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Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

Paul Hindemith (1895-1963) Violin Concerto Mässig bewegte Halbe Langsam Lebhaft Before Paul Hindemith got his breake through as a composer, he was renowned as a skilled instrumentalist on the violin and later also on the viola and viola d’amore. His interest in these instruments was evident early on in his Bach-inspired Kammermusik from the 1920s, in which both the viola and the viola d’amore act as soloists. Despite this, Hindemith wrote only one violin concerto with full orchestra, a work that is usually pointed out as his best both for violin and in concert form, from 1939. The year before, in 1938, he left Germany because his wife had Jewish roots. When the violin concerto had its world premiere in Amsterdam in 1940, not long before the Nazis entered Holland, Hindemith and his wife were already in the United States. Over the next few decades, the concerto was performed regularly, but has since lost some of its popularity. Despite the troubled circumstances surrounding its creation, the violin concerto is an energetic and lively work. It is virtuosic, urbane, and encompasses everything from grandeur to lyrical intimacy.

Antonín Dvorák (1841-1904) Symphony No. 8 Op 88 A few years before Antonín Dvorák left for America, the Eighth Symphony grew during long walks in the woods and fields. The Eighth Symphony is the result of a conscious search for peace and harmony. When the storm sometimes roars for the sake of contrast, it only blows away the dry leaves and brings fresh air with it. It is a happily smiling music, a simple, folk fiddler's music that deviates from the strict symphonic traditions. The first movement begins with a sonorous cello theme that then returns twice during the movement; in the introduction to the development and in the recapitulation. The movement closely follows the sonata form despite the great changes in emotion. The slow movement is an adagio in C minor that is built up from a string of beautiful episodes. Then follows a graceful and elastic waltz before the finale once again presents a short introduction consisting of a trumpet solo. This solo also recurs a few times, including as a pianissimo accompaniment to solo flute and played by trumpets and horns. An outward-looking coda concludes the symphony. On 2 February 1890, this G major symphony was premiered with the composer himself conducting the National Theatre Orchestra in Prague, and he also conducted performances in London and Frankfurt shortly afterwards. The symphony would soon triumph around the world, and alongside the Ninth Symphony (From the New World), written in America, it became the most beloved of his symphonies. The symphony was dedicated to the "Bohemian Franz Joseph Academy for the Promotion of Art and Literature", in thanks for Dvorák becoming its honorary member.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Jaime Martín is Chief Conductor of the Melbourne Symphony Orchestra since 2022. He has also been Music Director of the Los Angeles Chamber Orchestra since 2019 and Chief Conductor of Ireland's RTÉ National Symphony Orchestra. He was Artistic Director and Chief Conductor of the Gävle Symphony Orchestra 2013-2022. In Spain, he holds the position of Principal Guest Conductor of the Spanish National Orchestra. Highlights of recent seasons have included debuts with the Dallas and Indianapolis Symphony Orchestras and the Dresden Philharmonic, an extensive tour of the UK with the Gävle Symphony Orchestra, and his debut performance as a conductor at the BBC Proms with the BBC National Orchestra of Wales. He has also guested with the Budapest Festival Orchestra, the Royal Swedish Philharmonic, the Queensland Symphony, the Colorado Symphony, the BBC National Orchestra of Wales, the Orquesta Sinfonica de Galicia and the Orquesta Sinfonica de Castilla y Leon. His discography includes Mozart's wind concertos with the London Symphony Orchestra, a series for Ondine Records with the Gävle Symphony Orchestra including Brahms' Serenades, Brahms' choral works with the Eric Ericsons Chamber Choir, and works by Swedish composer Melcher Melchers. Before taking on full-time conducting in 2013, Martín was principal flautist with the Royal Philharmonic Orchestra, Chamber Orchestra of Europe, English National Opera, Academy of St Martin in the Fields and London Philharmonic Orchestra, and a sought-after soloist.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

Paul Hindemith (1895-1963) Violin Concerto Mässig bewegte Halbe Langsam Lebhaft Before Paul Hindemith got his breake through as a composer, he was renowned as a skilled instrumentalist on the violin and later also on the viola and viola d’amore. His interest in these instruments was evident early on in his Bach-inspired Kammermusik from the 1920s, in which both the viola and the viola d’amore act as soloists. Despite this, Hindemith wrote only one violin concerto with full orchestra, a work that is usually pointed out as his best both for violin and in concert form, from 1939. The year before, in 1938, he left Germany because his wife had Jewish roots. When the violin concerto had its world premiere in Amsterdam in 1940, not long before the Nazis entered Holland, Hindemith and his wife were already in the United States. Over the next few decades, the concerto was performed regularly, but has since lost some of its popularity. Despite the troubled circumstances surrounding its creation, the violin concerto is an energetic and lively work. It is virtuosic, urbane, and encompasses everything from grandeur to lyrical intimacy.

Antonín Dvorák (1841-1904) Symphony No. 8 Op 88 A few years before Antonín Dvorák left for America, the Eighth Symphony grew during long walks in the woods and fields. The Eighth Symphony is the result of a conscious search for peace and harmony. When the storm sometimes roars for the sake of contrast, it only blows away the dry leaves and brings fresh air with it. It is a happily smiling music, a simple, folk fiddler's music that deviates from the strict symphonic traditions. The first movement begins with a sonorous cello theme that then returns twice during the movement; in the introduction to the development and in the recapitulation. The movement closely follows the sonata form despite the great changes in emotion. The slow movement is an adagio in C minor that is built up from a string of beautiful episodes. Then follows a graceful and elastic waltz before the finale once again presents a short introduction consisting of a trumpet solo. This solo also recurs a few times, including as a pianissimo accompaniment to solo flute and played by trumpets and horns. An outward-looking coda concludes the symphony. On 2 February 1890, this G major symphony was premiered with the composer himself conducting the National Theatre Orchestra in Prague, and he also conducted performances in London and Frankfurt shortly afterwards. The symphony would soon triumph around the world, and alongside the Ninth Symphony (From the New World), written in America, it became the most beloved of his symphonies. The symphony was dedicated to the "Bohemian Franz Joseph Academy for the Promotion of Art and Literature", in thanks for Dvorák becoming its honorary member.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Jaime Martín is Chief Conductor of the Melbourne Symphony Orchestra since 2022. He has also been Music Director of the Los Angeles Chamber Orchestra since 2019 and Chief Conductor of Ireland's RTÉ National Symphony Orchestra. He was Artistic Director and Chief Conductor of the Gävle Symphony Orchestra 2013-2022. In Spain, he holds the position of Principal Guest Conductor of the Spanish National Orchestra. Highlights of recent seasons have included debuts with the Dallas and Indianapolis Symphony Orchestras and the Dresden Philharmonic, an extensive tour of the UK with the Gävle Symphony Orchestra, and his debut performance as a conductor at the BBC Proms with the BBC National Orchestra of Wales. He has also guested with the Budapest Festival Orchestra, the Royal Swedish Philharmonic, the Queensland Symphony, the Colorado Symphony, the BBC National Orchestra of Wales, the Orquesta Sinfonica de Galicia and the Orquesta Sinfonica de Castilla y Leon. His discography includes Mozart's wind concertos with the London Symphony Orchestra, a series for Ondine Records with the Gävle Symphony Orchestra including Brahms' Serenades, Brahms' choral works with the Eric Ericsons Chamber Choir, and works by Swedish composer Melcher Melchers. Before taking on full-time conducting in 2013, Martín was principal flautist with the Royal Philharmonic Orchestra, Chamber Orchestra of Europe, English National Opera, Academy of St Martin in the Fields and London Philharmonic Orchestra, and a sought-after soloist.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

With her expressive body language, natural stage presence and infectious musicality, Eva Ollikainen is one of the leading conductors of our time. Since 2020, she has been chief conductor and artistic director of the Iceland Symphony Orchestra and previously chief conductor of the Nordic Chamber Orchestra. In the 2024-2025 season, Ollikainen makes her debut with the Orchester National de France, Tonhalle-Orchester Zürich, Danish Radio Symphony Orchestra, London Philharmonic Orchestra and Auditorium-Orchester National de Lyon. She makes guest appearances with the Wiener Symphoniker, returns to the Deutsches Symphonie-Orchester Berlin, the Helsinki Philharmonic and the Gothenburg Symphony and conducts an August Everding production of The Magic Flute at the Staatsoper Berlin. In opera, Ollikainen has also conducted at Semperoper Dresden, Det Kongelige in Copenhagen, Gothenburg Opera, Royal Opera in Stockholm and the Finnish National Opera. Eva Ollikainen is curious about contemporary music and performs a wide repertoire with the Iceland Symphony Orchestra. She has a close collaboration with the Icelandic composer Anna Thorvaldsdottir. In 2023 Ollikainen released her album ARCHORA / AION on Sono Luminus to critical acclaim; the album was selected by the New York Times as one of the best of 2023. Eva Ollikainen won Jorma Panula's conducting competition at the age of 21. She regularly teaches at the Sibelius Academy and founded Iceland's Conducting Academy in 2021.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

With her expressive body language, natural stage presence and infectious musicality, Eva Ollikainen is one of the leading conductors of our time. Since 2020, she has been chief conductor and artistic director of the Iceland Symphony Orchestra and previously chief conductor of the Nordic Chamber Orchestra. In the 2024-2025 season, Ollikainen makes her debut with the Orchester National de France, Tonhalle-Orchester Zürich, Danish Radio Symphony Orchestra, London Philharmonic Orchestra and Auditorium-Orchester National de Lyon. She makes guest appearances with the Wiener Symphoniker, returns to the Deutsches Symphonie-Orchester Berlin, the Helsinki Philharmonic and the Gothenburg Symphony and conducts an August Everding production of The Magic Flute at the Staatsoper Berlin. In opera, Ollikainen has also conducted at Semperoper Dresden, Det Kongelige in Copenhagen, Gothenburg Opera, Royal Opera in Stockholm and the Finnish National Opera. Eva Ollikainen is curious about contemporary music and performs a wide repertoire with the Iceland Symphony Orchestra. She has a close collaboration with the Icelandic composer Anna Thorvaldsdottir. In 2023 Ollikainen released her album ARCHORA / AION on Sono Luminus to critical acclaim; the album was selected by the New York Times as one of the best of 2023. Eva Ollikainen won Jorma Panula's conducting competition at the age of 21. She regularly teaches at the Sibelius Academy and founded Iceland's Conducting Academy in 2021.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Comedian and presenter Anna Mannheimer has appeared in TV and radio shows such as Let’s Go, Detta Har Hänt and Mannheimer och Tengby . She was also a member of the Rally comedy show on Sveriges Radio P3. With Mia Skäringer she has had one of Sweden’s largest podcasts. Together with her husband Peter Apelgren she has written and performed in stage plays such as Gift, Kids and Döden – Andra sidan e ni klara?.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

In fact, this is Dvorák's second cello concerto. The first in A major (1865) was a youthful work that he never orchestrated. He filled his new concerto with an overwhelming romanticism, not only through the expressive use of the solo instrument, but also the colorful orchestral palette in which the winds play a major role. The concerto is dedicated to his friend Hanuš Wihan, cellist of the Czech Quartet, who wanted to make some changes at the end. Dvorák wrote to the publisher: "I must insist that the work be printed as I wrote it!" Wihan took offense and entrusted the premiere in London on March 19, 1896 to Leo Stern. Over time, Dvorák reconciled with Wihan and they often performed the concerto together. The reason why Dvorák did not want to change anything in the final movement was purely personal. Returning to Bohemia, he had been reached by the news that a dear sister-in-law had died. He remembered that he had quoted one of her favorite melodies in Four Songs, and he now also included parts of the song in the coda. To emphasize the importance of the work, the cello concerto has sometimes been called "Dvorák's tenth symphony". And Brahms asked himself: "Why on earth did I not know that such a cello concerto could be written?" The musically mature and magnificent concerto is a real test of mastery for the soloist.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Claes Gunnarsson has toured all over the world as a soloist, chamber musician, orchestral musician and teacher. He made an early and acclaimed debut as soloist in Dvorák's Cello Concerto with the Gothenburg Symphony Orchestra. Shortly afterwards he was appointed principal cellist of the orchestra, a position he has held since 1999. As soloist, Claes has appeared in some of the world's most prestigious concert halls, including Wigmore Hall, Queen Elizabeth Hall, St. Petersburg Philharmonie, Shanghai Symphony Hall, Seoul Arts Center and Singapore Symphony Hall. He has also appeared at leading international festivals such as La Folle Journée in Nantes, Music@Menlo in California, Mecklenburg-Vorpommern, Affinis in Japan, Yuri Temirkanov's Winter Festival in St. Petersburg and the Qingdao International Cello Festival. Conductors he has collaborated with include Neeme Järvi, Kent Nagano, Santtu-Matias Rouvali, Alexander Lazarev, Christian Zacharias and Christopher Warren-Green. As a chamber musician, Claes has collaborated with prominent musicians such as Leonidas Kavakos, Nikolaj Znaider, Christian Zacharias and Hélène Grimaud. Of particular significance is his nearly 25-year collaboration with violinist Sara Trobäck and pianist Per Lundberg in the piano trio Trio Poseidon. The trio has toured extensively both nationally and internationally and made a critically acclaimed recording of Beethoven's Triple Concerto and Brahms' Double Concerto together with the Gothenburg Symphony Orchestra and Neeme Järvi for Chandos Records. For Chandos Records, he has also recorded Weinberg's Cello Fantasy and Cello Concerto together with the Gothenburg Symphony Orchestra and Thord Svedlund. The recording of the cello concerto was awarded the Diapason d'Or award. He is also represented on BIS Records with the premiere recording of Albert Schnelzer's cello concerto. Claes is regularly invited as a guest solo cellist with, among others, the Oslo Philharmonic, the BBC Symphony Orchestra and the London Symphony Orchestra. In parallel with his concert performances, he is active as a teacher at the Academy of Drama and Music at the University of Gothenburg. Claes plays a cello built in 1707 by David Tecchler, generously on loan from the Järnåker Foundation.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

Felix Mendelssohn (1809-1847) Symphony No. 4 in A, Op 90 "The Italian" Allegro vivace Andante con moto Con moto moderato Saltarello Presto No other composer - Mozart not excluded - has written such magnificently gifted music already as a child. Between the ages of eleven and fifteen, Felix Mendelssohn composed thirteen string symphonies, four operas, five concertos and countless chamber music works, in addition to piano and organ pieces, solo songs and choirs. And a great deal of this is still in the standard repertoire worldwide. He was the son of the wealthy banker Abraham, in whose home artists and musicians were constant guests. On Sundays, the banker used to organize concerts at his home in Berlin. Court musicians and the siblings Felix and Fanny appeared as soloists, and in the audience you could not infrequently find the philosopher Hegel or the scientist Humboldt. So it is perhaps not surprising that the talented Felix made such progress already in his boyhood. When he was fifteen years old, he began his first symphony for a full orchestra. He managed to write four more symphonies before his premature death at the age of only 38.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Maurice Ravel (1875-1937) Piano Concerto G Major Allegramente - Adagio assai - Presto After a long tour of the United States in 1928, Ravel wrote his last three major works the following year: the super hit Bolero and two piano concertos. The journey can be felt above all in the Piano Concerto in G major, which was influenced by the blues, the freedom of jazz and the rhythms of New York nightclubs. On the trip, Ravel also met George Gershwin. The American composer knew what the pulse of a big city and modernity should sound like. Ravel was inspired by the style. Despite the presence of jazz, the work is elaborated with Ravel's meticulous precision and French elegance – the orchestral sounds of the wind, every drum beat and syncopation, every bluesy piano chord and glissando have their exact place. The two outer movements of the work crackle with energy, rhythmic precision and virtuosity, but it is in the slow middle movement that Ravel opens his most intimate space. The movement’s opening three-minute solo on the piano, which hovers silently, is reminiscent of Erik Satie. The keys speak with deep humanity and the simple, almost pastoral melody slowly unfolds in an endless line. When the clarinet and flute then respond to the piano in a languid dialogue, it is as if time has stood still. The Piano Concerto in G major is the last major work in which Ravel was in full artistic control – a shimmering farewell from one of the most refined musical poets of the 20th century.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Peter Tchaikovsky (1840-1893) Symphony No. 6 Pathetique Op 74 Adagio;Allegro non troppo - Allegro con grazia - Allegro molto vivace - Finale:Adagio lamentoso Few symphonies contain as many outbursts of emotion and sudden mood swings as Tchaikovsky's Sixth, with the telling title Pathétique ("passionate suffering"). It reflects his manic-depressive personality, he suffered throughout his life from crises and often struggled with illness and depression. Tchaikovsky's death in Saint Petersburg, just nine days after he conducted the premiere, also gave the work a tragic aura right from the start. It was even said that the music deliberately foreshadowed his own death, which occurred after he drank cholera-tainted water. Even today, musicologists disagree whether it was an accident or a forced suicide, to avoid public scandal as a homosexual. Is the sixth symphony really a self-composed requiem? This theory is fueled by the "dark" key of B minor, which stands for great passion and tragedy, and by the unusual structure. The main motif that runs throughout the work consists of a plaintive, descending second interval. The gloomy character of the symphony is clear already in the first movement, with its slow, dark introduction. The second movement is reminiscent of Don José's flower aria from Bizet's opera Carmen, which Tchaikovsky greatly admired. Towards the end of the movement there is a chorale-like funeral march, and even a quote from the Russian Orthodox funeral liturgy. The second movement provides some lightening, and Tchaikovsky wrote it in an elegant 5/4 time signature, which is a fairly common time signature in Russian folk music. The "limping" character makes the movement almost humorous, despite the loving waltz or minuet-like style. In the third movement he returns to the march as idea, but it begins as an cheerful scherzo that gradually unfolds in its full life-affirming power. The fourth movement is the most famous in the symphony, and is partly reminiscent of a mournful requiem. The main theme is characterized by sighing motifs, and at the end the music fades into a low string chord in B minor. Tchaikovsky considered the symphony to be his most important, most personal composition, but the premiere was received cautiously.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

Antonín Dvorák (1841-1904) Symphony No. 8 Op 88 A few years before Antonín Dvorák left for America, the Eighth Symphony grew during long walks in the woods and fields. The Eighth Symphony is the result of a conscious search for peace and harmony. When the storm sometimes roars for the sake of contrast, it only blows away the dry leaves and brings fresh air with it. It is a happily smiling music, a simple, folk fiddler's music that deviates from the strict symphonic traditions. The first movement begins with a sonorous cello theme that then returns twice during the movement; in the introduction to the development and in the recapitulation. The movement closely follows the sonata form despite the great changes in emotion. The slow movement is an adagio in C minor that is built up from a string of beautiful episodes. Then follows a graceful and elastic waltz before the finale once again presents a short introduction consisting of a trumpet solo. This solo also recurs a few times, including as a pianissimo accompaniment to solo flute and played by trumpets and horns. An outward-looking coda concludes the symphony. On 2 February 1890, this G major symphony was premiered with the composer himself conducting the National Theatre Orchestra in Prague, and he also conducted performances in London and Frankfurt shortly afterwards. The symphony would soon triumph around the world, and alongside the Ninth Symphony (From the New World), written in America, it became the most beloved of his symphonies. The symphony was dedicated to the "Bohemian Franz Joseph Academy for the Promotion of Art and Literature", in thanks for Dvorák becoming its honorary member.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Zoltán Kodály (1882-1967) Galántai táncok Ancient Hungarian peasant music, still unchanged in the villages, began to be recorded by Zoltán Kodály and Bartók around 1905. Both composers were captivated by the unique Romani verbunkos music. In the small Slovak town of Galánta, fifty kilometers from Bratislava, next to the train line between Vienna and Budapest, there was a famous Romani music chapel that gave Kodály his earliest taste for orchestral sound. Dances from Galánta were written in 1933 for the 80th anniversary of the Budapest Philharmonic. The instrumentation for double flutes (plus piccolo), oboes, A-clarinets, bassoons, plus four horns, timpani, snare drum, glockenspiel, triangle and strings imitated such a verbunkos band with a solo clarinet in the lead role as the Romani tárogáto. The story goes that the Galánta pieces were originally composed during Hungary's struggle for independence under Turkish occupation. Verbunkos music began to be published in sheet music in the late 18th century, not least in Vienna, where both Mozart and Schubert were strongly influenced by it. Kodály uses the slow verbunkos introduction as a rondo theme in the following four dances as well as in the great final coda. It alone takes up more than half the length of the piece. As a respected professor at the Budapest Academy of Music and president of the Hungarian Academy of Sciences, and later an honorary doctor in Oxford and Berlin, Kodály would promote the importance of spontaneous folk music. This liberal orientation also permeated key earlier works such as the Háry János Suite of 1927 and the Dances from Marosszék of 1933, both of which, along with the Galánta Dances, were his most frequently performed works.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.