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Abîme des oiseaux is written for solo clarinet and is the third of eight movements in this remarkable work. Olivier Messiaen performed it in a prison camp during World War II.

György Ligeti (1923-2006) Ramifications for string orchestra György Ligeti – the Hungarian composer who became one of the most innovative composers of the 20th century – shifted the focus of music from form to texture, from linear to density. In the string orchestra work Ramifications [1968] he lets this ring out suggestively. The two-part ensemble, whose groups are separated by a microtonal tuning between them, allows music to grow like roots in the dark, branching out yet united in a strange cycle. The drama is not to be found in the classical forms but in a tangle of microscopic movements. Ramifications anticipates, one might imagine, the French philosophers Deleuze and Guattari’s groundbreaking work A Thousand Plateaus (1980), in which the world is described as a terrain, an undergrowth, and an organically growing map. In Ramifications we can perhaps hear what Deleuze and Guattari called assemblage – a composition of different elements that together form a changing whole. The listener is asked to enter a music where the tension arises in the small movements and in the friction between the microtonal sound worlds of the two groups. Esaias Järnegard

Oiseaux exotiques (Exotic Birds) was composed in 1955. The work is dedicated to Yvonne Loriod (the composer's wife, ed. note) and is written for piano solo, xylophone, two clarinets, a small wind ensemble and percussion. It is built around exotic bird calls from India, China, Malacca, North and South America.

Gabriel Fauré (1845-1924) Pelléas et Mélisande Op 80 Prélude Fileuse Sicilienne The Death of Mélisande The Belgian Maurice Maeterlinck wrote the verse drama Pelléas and Mélisande about forbidden love, which with its intense atmosphere, mysterious setting and dark background made readers' hearts pound with passion, excitement and fear. The play was a success in Europe and, together with the fairy tale play Fågel blå, Maeterlinck's triumphant procession went all the way to the Swedish Academy in Stockholm. In 1911 he was awarded the Nobel Prize in Literature. Debussy refused when the English actress Mrs Patrick Campbell asked for music for a theatrical production of Pelléas and Mélisande in London. He was already busy with his own opera of the fairy tale. She turned instead to Fauré, whose music had recently been performed in the same city. He accepted the assignment but only had a month or so to complete it. He entrusted the orchestration to his student Charles Koechlin. "Fileuse" is a scene where Mélisande sits at the spinning wheel and talks with her stepson Yniold and her brother-in-law Pelléas (with whom she is in love). The Sicilian is an intermezzo between two scenes. In the drama’s twists and turns, Mélisande’s husband Golaud kills his brother Pélleas and later Mélisande dies in childbirth when she gives birth to a small and frail daughter. The tragedy is complete. It can be added that the prelude with its gloomy tones occasionally echoes faintly from Tristan and Isolde, also a tragic love drama. Stefan Nävermyr

Maurice Ravel (1875-1937) Piano Concerto G Major Allegramente - Adagio assai - Presto After a long tour of the United States in 1928, Ravel wrote his last three major works the following year: the super hit Bolero and two piano concertos. The journey can be felt above all in the Piano Concerto in G major, which was influenced by the blues, the freedom of jazz and the rhythms of New York nightclubs. On the trip, Ravel also met George Gershwin. The American composer knew what the pulse of a big city and modernity should sound like. Ravel was inspired by the style. Despite the presence of jazz, the work is elaborated with Ravel's meticulous precision and French elegance – the orchestral sounds of the wind, every drum beat and syncopation, every bluesy piano chord and glissando have their exact place. The two outer movements of the work crackle with energy, rhythmic precision and virtuosity, but it is in the slow middle movement that Ravel opens his most intimate space. The movement’s opening three-minute solo on the piano, which hovers silently, is reminiscent of Erik Satie. The keys speak with deep humanity and the simple, almost pastoral melody slowly unfolds in an endless line. When the clarinet and flute then respond to the piano in a languid dialogue, it is as if time has stood still. The Piano Concerto in G major is the last major work in which Ravel was in full artistic control – a shimmering farewell from one of the most refined musical poets of the 20th century.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Bertrand Chamayou has been called “the French prince of piano” and is recognized for powerfully virtuosic and imaginative performances. His repertoire includes the complete piano works of Ravel, as well as major works by Liszt and Messiaen. He has worked with composers such as Pierre Boulez, Henri Dutilleux, György Kurtág, Thomas Adès, Bryce Dessner and Michael Jarrell. In the 2025-2026 season, he participates in the Lucerne Festival with the Netherlands Philharmonic in Unsuk Chin’s piano concerto and in his own Festival Ravel in Saint-Jean-de-Luz. Major engagements include the Orchestre National de France, the Orchestre Philharmonique de Radio France and the Orchestre National du Capitole de Toulouse in the Turangalîla Symphony. He will perform with Esa-Pekka Salonen and the Danish National Symphony Orchestra, the Singapore Symphony Orchestra under Pierre Bleuse, the Antwerp Symphony Orchestra, the Philharmonia Orchestra and the BBC Symphony Orchestra. He is also touring with Leif Ove Andsnes at the launch of their new album. He is a highly regarded chamber musician and his partners include renowned artists such as Sol Gabetta, Barbara Hannigan, Vilde Frang and Renaud and Gautier Capuçon. For his recording of Saint-Saëns’ piano concertos, he was awarded the Gramophone Recording of the Year Award 2019. He has won France’s prestigious Victoires de la Musique on five occasions. Bertrand Chamayou made his first appearance with the Gothenburg Symphony Orchestra in 2019 in Saint-Saëns’ Piano Concerto No. 2.

Urban Claesson is principal clarinetist in the Gothenburg Symphony Orchestra since 1995. He joined the orchestra in 1986 and has appeared as a soloist with the Gothenburg Symphony Orchestra on around 20 occasions, including Mozart's Clarinet Concerto and Sinfonia concertante for wind instruments, Bruch's Concerto for Clarinet, Viola and Orchestra and Corigliano's Clarinet Concerto. As a chamber musician, he has appeared with the Amadeus Quartet and the Britten Quartet, among others. Urban Claesson is also active as a teacher at the Gothenburg Academy of Music and Drama.

Abîme des oiseaux is written for solo clarinet and is the third of eight movements in this remarkable work. Olivier Messiaen performed it in a prison camp during World War II.

György Ligeti (1923-2006) Ramifications for string orchestra György Ligeti – the Hungarian composer who became one of the most innovative composers of the 20th century – shifted the focus of music from form to texture, from linear to density. In the string orchestra work Ramifications [1968] he lets this ring out suggestively. The two-part ensemble, whose groups are separated by a microtonal tuning between them, allows music to grow like roots in the dark, branching out yet united in a strange cycle. The drama is not to be found in the classical forms but in a tangle of microscopic movements. Ramifications anticipates, one might imagine, the French philosophers Deleuze and Guattari’s groundbreaking work A Thousand Plateaus (1980), in which the world is described as a terrain, an undergrowth, and an organically growing map. In Ramifications we can perhaps hear what Deleuze and Guattari called assemblage – a composition of different elements that together form a changing whole. The listener is asked to enter a music where the tension arises in the small movements and in the friction between the microtonal sound worlds of the two groups. Esaias Järnegard

Oiseaux exotiques (Exotic Birds) was composed in 1955. The work is dedicated to Yvonne Loriod (the composer's wife, ed. note) and is written for piano solo, xylophone, two clarinets, a small wind ensemble and percussion. It is built around exotic bird calls from India, China, Malacca, North and South America.

Gabriel Fauré (1845-1924) Pelléas et Mélisande Op 80 Prélude Fileuse Sicilienne The Death of Mélisande The Belgian Maurice Maeterlinck wrote the verse drama Pelléas and Mélisande about forbidden love, which with its intense atmosphere, mysterious setting and dark background made readers' hearts pound with passion, excitement and fear. The play was a success in Europe and, together with the fairy tale play Fågel blå, Maeterlinck's triumphant procession went all the way to the Swedish Academy in Stockholm. In 1911 he was awarded the Nobel Prize in Literature. Debussy refused when the English actress Mrs Patrick Campbell asked for music for a theatrical production of Pelléas and Mélisande in London. He was already busy with his own opera of the fairy tale. She turned instead to Fauré, whose music had recently been performed in the same city. He accepted the assignment but only had a month or so to complete it. He entrusted the orchestration to his student Charles Koechlin. "Fileuse" is a scene where Mélisande sits at the spinning wheel and talks with her stepson Yniold and her brother-in-law Pelléas (with whom she is in love). The Sicilian is an intermezzo between two scenes. In the drama’s twists and turns, Mélisande’s husband Golaud kills his brother Pélleas and later Mélisande dies in childbirth when she gives birth to a small and frail daughter. The tragedy is complete. It can be added that the prelude with its gloomy tones occasionally echoes faintly from Tristan and Isolde, also a tragic love drama. Stefan Nävermyr

Maurice Ravel (1875-1937) Piano Concerto G Major Allegramente - Adagio assai - Presto After a long tour of the United States in 1928, Ravel wrote his last three major works the following year: the super hit Bolero and two piano concertos. The journey can be felt above all in the Piano Concerto in G major, which was influenced by the blues, the freedom of jazz and the rhythms of New York nightclubs. On the trip, Ravel also met George Gershwin. The American composer knew what the pulse of a big city and modernity should sound like. Ravel was inspired by the style. Despite the presence of jazz, the work is elaborated with Ravel's meticulous precision and French elegance – the orchestral sounds of the wind, every drum beat and syncopation, every bluesy piano chord and glissando have their exact place. The two outer movements of the work crackle with energy, rhythmic precision and virtuosity, but it is in the slow middle movement that Ravel opens his most intimate space. The movement’s opening three-minute solo on the piano, which hovers silently, is reminiscent of Erik Satie. The keys speak with deep humanity and the simple, almost pastoral melody slowly unfolds in an endless line. When the clarinet and flute then respond to the piano in a languid dialogue, it is as if time has stood still. The Piano Concerto in G major is the last major work in which Ravel was in full artistic control – a shimmering farewell from one of the most refined musical poets of the 20th century.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Bertrand Chamayou has been called “the French prince of piano” and is recognized for powerfully virtuosic and imaginative performances. His repertoire includes the complete piano works of Ravel, as well as major works by Liszt and Messiaen. He has worked with composers such as Pierre Boulez, Henri Dutilleux, György Kurtág, Thomas Adès, Bryce Dessner and Michael Jarrell. In the 2025-2026 season, he participates in the Lucerne Festival with the Netherlands Philharmonic in Unsuk Chin’s piano concerto and in his own Festival Ravel in Saint-Jean-de-Luz. Major engagements include the Orchestre National de France, the Orchestre Philharmonique de Radio France and the Orchestre National du Capitole de Toulouse in the Turangalîla Symphony. He will perform with Esa-Pekka Salonen and the Danish National Symphony Orchestra, the Singapore Symphony Orchestra under Pierre Bleuse, the Antwerp Symphony Orchestra, the Philharmonia Orchestra and the BBC Symphony Orchestra. He is also touring with Leif Ove Andsnes at the launch of their new album. He is a highly regarded chamber musician and his partners include renowned artists such as Sol Gabetta, Barbara Hannigan, Vilde Frang and Renaud and Gautier Capuçon. For his recording of Saint-Saëns’ piano concertos, he was awarded the Gramophone Recording of the Year Award 2019. He has won France’s prestigious Victoires de la Musique on five occasions. Bertrand Chamayou made his first appearance with the Gothenburg Symphony Orchestra in 2019 in Saint-Saëns’ Piano Concerto No. 2.

Urban Claesson is principal clarinetist in the Gothenburg Symphony Orchestra since 1995. He joined the orchestra in 1986 and has appeared as a soloist with the Gothenburg Symphony Orchestra on around 20 occasions, including Mozart's Clarinet Concerto and Sinfonia concertante for wind instruments, Bruch's Concerto for Clarinet, Viola and Orchestra and Corigliano's Clarinet Concerto. As a chamber musician, he has appeared with the Amadeus Quartet and the Britten Quartet, among others. Urban Claesson is also active as a teacher at the Gothenburg Academy of Music and Drama.

Charles Ives (1874-1954) The Unanswered Question The Unanswered Question by Charles Ives is a work as mysterious as it was ahead of its time. From its composition in 1908, it took until 1946 before it was first performed. Today it is one of his best-known works. The piece is a kind of collage in three layers. The first layer, the strings, forms a slow, simple and tonal background. It represents the “silence of the druids”. On top of this, a lone trumpet returns with a short atonal motif. It is the “eternal question of existence”. The trumpet is in turn accompanied by woodwinds that, equally atonally, but increasingly faster, louder and more eager, try to answer the trumpet’s question – in vain. The question remains unanswered. The strings continue as if nothing has happened. How the “question” of existence has been interpreted has varied. The piece appears everywhere, from the war film The Thin Red Line to A Quiet Passion about the poet Emily Dickinson. It also gave name to Leonard Bernstein's lectures on the existence or non-existence of tonality. One theory is that Ives' title is taken from the poem The Sphinx by Ralph Waldo Emerson. The clash between the tonal and the atonal would then reflect the relationship between the spiritual and the physical – and how they actually belong together. A question without answer, but one that we cannot help asking again and again.

Ruth Crawford Seeger (1901-1953) Andante For Strings Ruth Crawford Seeger was an experimental composer and part of the American avant-garde of the 1920s. Yet many of her works remain unpublished today. Unfortunately, her career was short. The string quartet is often hailed as her great masterpiece. It was composed in 1931 in Berlin, where she traveled to study as the first woman on a Guggenheim scholarship. She then rearranged the slow movement for string orchestra under the name Andante for Strings. She described her early music as “a tree of light and timbre colors.” It is a description that fits well with this atmospheric, flowing and slightly harsh work. She wanted to write music that was dissonant, but at the same time simple and could appeal to ordinary people, without being dry and intellectual. After Berlin, she married her music teacher. They became politically involved, put music in the service of class struggle, and abandoned modernism. She stopped composing her own music altogether. Only when the children had moved out did she resume her own composing, but was then interrupted by cancer and died in 1953.

Joseph Haydn (1732–1809) Symphony No. 64 “Tempura mutantur” Allegro con spirito Largo Menuetto & Trio: Allegretto Finale: Presto Joseph Haydn composed most of his symphonies (the last one is number 104!) for the immensely wealthy Prince Esterházy, with whom he was employed for almost 40 years. The symphony that musicologist Hoboken gave as number 64 in his chronological list of Haydn's symphonies was probably written sometime between 1773 and 1775. This means that it is one of the last symphonies that are counted as Haydn's "Sturm und Drang period", where emotions flared up. Like so many other of Haydn's symphonies, this one also has a nickname and it is reproduced in the composer's own manuscript: Tempura mutantur. This old Latin proverb was very well known and has a continuation: Tempura mutantur, nos et mutamur in illis, which can be translated "Times change and we with them". Haydn himself has not given any explanation for the name, but perhaps he wanted to point out that with this work he was entering a new way of looking at music and life. As conductor of a court orchestra, Haydn had the privilege of being able to immediately perform his new works, and this time he had composed a work in four movements for strings and two each for oboes and horns. As usual he offers wonders of musical ingenuity and intelligence. After a couple of lyrical bars in pianissimo, an outburst of four chords follows before everything develops instrumentally and melodically. The slow movement is written for the broad melodies of the muted strings. For a long time, the movement seems to be written entirely for strings, but halfway through, the winds come in surprisingly and powerfully. After a light and bright minuet, a concluding presto follows in a peculiar rondo form.

György Ligeti (1923-2006) Atmosphères It was only when György Ligeti fled his native Hungary during the 1956 uprising that the world became aware of his epoch-making innovations. He came to be counted among the most important and avant-garde artists on the barricades. He hit the ground running with works such as Atmosphères, Aventures, Nouvelles Aventures and Requiem. Ligeti presented himself as a sky-rocketer who was bolder and more consistently modern than anyone ever heard of, and he shook the establishment. The massive orchestral work Atmosphères was premiered in Donaueschingen in 1961 with Hans Rosbaud as conductor. It was not long before the piece achieved cult status. Stanley Kubrick furthered its fame when he used the music in his film 2001: A Space Odyssey, where it fit like a glove. Each instrument (!) has its own part in its own notation system in the meter-high score. The first thing you hear is a chromatic cluster that covers five octaves. It is the overall sound that matters, and it only changes the tone color and dynamics. There are no rhythmic or melodic motifs here. In some places, the brass musicians blow straight through their instruments without creating any tone, and towards the end, the strings of the grand piano are struck with soft mallets. In the middle of the piece, the piccolo and violins reach their highest register, only to dive down to extreme double bass depth after a breath. Immediately afterwards, a 56-part canon begins where the parts hook into each other with as short a gap as possible. It is not possible, nor is it intended, for you to be able to follow what is happening in this micropolyphony. Stig Jacobsson

Richard Strauss (1864-1949) Also sprach Zarathustra The music is in no way a musical translation of Nietzsche's controversial theories about the übermensch. Richard Strauss saw the positive sides of the author's message: the demand for freedom, the longing for a better world, the power of action. The descriptions of nature were the most important source of inspiration. The extensive orchestral poem breaks up into nine sections, whose titles correspond to the names of the chapters in the book (but not always in the same order). Between these there are only three general pauses, the rest is in one go. As a motto he placed Nietzsche's "ode to the sun" with the call that "Too long have we dreamed of music, let us now wake up. We were sleepwalkers, let us now go out into the day..." The whole work begins with the sunrise: after long, grinding and very low C in double basses, double bassoon and organ, the sun breaks out in the notes C, G and C2. This is probably the most brilliant sunrise in the entire history of music, and just like Ligeti's music, it became the motif in the film 2001 – A Space Odyssey. The following parts have the titles: "About the inhabitants of the afterlife", "About the great longing" and "About the joy and passions", where the oboe intones a mournful melody. It is the dreams of youth that are buried. "The Night Wanderer's Song" is a heartbreaking farewell song where the description of nature returns in a reconciling C major in the basses. In the music, C major represents man and nature, while B major represents the universe - two keys that are very far apart. Neither of them emerges victorious from the battle at the end of the piece. Stig Jacobsson

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Charles Ives (1874-1954) The Unanswered Question The Unanswered Question by Charles Ives is a work as mysterious as it was ahead of its time. From its composition in 1908, it took until 1946 before it was first performed. Today it is one of his best-known works. The piece is a kind of collage in three layers. The first layer, the strings, forms a slow, simple and tonal background. It represents the “silence of the druids”. On top of this, a lone trumpet returns with a short atonal motif. It is the “eternal question of existence”. The trumpet is in turn accompanied by woodwinds that, equally atonally, but increasingly faster, louder and more eager, try to answer the trumpet’s question – in vain. The question remains unanswered. The strings continue as if nothing has happened. How the “question” of existence has been interpreted has varied. The piece appears everywhere, from the war film The Thin Red Line to A Quiet Passion about the poet Emily Dickinson. It also gave name to Leonard Bernstein's lectures on the existence or non-existence of tonality. One theory is that Ives' title is taken from the poem The Sphinx by Ralph Waldo Emerson. The clash between the tonal and the atonal would then reflect the relationship between the spiritual and the physical – and how they actually belong together. A question without answer, but one that we cannot help asking again and again.

Ruth Crawford Seeger (1901-1953) Andante For Strings Ruth Crawford Seeger was an experimental composer and part of the American avant-garde of the 1920s. Yet many of her works remain unpublished today. Unfortunately, her career was short. The string quartet is often hailed as her great masterpiece. It was composed in 1931 in Berlin, where she traveled to study as the first woman on a Guggenheim scholarship. She then rearranged the slow movement for string orchestra under the name Andante for Strings. She described her early music as “a tree of light and timbre colors.” It is a description that fits well with this atmospheric, flowing and slightly harsh work. She wanted to write music that was dissonant, but at the same time simple and could appeal to ordinary people, without being dry and intellectual. After Berlin, she married her music teacher. They became politically involved, put music in the service of class struggle, and abandoned modernism. She stopped composing her own music altogether. Only when the children had moved out did she resume her own composing, but was then interrupted by cancer and died in 1953.

Joseph Haydn (1732–1809) Symphony No. 64 “Tempura mutantur” Allegro con spirito Largo Menuetto & Trio: Allegretto Finale: Presto Joseph Haydn composed most of his symphonies (the last one is number 104!) for the immensely wealthy Prince Esterházy, with whom he was employed for almost 40 years. The symphony that musicologist Hoboken gave as number 64 in his chronological list of Haydn's symphonies was probably written sometime between 1773 and 1775. This means that it is one of the last symphonies that are counted as Haydn's "Sturm und Drang period", where emotions flared up. Like so many other of Haydn's symphonies, this one also has a nickname and it is reproduced in the composer's own manuscript: Tempura mutantur. This old Latin proverb was very well known and has a continuation: Tempura mutantur, nos et mutamur in illis, which can be translated "Times change and we with them". Haydn himself has not given any explanation for the name, but perhaps he wanted to point out that with this work he was entering a new way of looking at music and life. As conductor of a court orchestra, Haydn had the privilege of being able to immediately perform his new works, and this time he had composed a work in four movements for strings and two each for oboes and horns. As usual he offers wonders of musical ingenuity and intelligence. After a couple of lyrical bars in pianissimo, an outburst of four chords follows before everything develops instrumentally and melodically. The slow movement is written for the broad melodies of the muted strings. For a long time, the movement seems to be written entirely for strings, but halfway through, the winds come in surprisingly and powerfully. After a light and bright minuet, a concluding presto follows in a peculiar rondo form.

György Ligeti (1923-2006) Atmosphères It was only when György Ligeti fled his native Hungary during the 1956 uprising that the world became aware of his epoch-making innovations. He came to be counted among the most important and avant-garde artists on the barricades. He hit the ground running with works such as Atmosphères, Aventures, Nouvelles Aventures and Requiem. Ligeti presented himself as a sky-rocketer who was bolder and more consistently modern than anyone ever heard of, and he shook the establishment. The massive orchestral work Atmosphères was premiered in Donaueschingen in 1961 with Hans Rosbaud as conductor. It was not long before the piece achieved cult status. Stanley Kubrick furthered its fame when he used the music in his film 2001: A Space Odyssey, where it fit like a glove. Each instrument (!) has its own part in its own notation system in the meter-high score. The first thing you hear is a chromatic cluster that covers five octaves. It is the overall sound that matters, and it only changes the tone color and dynamics. There are no rhythmic or melodic motifs here. In some places, the brass musicians blow straight through their instruments without creating any tone, and towards the end, the strings of the grand piano are struck with soft mallets. In the middle of the piece, the piccolo and violins reach their highest register, only to dive down to extreme double bass depth after a breath. Immediately afterwards, a 56-part canon begins where the parts hook into each other with as short a gap as possible. It is not possible, nor is it intended, for you to be able to follow what is happening in this micropolyphony. Stig Jacobsson

Richard Strauss (1864-1949) Also sprach Zarathustra The music is in no way a musical translation of Nietzsche's controversial theories about the übermensch. Richard Strauss saw the positive sides of the author's message: the demand for freedom, the longing for a better world, the power of action. The descriptions of nature were the most important source of inspiration. The extensive orchestral poem breaks up into nine sections, whose titles correspond to the names of the chapters in the book (but not always in the same order). Between these there are only three general pauses, the rest is in one go. As a motto he placed Nietzsche's "ode to the sun" with the call that "Too long have we dreamed of music, let us now wake up. We were sleepwalkers, let us now go out into the day..." The whole work begins with the sunrise: after long, grinding and very low C in double basses, double bassoon and organ, the sun breaks out in the notes C, G and C2. This is probably the most brilliant sunrise in the entire history of music, and just like Ligeti's music, it became the motif in the film 2001 – A Space Odyssey. The following parts have the titles: "About the inhabitants of the afterlife", "About the great longing" and "About the joy and passions", where the oboe intones a mournful melody. It is the dreams of youth that are buried. "The Night Wanderer's Song" is a heartbreaking farewell song where the description of nature returns in a reconciling C major in the basses. In the music, C major represents man and nature, while B major represents the universe - two keys that are very far apart. Neither of them emerges victorious from the battle at the end of the piece. Stig Jacobsson

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Hector Berlioz (1803–1869) Le carnaval romain (Roman Carnival) Hector Berlioz's stylish concert overture Le carnaval romain delighted contemporary audiences. Berlioz was certainly known as an innovative skyrocketer, but here he had achieved something lively and captivating that made the audience ecstatic. After the premiere, another performance was soon forced. Le carnaval romain was written in 1844 and is not an overture that begins an opera, but a standalone piece, very well suited to begin an orchestral concert. But there is actually a connection to opera: as early as 1837, Berlioz had composed his first opera, the one about the goldsmith and adventurer Benvenuto Cellini, who was active in 16th-century Florence, and when the opera was reworked from two to three acts in the mid-1840s, Berlioz included his Le carnaval romain to illustrate the great carnival scene in the second act, with its roaring frenzy and lively tarantella rhythms. This operation was not done at random, because the first melody heard in Le carnaval romain (played by English horn) is actually borrowed from the opera. To this particular melody, Benvenuto sings to his beloved how he intends to abduct her during this very carnival. The music certainly aroused some wonder when Berlioz used irregular and restless melody lines, but in doing so he avoided all risk of banal intonations, while at the same time seizing the listener.

Ludwig van Beethoven (1770-1827) Symphony No. 4 Op 60 The Fourth Symphony is, as often said, situated between two symphonic giants. A reputation that has often led to its being overlooked, but in fact it follows a working method that is more the rule than the exception in Beethoven. The revolutionary works are often followed by music that seems to take care of what follows the storm. And this year, 1806 – we are in perhaps the most insanely productive of Beethoven’s life – is no exception. The symphony begins with a tender entry followed by a plateau of unison Bb in strings and winds that is shadowily surrounded by slow melodic movements. The music grows suggestively from a melancholy to a euphoria – from minor to major – when the allegro breaks through in all its splendor. After the first movement's alternating shift between intense outbursts and calm breaths, one of Beethoven's most lyrical adagios follows, where the repetitive rhythm (you hear it immediately in the verse) makes the movement dance forward stubbornly. In the third and fourth movements, a scherzo and an allegro, the music rushes forward. For those who have already noticed how the form of the adagio rhythm is a variation of the first movement's syncopated outbursts, here, in the more dance-like parts of the symphony, you can notice how Beethoven turns the building blocks of the music inside and outside, but at the same time joins them together. In this way, he lets us anticipate the revolution that the symphony's form is facing. Fate will soon be knocking on the door.

Richard Rodgers (1902-1979) Carousel Waltz, arr. Don Walker Richard Rogers was the great Broadway composer who wrote hit musicals like Oklahoma!, South Pacific and above all The Sound of Music. In collaboration with lyricist Oscar Hammerstein, he brought the musical into a new era by focusing on characters and drama instead of lighthearted entertainment. Carousel came out in 1945 and is about a couple who meet at a funfair. Apart from the Carousel waltz, the biggest hit from the show is said to be You’ll Never Walk Alone which later became Liverpool FC’s big supporter song.

Aaron Copland (1900-1990) Dance Symphony Introduction: Lento 1. Molto allegro 2. Andante moderato 3. Allegro vivo Aaron Copland, called “the father of American music,” has had an enormous influence on film music, not least his way of balancing the grand with the intimate. Although he himself wrote few original film scores, Copland’s style has become a template for the classic Hollywood sound. Copland’s early work Dance Symphony bears a clear imprint of European modernism – especially Stravinsky with his rhythmic power and dissonant color – but also of jazz and the urban pulse of 1920s New York. The work, which was first performed in Berlin in 1932, is structured in three movements. Each movement is like a scene: distinct in character and held together by Copland’s playful rhythm and sonorous originality. All the movements are taken from Copeland’s early ballet Grohg, an expressionist dance drama inspired by German horror films. The Dance Symphony is reflected in the film scores of more contemporary composers such as John Williams. Just as Williams' film scores move from the safe to the intimate, the music of Copland moves from familiar European structures to something wilder. The work carries the seeds of the music that Copland would later be associated with – the vast American landscape vibrating with life and danger.

Hear the classic I Stayed Too Long at the Fair in a totaly fresh arrangement by Barbara Hannigan and Bill Elliott, for the first time performed in Sweden. The original song was written by Billy Barnes and recorded by Barbra Streisand in 1963.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Hector Berlioz (1803–1869) Le carnaval romain (Roman Carnival) Hector Berlioz's stylish concert overture Le carnaval romain delighted contemporary audiences. Berlioz was certainly known as an innovative skyrocketer, but here he had achieved something lively and captivating that made the audience ecstatic. After the premiere, another performance was soon forced. Le carnaval romain was written in 1844 and is not an overture that begins an opera, but a standalone piece, very well suited to begin an orchestral concert. But there is actually a connection to opera: as early as 1837, Berlioz had composed his first opera, the one about the goldsmith and adventurer Benvenuto Cellini, who was active in 16th-century Florence, and when the opera was reworked from two to three acts in the mid-1840s, Berlioz included his Le carnaval romain to illustrate the great carnival scene in the second act, with its roaring frenzy and lively tarantella rhythms. This operation was not done at random, because the first melody heard in Le carnaval romain (played by English horn) is actually borrowed from the opera. To this particular melody, Benvenuto sings to his beloved how he intends to abduct her during this very carnival. The music certainly aroused some wonder when Berlioz used irregular and restless melody lines, but in doing so he avoided all risk of banal intonations, while at the same time seizing the listener.

Ludwig van Beethoven (1770-1827) Symphony No. 4 Op 60 The Fourth Symphony is, as often said, situated between two symphonic giants. A reputation that has often led to its being overlooked, but in fact it follows a working method that is more the rule than the exception in Beethoven. The revolutionary works are often followed by music that seems to take care of what follows the storm. And this year, 1806 – we are in perhaps the most insanely productive of Beethoven’s life – is no exception. The symphony begins with a tender entry followed by a plateau of unison Bb in strings and winds that is shadowily surrounded by slow melodic movements. The music grows suggestively from a melancholy to a euphoria – from minor to major – when the allegro breaks through in all its splendor. After the first movement's alternating shift between intense outbursts and calm breaths, one of Beethoven's most lyrical adagios follows, where the repetitive rhythm (you hear it immediately in the verse) makes the movement dance forward stubbornly. In the third and fourth movements, a scherzo and an allegro, the music rushes forward. For those who have already noticed how the form of the adagio rhythm is a variation of the first movement's syncopated outbursts, here, in the more dance-like parts of the symphony, you can notice how Beethoven turns the building blocks of the music inside and outside, but at the same time joins them together. In this way, he lets us anticipate the revolution that the symphony's form is facing. Fate will soon be knocking on the door.

Richard Rodgers (1902-1979) Carousel Waltz, arr. Don Walker Richard Rogers was the great Broadway composer who wrote hit musicals like Oklahoma!, South Pacific and above all The Sound of Music. In collaboration with lyricist Oscar Hammerstein, he brought the musical into a new era by focusing on characters and drama instead of lighthearted entertainment. Carousel came out in 1945 and is about a couple who meet at a funfair. Apart from the Carousel waltz, the biggest hit from the show is said to be You’ll Never Walk Alone which later became Liverpool FC’s big supporter song.

Aaron Copland (1900-1990) Dance Symphony Introduction: Lento 1. Molto allegro 2. Andante moderato 3. Allegro vivo Aaron Copland, called “the father of American music,” has had an enormous influence on film music, not least his way of balancing the grand with the intimate. Although he himself wrote few original film scores, Copland’s style has become a template for the classic Hollywood sound. Copland’s early work Dance Symphony bears a clear imprint of European modernism – especially Stravinsky with his rhythmic power and dissonant color – but also of jazz and the urban pulse of 1920s New York. The work, which was first performed in Berlin in 1932, is structured in three movements. Each movement is like a scene: distinct in character and held together by Copland’s playful rhythm and sonorous originality. All the movements are taken from Copeland’s early ballet Grohg, an expressionist dance drama inspired by German horror films. The Dance Symphony is reflected in the film scores of more contemporary composers such as John Williams. Just as Williams' film scores move from the safe to the intimate, the music of Copland moves from familiar European structures to something wilder. The work carries the seeds of the music that Copland would later be associated with – the vast American landscape vibrating with life and danger.

Hear the classic I Stayed Too Long at the Fair in a totaly fresh arrangement by Barbara Hannigan and Bill Elliott, for the first time performed in Sweden. The original song was written by Billy Barnes and recorded by Barbra Streisand in 1963.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas. GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas. GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas. GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The choir was founded in 1917 by cousins Elsa and Wilhelm Stenhammar. Elsa Stenhammar was one of the driving forces in turn-of-the-century choir life in Gothenburg and became the choir's first rehearser. On December 8, 1917, the choir debuted in Beethoven's Choir Fantasy with Wilhelm Stenhammar as soloist at the grand piano. As the country's oldest symphonic choir, they were able to celebrate their 100th anniversary in 2017 with a big celebratory concert where Mozart and Brahms as well as Stenhammar, Elfrida Andrée and Björn & Benny were on the program. The Gothenburg Symphony Choir is a non-profit association that is linked to the Gothenburg Symphony. The choir participates in concerts and performances under both the orchestra's and its own auspices. The music is mixed and the repertoire extensive. The Gothenburg Symphony Choir has participated in concerts in, among other places, the Royal Albert Hall and Canterbury Cathedral in England, as well as participated with the Gothenburg Symphony in the annual music festival in the Canary Islands and on a tour to China.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Mahler’s Fourth Symphony marked a fresh direction in his symphonic writing. It is more concise than Symphony 2 and 3, and the orchestral forces are noticeably reduced. Gone, too, are the programmatic headings Mahler had previously used for each movement, even though he initially worked from a sketch of guiding ideas. The result is often described as a “happier” and more “playful” symphony, almost chamber-like at times, alive with melodies and dance rhythms. Echoes of the Viennese Classics – Haydn above all – mingle with Austrian Ländler and lilting waltz motifs. The symphony traces a disquieting journey from earthly life towards a heavenly existence beyond death. In the opening movement, sleigh bells and paradisiacal motifs appear alongside march rhythms and a touch of Viennese charm in the strings and winds. The second movement, a scherzo, introduces a ghostly dance of death through a violin solo played with the strings tuned a whole tone higher than usual. Mahler wanted it to sound “like a fiddler – friend Hein (a medieval name for Death) striking up a tune!” The winds add to the eerie atmosphere with unsettling waltz rhythms. Then comes the third movement, Ruhevoll: a serene and deeply moving set of variations. Mahler described it as containing “divinely joyful and profoundly sorrowful melodies”. It is an adagio in the truest Mahlerian sense. Near the end a powerful orchestral outburst dissolves into “heavenly” sonorities in the strings and harp. The gates of paradise begin to open. “When humankind, now filled with wonder, asks what all this means, the child answers with the fourth movement: This is heavenly life!” the composer explained. And this heavenly life is brimming with joy, song, dance, music-making – and above all food and drink. The text of the finale comes from the folk poetry collection Des Knaben Wunderhorn, “Das himmlische Leben”, and is set for soprano.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.

Soprano and conductor Barbara Hannigan is Principal Guest Conductor of the Gothenburg Symphony since 2019. Embodying music with an unparalleled dramatic sensibility, Barbara Hannigan's pioneering work was rewarded with the Polar Muisc Prize 2025. Her artistic colleagues include John Zorn, Krszysztof Warlikowski, Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, and Kirill Petrenko. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. The Grammy Award winning Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of nearly 100 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, di Castri, Stockhausen, Khayam, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen. A passionate musician of unique and courageous choices, Hannigan is renowned for creating innovative orchestral programs, combining new and older repertoire. In recent years she has been conducting world class orchestras including the Concertgebouw and Cleveland Orchestras, Montreal Symphony, Rome's Accademmia Nazionale di Santa Cecilia, has ongoing relationships with festivals including Aix en Provence and Spoleto, and has had starring soprano roles on opera stages including London's Covent Garden, Teatro San Carlo in Naples, Paris Opera's Palais Garnier, New York's Lincoln Center, and the opera houses of Berlin, Hamburg and Munich. The past few seasons have brought a new presentation of Poulenc's opera La Voix Humaine, and recent world premieres include Golfam Khayam's I am not a tale to be told with Iceland Symphony Orchestra, John Zorn's Split the Lark and Star Catcher, Zosha di Castri's In the Half Light with the Toronto and Montreal Symphony Orchestras, new works by Sandström and Sciarrino, and a project with pianists Katia and Marielle Labeque inspired by the life and music of Hildegard von Bingen with new music from David Chalmin and Bryce Dessner. In the 2024-2025 season with the Gothenburg Symphony she performed the program Americana, which depicts USA in the making, as well as Mozart's Requiem and Berg's Violin Concerto with Veronica Eberle. She performed chamber music by Schönberg, Fauré and Chausson. She also guested London Symphony, Munich Philharmonic, Orchestre Philharmonique de Radio France, Danish Radio Symphony Orchestra, Iceland Symphony, l'Orchestre de Chambre de Lausanne and Kollegium Musicum WInterthur. In 2026 she will take the helm of Iceland Symphony Orchestra as their chief conductor and artistic director. Barbara’s commitment to the younger generation of musicians led her to create the mentoring initiatives Equilibrium Young Artists (2017), and Momentum: our Future Now (2020), both initiatives offering both guidance and performing opportunities to young professional artists. She was recently named the Reinbert de Leeuw Professor of Music at London's Royal Academy of Music and has been visiting professor at the Juilliard School in New York. On record, Barbara Hannigan’s fruitful relationship with Alpha Classics began in 2017 with the release of Crazy Girl Crazy, winning a Grammy and a Juno. More critically-acclaimed recordings followed, including Vienna: fin de siècle with pianist Reinbert de Leeuw, La Passione featuring works by Nono, Haydn and Grisey and Infinite Voyage, joining her colleagues of the Emerson String Quartet. In 2024 she released the ecstatic vocal works of Messiaen with pianist Bertrand Chamayou and a live recording of John Zorn’s compositions with pianist Stephen Gosling. Barbara Hannigan resides in Finistère, on the northwest coast of France.