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The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Initially, Sibelius believed this first symphony would be programmatic: a symphony telling of his homeland’s geology and the triumph of Christianity over paganism. But seven years after the success of his choral-orchestral work based Finnish folklore Kullervo, friends and critics were urging Sibelius to think in more rigorous symphonic terms. Finland, they argued, needed art that was more international than parochial – a symphony that stood its ground on musical terms alone. Such thinking would give the First Symphony its musical weight irrespective of political context. In his student days in Vienna and Berlin, Sibelius’s teachers had stressed the importance of working through musical themes – lathing them continuously until they were fit for purpose. Ultimately, Sibelius took that advice to a level that couldn’t have been anticipated. Already in this symphony, the composer was handling his material in a distinctive way. Its misty opening on a solitary clarinet doesn’t just prepare us for the shock of the movement’s fast-paced Allegro; it infiltrates the work’s musical ideas like nutrients in their soil. The shape of the clarinet’s theme can be detected in numerous fragments right up to the final bars. The fourth movement launches with a transfigured version of it on thrusting strings. That gesture speaks of another conceptual difference in Sibelius’s symphonic designs: his response to the colours and capabilities of instruments. In a departure from traditional Germanic symphonic argument (which would make sense on a piano), Sibelius allowed the particular colour of instruments and instrumental groups to shape the path of his music. The symphony’s opening clarinet solo presents one example. The long-held pedal notes in the slow Andante, and the pizzicatos of the Scherzo, two more. These led the critic Ernest Newman to conclude that ‘every page breathes of another manner of thought, another way of living, even another landscape.’ That ‘other way of living’ can be rationalized. The use of recitation – a note repeating itself, like something half-sung – has its roots in Finland’s runic singing tradition. Others have heard something distinctly Russian in the clarinet solo, in the fur-wrapped melancholy of the slow movement and in the feverish way in which the final Allegro molto erupts. It’s in this movement that we hear Sibelius at his most unique. The organic treatment of themes continues. But as part of that process, the movement appears to reconcile the symphony’s poles of energy and stasis in a way only Sibelius could have conceived: by tricking us into assuming the music is operating at one distinct velocity when it’s actually locked into another. Andrew Mellor, from Sibelius: Symphony 1 & En Saga; Rouvali & Göteborgs Symfoniker (Alpha, 2019)

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Initially, Sibelius believed this first symphony would be programmatic: a symphony telling of his homeland’s geology and the triumph of Christianity over paganism. But seven years after the success of his choral-orchestral work based Finnish folklore Kullervo, friends and critics were urging Sibelius to think in more rigorous symphonic terms. Finland, they argued, needed art that was more international than parochial – a symphony that stood its ground on musical terms alone. Such thinking would give the First Symphony its musical weight irrespective of political context. In his student days in Vienna and Berlin, Sibelius’s teachers had stressed the importance of working through musical themes – lathing them continuously until they were fit for purpose. Ultimately, Sibelius took that advice to a level that couldn’t have been anticipated. Already in this symphony, the composer was handling his material in a distinctive way. Its misty opening on a solitary clarinet doesn’t just prepare us for the shock of the movement’s fast-paced Allegro; it infiltrates the work’s musical ideas like nutrients in their soil. The shape of the clarinet’s theme can be detected in numerous fragments right up to the final bars. The fourth movement launches with a transfigured version of it on thrusting strings. That gesture speaks of another conceptual difference in Sibelius’s symphonic designs: his response to the colours and capabilities of instruments. In a departure from traditional Germanic symphonic argument (which would make sense on a piano), Sibelius allowed the particular colour of instruments and instrumental groups to shape the path of his music. The symphony’s opening clarinet solo presents one example. The long-held pedal notes in the slow Andante, and the pizzicatos of the Scherzo, two more. These led the critic Ernest Newman to conclude that ‘every page breathes of another manner of thought, another way of living, even another landscape.’ That ‘other way of living’ can be rationalized. The use of recitation – a note repeating itself, like something half-sung – has its roots in Finland’s runic singing tradition. Others have heard something distinctly Russian in the clarinet solo, in the fur-wrapped melancholy of the slow movement and in the feverish way in which the final Allegro molto erupts. It’s in this movement that we hear Sibelius at his most unique. The organic treatment of themes continues. But as part of that process, the movement appears to reconcile the symphony’s poles of energy and stasis in a way only Sibelius could have conceived: by tricking us into assuming the music is operating at one distinct velocity when it’s actually locked into another. Andrew Mellor, from Sibelius: Symphony 1 & En Saga; Rouvali & Göteborgs Symfoniker (Alpha, 2019)

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Swedish conductor Johannes Gustavsson works regularly with all major Nordic orchestras, being in demand as an interpreter of extensive symphonic and operatic repertoire. He established close relationships with orchestras such as the Royal Stockholm Philharmonic, Swedish Radio Symphony, Gothenburg Symphony Orchestra, Oslo Philharmonic, the Norwegian Radio Orchestra, Helsinki Philharmonic Orchestra, the Royal Swedish Opera, and the Gothenburg Opera. The soloists he often performs with include Janine Jansen, Peter Jablonski, Martin Fröst, Nina Stemme, Vikingur Olafsson, Olli Mustonen, Isbelle van Keulen, Torleif Thedeen, Guy Braunstein, and many others. He has a over 20 year partnership with the Gothenburg Symphony Orchestra, which to date includes almost 40 concerts and countless days in the recording studio. He has held senior conducting posts at the Ostrobothnian Chamber Orchestra, the Västerås Sinfonietta, the Nordic Chamber Orchestra, and was chief conductor at the Wermland Opera and at the Oulu Symphony Orchestra until 2021. As a champion of new music, he is dedicated to ensuring that works of his contemporaries are heard in concert halls, and to date he has premiered over 50 orchestral works written in the 21st century. Since 2023 he is Artistic director of Jönköping's Sinfonietta. His recordings includes world premiere of Valborg Aulin’s Tableaux Parisiens for Nilento Records, and Anders Eliasson’s Double Concerto and Sinfonia per Archi with the Swedish Radio Symphony Orchestra for the CPO label. He has recorded for Dacapo with the Danish National Symphony Orchestra, for Ondine with the Iceland Symphony Orchestra (works by Jón Nordal) andthe Oulu Symphony Orchestra (works by Uuno Klami and Einar Englung), to name a few. He was prizewinner at the Solti Conducting Competition in Frankfurt and the Toscanini Competition in Parma, and the first artist to be awarded both the Swedish Conductor’s Prize and the Herbert Blomstedt Award. Originally trained as a violist, his strong passion for conducting led him to study conducting at the Norwegian Academy of Music with Ole Kristian Ruud and Olav Anton Thommessen, and with the great Finnish conductor Jorma Panula.

Since his debut with the Royal Swedish Philharmonic in 1981, pianist Roland Pöntinen has appeared with major orchestras all over the world, including the Philharmonia Orchestra in London, the Los Angeles Philharmonic, the Scottish Chamber Orchestra and at the BBC Proms. His repertoire ranges from Bach to Ligeti, with an emphasis on the “golden era” of piano literature with composers such as Debussy, Busoni, Szymanowski and Rachmaninov. He has performed the complete cycles of Beethoven’s sonatas and Liszt’s Années de Pèlerinage. Composers such as Sven-Erik Bäck, Veli-Matti Puumala, Anders Eliasson and Anders Hillborg have dedicated works to him, and in 2007 he premiered Shchedrin’s Romantic Duets with the composer at the Verbier Festival. As a chamber musician, Roland Pöntinen has worked with prominent artists such as Barbara Hendricks, Janine Jansen, Nobuko Imai, Peter Mattei, Martin Fröst, Christian Lindberg and Nicolai Gedda. He has played Rachmaninoff's Paganini Rhapsodies with the Liverpool Philharmonic Orchestra, Shostakovich's First Piano Concerto with the Orchestre de La Suisse Romande, the Schumann Concerto with the Gothenburg Symphony Orchestra and Messiaen's Turangalîla Symphony in 2017 with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. Roland Pöntinen is also active as a composer.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Swedish conductor Johannes Gustavsson works regularly with all major Nordic orchestras, being in demand as an interpreter of extensive symphonic and operatic repertoire. He established close relationships with orchestras such as the Royal Stockholm Philharmonic, Swedish Radio Symphony, Gothenburg Symphony Orchestra, Oslo Philharmonic, the Norwegian Radio Orchestra, Helsinki Philharmonic Orchestra, the Royal Swedish Opera, and the Gothenburg Opera. The soloists he often performs with include Janine Jansen, Peter Jablonski, Martin Fröst, Nina Stemme, Vikingur Olafsson, Olli Mustonen, Isbelle van Keulen, Torleif Thedeen, Guy Braunstein, and many others. He has a over 20 year partnership with the Gothenburg Symphony Orchestra, which to date includes almost 40 concerts and countless days in the recording studio. He has held senior conducting posts at the Ostrobothnian Chamber Orchestra, the Västerås Sinfonietta, the Nordic Chamber Orchestra, and was chief conductor at the Wermland Opera and at the Oulu Symphony Orchestra until 2021. As a champion of new music, he is dedicated to ensuring that works of his contemporaries are heard in concert halls, and to date he has premiered over 50 orchestral works written in the 21st century. Since 2023 he is Artistic director of Jönköping's Sinfonietta. His recordings includes world premiere of Valborg Aulin’s Tableaux Parisiens for Nilento Records, and Anders Eliasson’s Double Concerto and Sinfonia per Archi with the Swedish Radio Symphony Orchestra for the CPO label. He has recorded for Dacapo with the Danish National Symphony Orchestra, for Ondine with the Iceland Symphony Orchestra (works by Jón Nordal) andthe Oulu Symphony Orchestra (works by Uuno Klami and Einar Englung), to name a few. He was prizewinner at the Solti Conducting Competition in Frankfurt and the Toscanini Competition in Parma, and the first artist to be awarded both the Swedish Conductor’s Prize and the Herbert Blomstedt Award. Originally trained as a violist, his strong passion for conducting led him to study conducting at the Norwegian Academy of Music with Ole Kristian Ruud and Olav Anton Thommessen, and with the great Finnish conductor Jorma Panula.

Since his debut with the Royal Swedish Philharmonic in 1981, pianist Roland Pöntinen has appeared with major orchestras all over the world, including the Philharmonia Orchestra in London, the Los Angeles Philharmonic, the Scottish Chamber Orchestra and at the BBC Proms. His repertoire ranges from Bach to Ligeti, with an emphasis on the “golden era” of piano literature with composers such as Debussy, Busoni, Szymanowski and Rachmaninov. He has performed the complete cycles of Beethoven’s sonatas and Liszt’s Années de Pèlerinage. Composers such as Sven-Erik Bäck, Veli-Matti Puumala, Anders Eliasson and Anders Hillborg have dedicated works to him, and in 2007 he premiered Shchedrin’s Romantic Duets with the composer at the Verbier Festival. As a chamber musician, Roland Pöntinen has worked with prominent artists such as Barbara Hendricks, Janine Jansen, Nobuko Imai, Peter Mattei, Martin Fröst, Christian Lindberg and Nicolai Gedda. He has played Rachmaninoff's Paganini Rhapsodies with the Liverpool Philharmonic Orchestra, Shostakovich's First Piano Concerto with the Orchestre de La Suisse Romande, the Schumann Concerto with the Gothenburg Symphony Orchestra and Messiaen's Turangalîla Symphony in 2017 with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. Roland Pöntinen is also active as a composer.

Maurice Ravel (1875-1937) Suite No 2 from Daphnis et Chloé It is difficult to capture this orchestral suite in a few words, which after more than 100 years strikes an audience with enormous richness of color and virtuosity. A music that is only remarkable at the time of its creation. 1913 is the year that Stravinsky's Rite of Spring is played for the first time, and Anton Webern's 6 orchestral works are performed in Vienna. Two concerts whose musical revolution was for a long time overshadowed by the scuffles that arose during the concerts. Ravel's suite was already embraced during the composer's lifetime, but its musical revolution in harmony and orchestration is no lesser. This suite, which is part of a ballet set to the Greek tale of Daphnis and Chloé, to which Diaghilev's famous dance company danced, bears all the characteristics that made Ravel's music immortal. The examples are countless, but the level of subtle genius is present already in the opening of the work, when the sun rises in the impressionistic orchestral scree. Not least listen to how this is embodied in the string section. The timbre, which is like a fund for the moving wind motifs, is in fact the sunrise's most sonorous transformation; how the strings in a slow procession during the opening bars raise the chords, from desk to desk, from section to section, and in that way - sifted through the sound of the strings - sweetly let the overtones from the strings go from the dark to the clear. Esaias Järnegard

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Clarinetist and conductor Martin Fröst is known for pushing musical boundaries. An artist who is constantly seeking new ways to challenge and reshape the classical music arena, his repertoire includes standard works as well as a number of contemporary works. In 2014, Fröst was the first clarinetist to be awarded the Léonie Sonning Music Prize, joining a prestigious list of previous recipients including Igor Stravinsky, Leonard Bernstein and Sir Simon Rattle. The International Classical Music Awards named him their Artist of the Year Award 2022 for his innovative global career, his impressive discography and his philanthropy. He has been the musical director of the Swedish Chamber Orchestra in Örebro since 2019. Fröst was Artist in Residence at the NDR Elbphilharmonie Orchestra in season 2025-2026. He has performed with the world's greatest orchestras, including the Royal Concertgebouw Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Leipzig Gewandhaus Orchestra, the Munich Philharmonic, the London Symphony Orchestra, the Philharmonia Orchestra, the NDR Elbphilharmonie Orchestra and the Frankfurt Radio Symphony Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, and performs at international events such as the Verbier Festival in Switzerland, the BBC Proms in London and Mostly Mozart in New York.