Mahler (1860-1911) Symphony No 1 "Titan" The first symphony was premiered in Budapest with the composer as conductor. The music attracted violent criticism, because this was something that was not expected. Mahler had made a name for himself as a brilliant opera conductor but as a composer he was virtually unknown, and now he came up with an ambitious, stylistically variegated and strangely personal symphony. Few works by Mahler have since undergone so many revisions - right up until 1898. When the first version was found in the 1960s, it was clear that the differences were large. The opening is compelling: it begins with an unforgettable feeling of space and stillness. Perhaps Mahler was thinking of when he was left alone in the forest by his father with the promise not to move until his father returned - and it took many hours. Gradually, thematic fragments emerge: horn calls, trumpet fanfares, birdsong. The second movement was first called "Full Sails" and reflects a longing for nature and lively, Austrian-inspired peasant dances. "Mourning march à la Callot" he called the third movement, and the etching intended by the artist shows the dead hunter being carried on a stretcher by the animals of the forest. It is a parodic picture and a highly parodic piece of music, which is based on the well-known children's song Frère Jacques in an ironic, grotesque and bitter minor version. In the trio part there is another quote from Lieder eines fahrenden Gesellen. The finale is the despair of a wounded heart. He borrowed the title of the movement from Dante: "From inferno to paradise". Music may seem to start in hell, and Mahler was probably a long way to paradise. But he didn't get there yet, he did so only in the second symphony - and it was started immediately after the first.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

In 1844, Robert Schumann had his first serious nervous breakdown, which was followed by several others. The family moved to the quieter Dresden. The Second Symphony became a kind of recovery project. Unusually, all four movements are written in C major or C minor. This can create problems. But Schumann skillfully avoids the work becoming static and harmonically monotonous by inserting contrasting elements - different rhythms, tempi and short key changes within each movement. The first movement begins with the trumpets playing a chorale-like fanfare over the strings. That fanfare returns in the brass in the second movement and also concludes the entire symphony. Like Beethoven, Schumann puts the fast scherzo movement in second place - an incredibly virtuoso perpetuum mobile in the strings and two slower trio sections with woodwinds. A funny two-note motif is repeated through almost the entire movement like an encouraging mantra. The Adagio movement is truly the symphony's emotional center, like a long, melancholic opera aria with poignant solos in the woodwinds. Schumann is said to have been so moved while writing it that he had to take a long break before tackling the joyful, grand final movement which, in addition to robust, march-like elements, uses a simple theme in solo oboe from Beethoven's song An die ferne Geliebte. It was Schumann's tribute to his wife Clara.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

In 1844, Robert Schumann had his first serious nervous breakdown, which was followed by several others. The family moved to the quieter Dresden. The Second Symphony became a kind of recovery project. Unusually, all four movements are written in C major or C minor. This can create problems. But Schumann skillfully avoids the work becoming static and harmonically monotonous by inserting contrasting elements - different rhythms, tempi and short key changes within each movement. The first movement begins with the trumpets playing a chorale-like fanfare over the strings. That fanfare returns in the brass in the second movement and also concludes the entire symphony. Like Beethoven, Schumann puts the fast scherzo movement in second place - an incredibly virtuoso perpetuum mobile in the strings and two slower trio sections with woodwinds. A funny two-note motif is repeated through almost the entire movement like an encouraging mantra. The Adagio movement is truly the symphony's emotional center, like a long, melancholic opera aria with poignant solos in the woodwinds. Schumann is said to have been so moved while writing it that he had to take a long break before tackling the joyful, grand final movement which, in addition to robust, march-like elements, uses a simple theme in solo oboe from Beethoven's song An die ferne Geliebte. It was Schumann's tribute to his wife Clara.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

Camille Saint-Saëns (1835–1921) Cello Concerto No. 1 Like Mozart and Mendelssohn, Camille Saint-Saëns was a precocious child prodigy. By the age of 10, he could play all of Beethoven's piano sonatas from memory. During his long life, he composed in most genres: symphonies, chamber music, opera and choral works. He is perhaps best known for Carnival of the Animals and Cello Concerto No. 1 – called "the perfect cello concerto" by Shostakovich. No frills. No long orchestral introduction. With a dramatic orchestral chord followed by the soloist's fiery entrance, the listener is thrown straight into a musical whirlwind – as if the cello had suddenly acquired a voice that could no longer be contained. Through the concerto's three movements, Saint-Saëns lets the cello show its full range: from lyrical warmth to virtuoso brilliance, from glowing temperament to heartfelt reflection. The music demands total presence from both soloist and audience. There is certainly time for rest and recovery, but absolutely no break – the three movements are composed in one long, continuous flow. The sudden attack of the opening retains its romantic shock effect until the final triumphant gathering of power. The premiere of the cello concerto took place in Paris in 1873 – since then considered by many to be one of the greatest.

Compared to the Fourth Symphony, Sibelius's Fifth Symphony is colorful and vibrant, heroic and accessible. But equally it required more work than the brooding and introverted four. No other work caused him so much trouble. "Walked in the cold spring sun. Had a violent impression of Symphony No. 5. The new one!" "Saw today (April 21, 1915) ten before eleven 16 swans. One of the greatest impressions of my life! ... The sound of the same woodwind type as the cranes, but without tremolo. The swans are closer to the trumpet although the sarrusophone sound is clear. Nature mystery and life's woe! The fifth symphony's final theme." The first movement consists of two parts. The first of these begins with a true pastoral idyll, with signal horn motifs and responding woodwinds. Throughout this part the experience of nature is strong, but in the second part of the movement the music takes on a more scherzo-like character. In the slow movement, the idyllic returns, this time with a graceful, almost rococo elegance. "In the background wander the ever-changing cloud formations of the clarinets, bassoons and horns." The finale's main theme shines through an impressionistic shimmer of strings, which contrasts with the swan theme of the trumpets. And then the doomed, severely isolated chords that end this architectural masterpiece. STIG JACOBSSON

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.