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Wolfgang Amadeus Mozart (1756-1791) Eine kleine Nachtmusik Allegro Romanze: Andante Menuetto e Trio Rondo: Allegro One might wonder if there is a more beautifully crafted and polished gem than Eine kleine Nachtmusik - so appealing, so perfect. Nachtmusik is German for "serenade", and when it was composed, Mozart had already composed twelve serenades. Compared to the earlier serenades, it truly lives up to its name - a little one. It becomes a miniature, a simple, classically pure and easily accessible trifle, in terms of scope. The earlier serenades could be 45 minutes long. A serenade should also be intended to be played outdoors, but that does not work at all with Eine kleine Nachtmusik with its lovely and intimate string music. Mozart included Eine kleine Nachtmusik in his own catalogue of compositions in Vienna on August 10, 1787, and listed it as having five movements. There was another minuet - but this movement disappeared early in the work's history and has never been found. It has also not been possible to find out why Mozart wrote this lovely entertainment music. In any case, it does not seem to have been a commission, but that he wrote music out of his own interest. It has been surprising that the mature master of cosmopolitan Vienna interrupted the demanding work of orchestrating the exciting nighttime moods of the opera Don Giovanni in favor of this delicacy. Was it the contrast he needed? Was the inspiration pressing?

Richard Strauss (1864-1949) Also sprach Zarathustra The music is in no way a musical translation of Nietzsche's controversial theories about the übermensch. Richard Strauss saw the positive sides of the author's message: the demand for freedom, the longing for a better world, the power of action. The descriptions of nature were the most important source of inspiration. The extensive orchestral poem breaks up into nine sections, whose titles correspond to the names of the chapters in the book (but not always in the same order). Between these there are only three general pauses, the rest is in one go. As a motto he placed Nietzsche's "ode to the sun" with the call that "Too long have we dreamed of music, let us now wake up. We were sleepwalkers, let us now go out into the day..." The whole work begins with the sunrise: after long, grinding and very low C in double basses, double bassoon and organ, the sun breaks out in the notes C, G and C2. This is probably the most brilliant sunrise in the entire history of music, and just like Ligeti's music, it became the motif in the film 2001 – A Space Odyssey. The following parts have the titles: "About the inhabitants of the afterlife", "About the great longing" and "About the joy and passions", where the oboe intones a mournful melody. It is the dreams of youth that are buried. "The Night Wanderer's Song" is a heartbreaking farewell song where the description of nature returns in a reconciling C major in the basses. In the music, C major represents man and nature, while B major represents the universe - two keys that are very far apart. Neither of them emerges victorious from the battle at the end of the piece. Stig Jacobsson

Initially, Sibelius believed this first symphony would be programmatic: a symphony telling of his homeland’s geology and the triumph of Christianity over paganism. But seven years after the success of his choral-orchestral work based Finnish folklore Kullervo, friends and critics were urging Sibelius to think in more rigorous symphonic terms. Finland, they argued, needed art that was more international than parochial – a symphony that stood its ground on musical terms alone. Such thinking would give the First Symphony its musical weight irrespective of political context. In his student days in Vienna and Berlin, Sibelius’s teachers had stressed the importance of working through musical themes – lathing them continuously until they were fit for purpose. Ultimately, Sibelius took that advice to a level that couldn’t have been anticipated. Already in this symphony, the composer was handling his material in a distinctive way. Its misty opening on a solitary clarinet doesn’t just prepare us for the shock of the movement’s fast-paced Allegro; it infiltrates the work’s musical ideas like nutrients in their soil. The shape of the clarinet’s theme can be detected in numerous fragments right up to the final bars. The fourth movement launches with a transfigured version of it on thrusting strings. That gesture speaks of another conceptual difference in Sibelius’s symphonic designs: his response to the colours and capabilities of instruments. In a departure from traditional Germanic symphonic argument (which would make sense on a piano), Sibelius allowed the particular colour of instruments and instrumental groups to shape the path of his music. The symphony’s opening clarinet solo presents one example. The long-held pedal notes in the slow Andante, and the pizzicatos of the Scherzo, two more. These led the critic Ernest Newman to conclude that ‘every page breathes of another manner of thought, another way of living, even another landscape.’ That ‘other way of living’ can be rationalized. The use of recitation – a note repeating itself, like something half-sung – has its roots in Finland’s runic singing tradition. Others have heard something distinctly Russian in the clarinet solo, in the fur-wrapped melancholy of the slow movement and in the feverish way in which the final Allegro molto erupts. It’s in this movement that we hear Sibelius at his most unique. The organic treatment of themes continues. But as part of that process, the movement appears to reconcile the symphony’s poles of energy and stasis in a way only Sibelius could have conceived: by tricking us into assuming the music is operating at one distinct velocity when it’s actually locked into another. Andrew Mellor, from Sibelius: Symphony 1 & En Saga; Rouvali & Göteborgs Symfoniker (Alpha, 2019)

Simon Kim Phipps founded the Västra Götaland Youth Orchestra in 2000 and was their leader up till 2025. He is artistic director of Läcköoperan since 2003 and conductor of the award-winning Swedish Chamber Orchestra, which he also founded. Simon Kim Phipps was born in London and received his early musical training as a chorister at New College, Oxford. He took his B.A. as a Choral Scholar at King's College, Cambridge and went on to study singing at the Guildhall School in London. Conducting studies in Munich and Manchester followed and he made his professional debut at the Gothenburg Opera in 1985. The next ten years were largely devoted to opera with engagements at Sadlers Wells and English National Opera in London, Krefeld in Germany, and Malmö in Sweden. In 1994 Phipps moved to Sweden and has since then lived in Gothenburg. Simon Kim Phipps has conducted most of the professional orchestras in Sweden including the Gothenburg Symphony.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

With her expressive body language, natural stage presence and infectious musicality, Eva Ollikainen is one of the leading conductors of our time. Since 2020, she has been chief conductor and artistic director of the Iceland Symphony Orchestra and previously chief conductor of the Nordic Chamber Orchestra. In the 2024-2025 season, Ollikainen makes her debut with the Orchester National de France, Tonhalle-Orchester Zürich, Danish Radio Symphony Orchestra, London Philharmonic Orchestra and Auditorium-Orchester National de Lyon. She makes guest appearances with the Wiener Symphoniker, returns to the Deutsches Symphonie-Orchester Berlin, the Helsinki Philharmonic and the Gothenburg Symphony and conducts an August Everding production of The Magic Flute at the Staatsoper Berlin. In opera, Ollikainen has also conducted at Semperoper Dresden, Det Kongelige in Copenhagen, Gothenburg Opera, Royal Opera in Stockholm and the Finnish National Opera. Eva Ollikainen is curious about contemporary music and performs a wide repertoire with the Iceland Symphony Orchestra. She has a close collaboration with the Icelandic composer Anna Thorvaldsdottir. In 2023 Ollikainen released her album ARCHORA / AION on Sono Luminus to critical acclaim; the album was selected by the New York Times as one of the best of 2023. Eva Ollikainen won Jorma Panula's conducting competition at the age of 21. She regularly teaches at the Sibelius Academy and founded Iceland's Conducting Academy in 2021.

This season Ida Falk Winland has made her role debut as Madame Butterfly at the Gothenburg Opera. She has also visited the Royal Theatre in Copenhagen, where she sang the role of Helene in Kasper Holten's production of Manfred Trojahn's Orest. The previous season, she appeared as Donna Anna in Don Giovanni at the Gothenburg Opera and as Violetta in La Traviata at the Royal Opera in Stockholm. Ida Falk Winland has been associated with the Gothenburg Opera since 2014. Here she has sung Gilda in Rigoletto, Mimì in La Bohème, Ilia in Idomeneo, Adalgisa in Norma, Morgana in Alcina, Cleopatra in Julius Caesar, Rosina in The Barber of Seville, The Countess and Susanna in The Marriage of Figaro, Nedda in Pajazzo and Beate Bella Bravura in Julglitter och Operakaos. Ida Falk Winland has guested at the Glyndebourne Festival in the role of Fiordiligi in Così fan tutte. She has also performed Così fan tutte at the Opéra National de Paris, The Magic Flute and Xerxes at the Royal Swedish Opera and Peter Grimes at the Teatro alla Scala in Milan. She has also appeared at the Helsinki Festival, Opéra National de Lorraine, Covent Garden and at the Internationale Händel–Festspiele in Göttingen. In 2018, Ida Falk Winland was winner of the Opera Prize for her performance as Adalgisa in the Gothenburg Opera's production of Norma, an award voted for by the readers of the magazine Opera. She is educated at the Royal College of Music and the National Opera Studio in London.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The rhapsody was a perfect tool for provincial exploration - genuine or newly composed folk songs were arranged and assembled into a kind of more elaborate suite. Not even the elegant Ravel, known for clarity and refined orchestral effects, could resist the temptation. His favourite Chabrier had already composed the successful rhapsody Espana in 1883, and he himself had been attracted by Spanish tones in Habanera (1895) for two pianos - which was orchestrated and incorporated into Rapsodie espagnole - and Alborada del gracioso (1905). So the foundation was already laid when he wrote his first major orchestral work Rapsodie espagnole in 1908. The work flows with sensual orchestral sounds, enchanting natural impressions and fiery dances. "Night Prelude" is followed by a malaguena, a dance from Malaga, and the mentioned habanera, which takes its name from the capital of Cuba. Ravel's mastery in painting with the orchestra is particularly prominent in the concluding Feria, "festival". Here the melody part plays virtuoso between strings and winds while cellos, basses and bassoons run a relay race, all the while percussion with triangle, tambourine and castanets deliver their hits with powerful support from the brass. A more effective orchestral finale is hard to find.

Felix Mendelssohn (1809-1847) Violin Concerto E minor Allegro molto appassionato Andante Allegretto non troppo. Allegro molto vivace Felix Mendelssohn came from a German-Jewish family and as a composer strove to reconcile issues of spirituality and religious tolerance within society, and within himself. The Violin Concerto in E minor was written for the soloist Ferdinand David. However, the wait was six years before the premiere could take place in Leipzig on March 13, 1845 with David and the Gewandhaus Orchestra. New was the transition to the second movement without a break, as well as the fact that the soloist took up the opening theme, not the orchestra, and that a solo cadenza came already in the introduction - something that Sibelius and Tchaikovsky would also follow. The success was immediate. But in Nazi Germany, Mendelssohn's greatness was denied and his name was erased from public life.

Dawn Sunday Morning Mooonlight Storm Benjamin Britten's opera Peter Grimes, which premiered in 1945, is one of the most central works in British opera of the 20th century. It tells the story of a fisherman who causes the death of his apprentices, is harassed by the small town population and loses his mind. Between the acts, Britten inserted four orchestral interludes that can be performed as a standalone orchestral suite, the Four Sea Interludes. They are titled Dawn, Sunday Morning, Moonlight and Storm. The four interludes depict not only the nature outside the small coastal village where the opera is set, but also the psychological content of the opera and the title character's struggle against society and his inner demons. In Britten's music, the sea is both concrete and symbolic, a force of nature and a mirror for human loneliness, alienation and conflict – something that resonated deeply with him as a homosexual in a time of condemnation. With his sensitive tone language, Britten creates an atmospheric soundscape, and its rich, expansive music is reminiscent of Debussy's La Mer and Mahler's emotional moods. The interludes move between impressionistic colors and sharp drama, and show Britten's mastery in transforming the colors of the sea into expressive music of both beauty and anxiety. Andreas Konvicka

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Wilhelm Stenhammar (1871-1927) Excelsior! Many have said that Stenhammar's Excelsior! is strongly influenced by Wagner, but there is undeniably much here that would prove to be genuine Stenhammar. The title can be interpreted as "rushing and striving", and the lecture description of the main theme is "passionately agitated". The score is dated Berlin 4 September 1896. It is known that Stenhammar saw a performance of Goethe's Faust in the German capital at this time and that he had purchased Goethe's collected works. The books have been preserved and it can be seen that the volume with Faust was read extensively. Although he clearly had Faust as a literary model, the drama has only helped to create the atmosphere. If any part of Faust has been the direct inspiration, it is the conversation between Faust and his valet Wagner immediately after the parts Prologue in Heaven and Night. The overture was dedicated to the Berlin Philharmonic, which may seem presumptuous for a 25-year-old composer who had written his very first orchestral work. When Stenhammar himself brought the work to his debut concert as conductor with the Royal Court Orchestra in Stockholm on 16 October 1897, it was a great success.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Bela Bartók (1881-1945) Concerto for Orchestra Introduzione Gioco delle coppie Elegia Intermezzo interrotto Finale When this music was written in 1943, Bela Bartók had two years left to live. He had come to the United States fleeing a Europe at war and clawed his way through a few lean years in New York. The honorary doctorate at Harvard provided no income. In addition, he became increasingly ill, what previously appeared to be tuberculosis turned out to be leukemia. But he continued to compose as always. Work was his life - and pleasure too, if you will. Like a child, he rested by doing other things. He was first and foremost a music ethnologist, that is, a recorder and collector of folk music. And it was among other things this immeasurable library, more than 13,000 melodies, he was so keen to save the Second World War. Countless trips in Hungary, Romania, Bulgaria, Slovakia and Turkey were made with a phonograph as a memory aid. In between, he composed, on top of that a whole lot of teaching as income and change, and of course an extensive activity as a concert pianist in many countries. In addition, he was interested in collecting plants, beetles, learning new languages. Palestrina's music was always on the piano and he never traveled without his thumbed score of Stravinsky's The Rite of Spring under his arm. Is there a diagnosis for this? we would ask today. The music Bela Bartók wrote was highly influenced by all the music he saw and heard on his collecting trips, but in the later works you can also hear how fascinated he was by the Baroque masters. The concerto for orchestra was commissioned by the Sergei Koussevitsky Music Foundation. Bartók himself has described the music as a journey from austerity via an ominous song to a life-affirming ending. Like Mozart, he composed incredibly quickly, he couldn't get an idea out of his head until the next one appeared. With such a cacophony within, it is no wonder that throughout his life he sought out quiet places. Bartok himself saw the collection of folk music as his greatest and most important deed for more than one reason: "My own idea is the brotherhood of peoples, brotherhood despite all wars and conflicts. I try - as best I can - to serve that idea in my music: therefore I reject no influences, whether Slovak, Romanian, Arabic, or from other sources." (Bartók, 1931) KATARINA A KARLSSON

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Bela Bartók (1881-1945) Concerto for Orchestra Introduzione Gioco delle coppie Elegia Intermezzo interrotto Finale When this music was written in 1943, Bela Bartók had two years left to live. He had come to the United States fleeing a Europe at war and clawed his way through a few lean years in New York. The honorary doctorate at Harvard provided no income. In addition, he became increasingly ill, what previously appeared to be tuberculosis turned out to be leukemia. But he continued to compose as always. Work was his life - and pleasure too, if you will. Like a child, he rested by doing other things. He was first and foremost a music ethnologist, that is, a recorder and collector of folk music. And it was among other things this immeasurable library, more than 13,000 melodies, he was so keen to save the Second World War. Countless trips in Hungary, Romania, Bulgaria, Slovakia and Turkey were made with a phonograph as a memory aid. In between, he composed, on top of that a whole lot of teaching as income and change, and of course an extensive activity as a concert pianist in many countries. In addition, he was interested in collecting plants, beetles, learning new languages. Palestrina's music was always on the piano and he never traveled without his thumbed score of Stravinsky's The Rite of Spring under his arm. Is there a diagnosis for this? we would ask today. The music Bela Bartók wrote was highly influenced by all the music he saw and heard on his collecting trips, but in the later works you can also hear how fascinated he was by the Baroque masters. The concerto for orchestra was commissioned by the Sergei Koussevitsky Music Foundation. Bartók himself has described the music as a journey from austerity via an ominous song to a life-affirming ending. Like Mozart, he composed incredibly quickly, he couldn't get an idea out of his head until the next one appeared. With such a cacophony within, it is no wonder that throughout his life he sought out quiet places. Bartok himself saw the collection of folk music as his greatest and most important deed for more than one reason: "My own idea is the brotherhood of peoples, brotherhood despite all wars and conflicts. I try - as best I can - to serve that idea in my music: therefore I reject no influences, whether Slovak, Romanian, Arabic, or from other sources." (Bartók, 1931) KATARINA A KARLSSON

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Bela Bartók (1881-1945) Concerto for Orchestra Introduzione Gioco delle coppie Elegia Intermezzo interrotto Finale When this music was written in 1943, Bela Bartók had two years left to live. He had come to the United States fleeing a Europe at war and clawed his way through a few lean years in New York. The honorary doctorate at Harvard provided no income. In addition, he became increasingly ill, what previously appeared to be tuberculosis turned out to be leukemia. But he continued to compose as always. Work was his life - and pleasure too, if you will. Like a child, he rested by doing other things. He was first and foremost a music ethnologist, that is, a recorder and collector of folk music. And it was among other things this immeasurable library, more than 13,000 melodies, he was so keen to save the Second World War. Countless trips in Hungary, Romania, Bulgaria, Slovakia and Turkey were made with a phonograph as a memory aid. In between, he composed, on top of that a whole lot of teaching as income and change, and of course an extensive activity as a concert pianist in many countries. In addition, he was interested in collecting plants, beetles, learning new languages. Palestrina's music was always on the piano and he never traveled without his thumbed score of Stravinsky's The Rite of Spring under his arm. Is there a diagnosis for this? we would ask today. The music Bela Bartók wrote was highly influenced by all the music he saw and heard on his collecting trips, but in the later works you can also hear how fascinated he was by the Baroque masters. The concerto for orchestra was commissioned by the Sergei Koussevitsky Music Foundation. Bartók himself has described the music as a journey from austerity via an ominous song to a life-affirming ending. Like Mozart, he composed incredibly quickly, he couldn't get an idea out of his head until the next one appeared. With such a cacophony within, it is no wonder that throughout his life he sought out quiet places. Bartok himself saw the collection of folk music as his greatest and most important deed for more than one reason: "My own idea is the brotherhood of peoples, brotherhood despite all wars and conflicts. I try - as best I can - to serve that idea in my music: therefore I reject no influences, whether Slovak, Romanian, Arabic, or from other sources." (Bartók, 1931) KATARINA A KARLSSON

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Estonian-born conductor Neeme Järvi is the Gothenburg Symphony Orchestra's Principal Conductor Emeritus. He conducts many of the world's most prominent orchestras and works with soloists of the highest class. During his long career, he has made over 450 disc recordings. Under Neeme Järvi's direction from 1982-2004, the Gothenburg Symphony made a series of international tours and made around a hundred disc recordings and established itself among Europe's leading orchestras. Neeme Järvi became chief conductor of the Residentie Orkest in 2005, artistic director of the Estonian National Symphony Orchestra in 2009 and music director of the New Jersey Symphony Orchestra in 2005. He has also been artistic director of the Orchester de la Suisse Romande. He holds the titles of Music Director Emeritus of the Detroit Symphony Orchestra and Conductor Laureate of the Royal Scottish National Orchestra. Throughout his career, Neeme Järvi has been honored with international honors and awards. In Estonia, these include an honorary doctorate at the Estonian Academy of Music in Tallinn, and the Order of the National Coat of Arms from the President of the Republic of Estonia. He has also received the Commander of the Order of the North Star from King Karl XVI Gustaf. He most recently guested with the Gothenburg Symphony Orchestra in 2024 at the Hasselblad Concert, which was also recorded for GSOplay and Swedish Radio.

Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 21 Piano Concerto No. 21 is most often associated in Sweden with Bo Widerberg's international film success Elvira Madigan from 1967. The middle movement was used as a theme in the tragic love story of the line dancer Elvira Madigan and Lieutenant Sixten Sparre. Mozart knew a lot about young love being destined for ruin. This is one of Mozart's most self-indulgent slow movements. Mozart's importance for the development of the piano concerto was as great as Beethoven's for the symphony. He innovated both form and content, for example by allowing the wind instruments not only to amplify the sound but also to provide additional color. In addition, there was a free interplay between soloist and orchestra. A total of 27 piano concertos was composed by Mozart's in his short life.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Ludwig van Beethoven (1770-1827) Symphony No 7 Half Viennese classicist, half romantic, but mostly Beethoven. That's how we're used to seeing him, but he had other sides as well. In both the 6th and 7th symphonies, the folklorist Beethoven appears. In the former he depicts dancing peasants (third movement), and in the seventh symphony he delivers a finale built around a folk dance. Of course, in Beethoven's artful and powerful arrangement - he is incredibly driving, thrusting with weight and force into the chords at an accelerating pace. This restless, rhythmic rondo is one of his most explosive creations. The symphony opens slowly, with upward movements (fast versus slow) contrasted with a pretty, dancing trio. Note Beethoven's orchestral dramaturgy as he strips away the score from the full orchestra until only a flute and an oboe remain. Then the main theme takes over, heralding the 9th Symphony's An die Freude. In the thematic development work, one can often discern the struggle of the lonely against the many, a constantly recurring theme in Beethoven's music. The well-known allegretto in movement two is definitely the symphony's pièce de résistance. This variation movement must have seemed like a very strange animal in Beethoven's time: an evocative passacaglia with a rhythmic figure - one long, two short, two long - pulsating throughout the movement. Above this, Beethoven weaves and develops new parts that increase in strength and scope and then thin out and tone down. The swells are crowned by a couple of solid climaxes. This is Bach and the future at once, the innovative polyphony that would blossom fully in the late string quartets and piano sonatas. The third movement is a scherzo to everything but the name – never have boisterous male laughter (the low strings) and female laughter cascades (the woodwind) been depicted so vividly as here. Beethoven also achieves unusual harmonic effects when he lets the trumpets lie on pedal notes above (reversed!) the melody in the rest of the orchestra. The symphony was first performed on 8 December 1813 together with the almost farcical commissioned work Wellington's Victory, including crevados, cannons and a fugato on God save the King. There is no doubt as to which work is the better.

Hugo Alfvén (1872-1960) Suite from The Prodigal Son With a music that can be said to be characterized by the musical aftermath of Romanticism, the composer and conductor Hugo Alfvén left his mark on Swedish musical life during the first half of the 20th century. The ballet The Prodigal Son, or more precisely: the orchestral suite from it, would become Alfvén's last major composition. The ballet depicts the biblical story of the son who leaves his father, squanders his inheritance, but who then returns in repentance and through reconciliation is given a picture of what is genuinely human. The music can be said to reflect this inner journey – we travel from the lyrical to the dramatic. From the youthful to the thoughtful of age. In between we hear evidence of Alfvén's soft spot for folk melody and the rhythmic danceable. Several of the melodies are also found in the many songs that Alfvén had arranged and composed for choir Orphei Drängar, which he over many years turned into the notorious male choir it still is today.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Haydn Variations Op 56 Like Beethoven, Brahms was very interested in the variation form and stands out as one of the foremost composers in this area. The theme for the Haydn variations is a chorale called St Antoni, followed by eight variations and a grand finale. A good friend of Brahms, Karl Ferdinand Pohl, had brought some unknown music to Brahms in 1870, including some scores or divertimenti for wind orchestra. One partita contained the Antonius Chorale, which Brahms fell in love with and noted in his sketchbook. At first it was believed to have been composed by Haydn, but researchers increasingly believe that it was possibly one of Haydn's students, probably Ignatz Pleyel, who composed the partita. The theme is based on a hymn that pilgrims used to sing on St. Anthony's Day. The Brahms work is available in two versions, one for two pianos and one for orchestra. Brahms entered the orchestral version in his catalog first, but it was the piano version that first appeared in print. The duo version was first performed by Brahms himself and Clara Schumann. The orchestral version was first performed in November 1873 by the Vienna Philharmonic under Brahms.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Allegro ma non troppo - Andante molto mosso - Allegro - Allegro - Allegretto Beethoven's Symphony No. 6 in F major is one of his most naturalistic and lyrical works. It was written in parallel with the dramatic Fifth Symphony, and they were premiered at the same time on December 8, 1808 in Vienna. Beethoven himself named the Pastoral Symphony, which reveals a new side of him - the thoughtful, naturalistic and soulful. Together with the Fifth Symphony, it marks a new, more narrative and emotional stage in his work. With its five movements and descriptive titles such as “Awakening of Joyful Feelings on Arrival in the Countryside” and “Scene by the Stream”, it differs in character from his other symphonies. Beethoven emphasized in a famous quote that the work should not be seen as an exact nature painting, but as an expression of the feelings that nature arouses. The thunderstorm of the fourth movement with swirling strings, drums and winds is particularly famous, and illustrates the dramatic forces of nature. The last movement is the shepherd's song with happy and grateful feelings. The symphony reflects Beethoven's strong love for country life and every summer he escaped the noise of the city to seek peace in the countryside. He found inspiration for the work in the village of Nussdorf just north of Vienna, and to this day you can walk along the path that bears his name – Beethovengang. Andreas Konvicka

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.