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Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

Allegro ma non troppo - Andante molto mosso - Allegro - Allegro - Allegretto Beethoven's Symphony No. 6 in F major is one of his most naturalistic and lyrical works. It was written in parallel with the dramatic Fifth Symphony, and they were premiered at the same time on December 8, 1808 in Vienna. Beethoven himself named the Pastoral Symphony, which reveals a new side of him - the thoughtful, naturalistic and soulful. Together with the Fifth Symphony, it marks a new, more narrative and emotional stage in his work. With its five movements and descriptive titles such as “Awakening of Joyful Feelings on Arrival in the Countryside” and “Scene by the Stream”, it differs in character from his other symphonies. Beethoven emphasized in a famous quote that the work should not be seen as an exact nature painting, but as an expression of the feelings that nature arouses. The thunderstorm of the fourth movement with swirling strings, drums and winds is particularly famous, and illustrates the dramatic forces of nature. The last movement is the shepherd's song with happy and grateful feelings. The symphony reflects Beethoven's strong love for country life and every summer he escaped the noise of the city to seek peace in the countryside. He found inspiration for the work in the village of Nussdorf just north of Vienna, and to this day you can walk along the path that bears his name – Beethovengang. Andreas Konvicka

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Allegro ma non troppo - Andante molto mosso - Allegro - Allegro - Allegretto Beethoven's Symphony No. 6 in F major is one of his most naturalistic and lyrical works. It was written in parallel with the dramatic Fifth Symphony, and they were premiered at the same time on December 8, 1808 in Vienna. Beethoven himself named the Pastoral Symphony, which reveals a new side of him - the thoughtful, naturalistic and soulful. Together with the Fifth Symphony, it marks a new, more narrative and emotional stage in his work. With its five movements and descriptive titles such as “Awakening of Joyful Feelings on Arrival in the Countryside” and “Scene by the Stream”, it differs in character from his other symphonies. Beethoven emphasized in a famous quote that the work should not be seen as an exact nature painting, but as an expression of the feelings that nature arouses. The thunderstorm of the fourth movement with swirling strings, drums and winds is particularly famous, and illustrates the dramatic forces of nature. The last movement is the shepherd's song with happy and grateful feelings. The symphony reflects Beethoven's strong love for country life and every summer he escaped the noise of the city to seek peace in the countryside. He found inspiration for the work in the village of Nussdorf just north of Vienna, and to this day you can walk along the path that bears his name – Beethovengang. Andreas Konvicka

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Allegro ma non troppo - Andante molto mosso - Allegro - Allegro - Allegretto Beethoven's Symphony No. 6 in F major is one of his most naturalistic and lyrical works. It was written in parallel with the dramatic Fifth Symphony, and they were premiered at the same time on December 8, 1808 in Vienna. Beethoven himself named the Pastoral Symphony, which reveals a new side of him - the thoughtful, naturalistic and soulful. Together with the Fifth Symphony, it marks a new, more narrative and emotional stage in his work. With its five movements and descriptive titles such as “Awakening of Joyful Feelings on Arrival in the Countryside” and “Scene by the Stream”, it differs in character from his other symphonies. Beethoven emphasized in a famous quote that the work should not be seen as an exact nature painting, but as an expression of the feelings that nature arouses. The thunderstorm of the fourth movement with swirling strings, drums and winds is particularly famous, and illustrates the dramatic forces of nature. The last movement is the shepherd's song with happy and grateful feelings. The symphony reflects Beethoven's strong love for country life and every summer he escaped the noise of the city to seek peace in the countryside. He found inspiration for the work in the village of Nussdorf just north of Vienna, and to this day you can walk along the path that bears his name – Beethovengang. Andreas Konvicka

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Allegro ma non troppo - Andante molto mosso - Allegro - Allegro - Allegretto Beethoven's Symphony No. 6 in F major is one of his most naturalistic and lyrical works. It was written in parallel with the dramatic Fifth Symphony, and they were premiered at the same time on December 8, 1808 in Vienna. Beethoven himself named the Pastoral Symphony, which reveals a new side of him - the thoughtful, naturalistic and soulful. Together with the Fifth Symphony, it marks a new, more narrative and emotional stage in his work. With its five movements and descriptive titles such as “Awakening of Joyful Feelings on Arrival in the Countryside” and “Scene by the Stream”, it differs in character from his other symphonies. Beethoven emphasized in a famous quote that the work should not be seen as an exact nature painting, but as an expression of the feelings that nature arouses. The thunderstorm of the fourth movement with swirling strings, drums and winds is particularly famous, and illustrates the dramatic forces of nature. The last movement is the shepherd's song with happy and grateful feelings. The symphony reflects Beethoven's strong love for country life and every summer he escaped the noise of the city to seek peace in the countryside. He found inspiration for the work in the village of Nussdorf just north of Vienna, and to this day you can walk along the path that bears his name – Beethovengang. Andreas Konvicka

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

"Only once have I succeeded in fully realizing my intentions, in Boléro." Maurice Ravel composed Boléro (1928) as a bold experiment in rhythm, timbre, and endurance. Originally written as ballet music for the Russian ballerina Ida Rubinstein, the work is based on an almost ascetic musical material - an unchanging rhythm of the snare drum together with two simple melodies repeated without thematic development. What changes instead is the color, density, and dynamics of the orchestra. Over a sustained ostinatory rhythm, the melody wanders through the orchestra's instruments, one by one, in a slow and relentless rise toward a monumental climax. Ravel himself emphasized the monotonous and almost mechanical character of the work, describing it as a pure study in orchestration rather than an expression of drama or narrative. It is precisely this consistent limitation that gives the music its hypnotic, almost trance-like effect. Boléro immediately attracted great attention upon its premiere in Paris, and achieved worldwide success within months. It became Ravel's most famous work, remains one of the most frequently performed classical pieces in the world, and is considered one of the most iconic and powerful orchestral experiences of the 20th century.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Carl Orff (1895-1982) Carmina Burana Fortuna imperatrix mundi - Primo vere - In taberna´- Cour d'amours - Blanziflor et Helena - Fortuna imperatrix mundi During the 1930s, Carl Orff was one of the most noted composers in Germany. Much of his fame came with Carmina burana which was composed in 1935-1936. Its subtitle reads "secular songs for soli and choir accompanied by orchestra and with magical images" - a scenography of a medieval kind where evocative paintings and decorations in concert with the large choir create an overwhelming impression. Carmina burana was first performed in Frankfurt am Main in 1937, given at La Scala in 1942 and shortly afterwards also in Vienna, but despite this Orff only became more widely known as a composer after the war. The music was not like anything else, it felt original and stood outside contemporary trends and schools. His musical inspiration can be said to have its roots in the dramatic imagery, with Greek tragedy and Italian baroque opera as two major sources of inspiration. Musically, there is a closer influence: Stravinsky's dramatic cantata Oedipus Rex and above all Les noces - rhythmically marked music of a deliberately simple style with a sparse orchestral movement (lots of percussion) and the choir as basic elements. Orff's work often grew out of a combined vision of the scenic and the musical - everything he created reveals a lush, visible imagination. Most of what he produced is intended for the stage, including Carmina burana. But the piece has shown its strength even without stage arrangements and is just as often performed in the concert hall with great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

"Only once have I succeeded in fully realizing my intentions, in Boléro." Maurice Ravel composed Boléro (1928) as a bold experiment in rhythm, timbre, and endurance. Originally written as ballet music for the Russian ballerina Ida Rubinstein, the work is based on an almost ascetic musical material - an unchanging rhythm of the snare drum together with two simple melodies repeated without thematic development. What changes instead is the color, density, and dynamics of the orchestra. Over a sustained ostinatory rhythm, the melody wanders through the orchestra's instruments, one by one, in a slow and relentless rise toward a monumental climax. Ravel himself emphasized the monotonous and almost mechanical character of the work, describing it as a pure study in orchestration rather than an expression of drama or narrative. It is precisely this consistent limitation that gives the music its hypnotic, almost trance-like effect. Boléro immediately attracted great attention upon its premiere in Paris, and achieved worldwide success within months. It became Ravel's most famous work, remains one of the most frequently performed classical pieces in the world, and is considered one of the most iconic and powerful orchestral experiences of the 20th century.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Paul Dukas (1865-1935) L'apprenti sorcier L'apprenti sorcier (The Sorcerer's Apprentice) is the most famous work by the French composer Paul Dukas. It premiered in May 1897 in Paris with the composer himself conducting. The piece is based on Goethe's poem Der Zauberlehrling, about a sorcerer who leaves his apprentice to fetch water. But instead of doing it himself, the apprentice conjures up a broom to do the job for him. Dukas illustrates the broom with a rhythmic theme in the bassoon. The water is depicted through leaps and splashing cymbals. But the apprentice is not fully trained and loses control of the situation. The broom never stops fetching water. The room floods. The apprentice tries to chop the broom in half with an axe, which only gives rise to more brooms. A contributing factor to the music's great popularity was Walt Disney's animated film Fantasia from 1940, starring Mickey Mouse. Dukas' romantic and magical works stand today as a clear precursor, along with Korngold and Holst, to John Williams' shimmering film music.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.