Here you can find almost anything about all the concerts Gothenburg Symphony has played over the years, both in the Concert Hall and on tour.
Search for conductors, soloists and other artists that has played together with us. Or search for composers and music that we have played. And filter on specific seasons. Guesting orchestras and ensembles are also included in the archive.
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Violin and piano. Intimate and emotional in three movements. Apart from some small preludes for piano and ballads, Amanda Maier's violin sonata is the oldest of her surviving works. A youthful work dedicated to her father, the music director Carl Maier, who was her music teacher while growing up in Landskrona.
The work was written at a turning point. After graduating in Stockholm, Amanda Maier had made a name for herself as a brilliant violinist. As the first woman, she could also call herself a music director. At only 19 years old, she already seemed to be at the height of her career, but her studies continued in Leipzig, Europe's musical epicenter at this time. Her main teacher was Engelbrekt Röntgen, in whose home Amanda Maier soon became a frequent guest. Before the violin sonata was completed, she played the work together with Engelbrekt's son, the composer and pianist, Julius Röntgen.
It is easy to imagine that the development of Amanda Maier's romantic violin sonata also became a prelude to the love that a few years later led to marriage. Perhaps the lustful play between the two young musicians also inspired how the work was completed. The finale is an exuberant, dancing rondo, full of energy and virtuosity. The violin sonata is distinguished by its melodic singability and clear sense of form – a meeting between Nordic lyricism and German romanticism. Violin and piano. The first movement, in sonata form, begins dramatically, without introduction, without permission – straight from the heart.
Madárdal – String Quartet No 2 was commissioned by Sveriges Radio P2 and written for the Dahlkvist Quartet. The piece is inspired by both Swedish and Hungarian folk songs. Since I am half Swedish and half Hungarian I thought that it would be an interesting way of composing a piece.
”Madárdal” consists of three movements. The first movement (Allegro) is built on fragments from Romany/Hungarian melodies and gestures. The second movement (Adagio) is based on particularily two Swedish folk songs; ”Emigrantvisa” and ”Polska från Medelpad”. In the third and last movement (Allegro/Presto), the Hungarian/Romany and Swedish folk songs meet. Throughout the piece you also may hear both Hungarian and Swedish bird species. ”Madárdal” is the Hungarian word for ”birdsong”, hence the title.
Andrea Tarrodi
Brahms' Second String Quintet is a late work, dated 1890. He wrote it, just like the first, as a string quartet with an additional viola. In the first movement he used sketches for what would actually have become his Fifth Symphony, a consistently bright and sunny movement. Brahms' bittersweet melancholy is heard in the slow adagio. The Hungarian folk elements of the finale are a reminder of the composer's famous Hungarian dances.
Violinist Pekka Kuusisto is known for his artistic freedom and innovative approach to repertoire. Season 2025-2026 he joined as Principal Guest Conductor of the Gothenburg Symphony Orchestra. He is also artistic director of the Norwegian Chamber Orchestra and principal guest conductor and artistic partner of the Helsinki Philharmonic. He is appointed chief conductor of the Tokyo Metropolitan Symphony Orchestra from 2028.
Season 2025-2026, Kuusisto led three distinctive programmes with the Gothenburg Symphony Orchestra with soloists such as Anne Sofie von Otter, Ava Bahari, Andreas Brantelid and Katarina Barruk. He continued his work with the Norwegian Chamber Orchestra presenting the renowned DSCH project, and took the stage as both conductor and soloist with the Helsinki Philharmonic, including a tour across Germany and Austria. He guest conducted Oslo Philharmonic, Basel Symphony Orchestra, Scottish Chamber Orchestra and Tokyo Metropolitan Symphony Orchestra. He also performed with New Zealand and Tasmanian symphony orchestras, and with the Taipei Symphony Orchestra. As soloist, he appeared with the Royal Stockholm Symphony Orchestra and the Konzerthausorchester Berlin in a New Year’s programme with Joana Mallwitz.
Kuusisto gets involved across the entire artistic spectrum. He has collaborated with musicians such as Hauschka & Kosminen, Dutch neurologist Erik Scherder, electro pioneer Brian Crabtree, jazz trumpeter Arve Henriksen, juggler Jay Gilligan, accordionist Dermot Dunne and folk artist Sam Amidon. Composers who have written violin concertos for Kuusisto include Nico Muhly, Sebastian Fagerlund and Bryce Dessner. In 2026, Kuusisto, Sam Amidon and the Norwegian Chamber Orchestra collaborated on the album Willows. The soundtrack of animated series Moominvalley composed by Kuusisto, Samuli Kosminen and Jarmo Saari was released in January 2025.
Pekka Kuusisto plays an Antonio Stradivarius from 1695 on generous loan from Anders Sveaas Charitable Trust.
Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Jun Sasaki is co-principal cello in Gothenburg Symphony since 2014. He was born in London and studied at the Yehudi Menuhin School and the Royal College of Music with Thomas Carroll before moving to Oslo to study at Norges Musikhögskola with Truls Mørk.
A prizewinner at the Royal Overseas League (UK) and Antonio Janigro (Croatia) competitions, his cello playing has led to appearances on TV and radio, and has taken him to festivals and venues across Europe and beyond - as soloist performing in venues such as the Cadogan Hall, Queen Elizabeth Hall and the Wigmore Hall, and at festivals such as the Schleswig-Holstein (Germany), Edinburgh Fringe (Scotland), and Ultima (Norway).
With a passion for chamber music, Jun has performed with artists such as Leif Ove Andsnes , Barbara Hannigan, Pekka Kuusisto, Corina Belcea and his teacher Truls Mørk. Jun is a member of Ensemble Caplet, as well as member of the musician community of Norwegian Chamber Orchestra.
Cellist Johan Stern is principal conductor of the Gothenburg Symphony Orchestra and teaches cello, chamber music and orchestral playing at the Academy of Music and Performing Arts. He studied at the Royal Academy of Music in Stockholm and at the Juilliard School in New York. As a member of Gageego!, the Gothenburg Ensemble for New Music, he has premiered several solo works by our leading Nordic composers. Johan Stern has participated in a number of international festivals and as a soloist and chamber musician has performed with figures such as Bobby McFerrin, Edward Gardner, Petri Sakari, Kristjan Järvi, Daniel Müller-Schott and Levon Chilingirian. During his studies at Juilliard, he had the privilege of collaborating with several internationally renowned musical figures, including cellist Yo-Yo Ma and composers Elliott Carter and John Cage.
Juan Zurutuza is a pianist trained in Mexico and the Netherlands. He studied with Rian de Waal at the Royal Conservatory in The Hague from 2001-2008. He has played solo and chamber music concerts with members of the Rotterdam Philharmonic Orchestra and the Concertgebouw Orchestra in Scandinavia, Europe and North America. Since 2022, Juan Zurutuza is pianist in the Gothenburg Symphony.
He is currently studying with pianist Robert Durso, thanks to several scholarships received from Göteborgs Symfoniker Friend Association, the Marianne & Ary Paley Scholarship Fund, the Eduard Magnus Music Fund and the Mary von Sydows Donation Fund.
Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra.
She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Philip Glass is often mentioned in the same breath as Steve Reich and Terry Riley. Glass' minimalism, however, can be said to represent a completely different direction than that taken by Reich or Riley, but in history books we often find them on the same page. Today, Glass is probably best known for his film music, where several of his soundtracks have been nominated for Oscars, such as the cello music for The Hours.
String Quartet No. 3 was written for Paul Schrader's acclaimed film Mishisma – a Life in Four Chapters in 1985. The controversial Japanese author Yukio Mishima developed his own form of nationalism and cultural conservatism.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Katie Thomas is a choral conductor from Wales and since 2023 the choirmaster of the Gothenburg Symphony Orchestra. She is also the conductor and artistic director of the Gothenburg Symphony Vocal Ensemble. Previous engagements include nine years as a voice coach for the BBC Chorus, assignments as a guest choirmaster and conductor with the BBC Singers, MDR Rundfunkchor, National Youth Choirs of Great Britain and the Junior Royal College of Music, as well as a guest lecturer in choral conducting and director of the chamber choir at the University of Music and Performing Arts in Gothenburg. She has been a teacher of choral conducting techniques at the Association of British Choral Directors and a judge at choral festivals worldwide within the organization Interkultur.
As a professional soprano, Katie Thomas has been engaged with the UK's leading choirs, such as the Monteverdi Choir under the direction of Sir John Eliot Gardiner, Polyphony and the Academy of Ancient Music. She has appeared in major concert venues in Europe and the USA, including the Concertgebouw Amsterdam, the Musikverein Vienna and Carnegie Hall in New York. Together with London Voices, she has recorded several soundtracks for films and video games, often at the renowned Abbey Road Studios, as well as concerts for both television and radio. Katie Thomas is a graduate of Cardiff University and the Royal Academy of Music in London. In 2020, she was appointed an Associate of the Royal Academy of Music (ARAM) in the United Kingdom for outstanding contributions to professional music and significant achievements in conducting and choral music.
The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas.
GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Jun Sasaki is co-principal cello in Gothenburg Symphony since 2014. He was born in London and studied at the Yehudi Menuhin School and the Royal College of Music with Thomas Carroll before moving to Oslo to study at Norges Musikhögskola with Truls Mørk.
A prizewinner at the Royal Overseas League (UK) and Antonio Janigro (Croatia) competitions, his cello playing has led to appearances on TV and radio, and has taken him to festivals and venues across Europe and beyond - as soloist performing in venues such as the Cadogan Hall, Queen Elizabeth Hall and the Wigmore Hall, and at festivals such as the Schleswig-Holstein (Germany), Edinburgh Fringe (Scotland), and Ultima (Norway).
With a passion for chamber music, Jun has performed with artists such as Leif Ove Andsnes , Barbara Hannigan, Pekka Kuusisto, Corina Belcea and his teacher Truls Mørk. Jun is a member of Ensemble Caplet, as well as member of the musician community of Norwegian Chamber Orchestra.
Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Jun Sasaki is co-principal cello in Gothenburg Symphony since 2014. He was born in London and studied at the Yehudi Menuhin School and the Royal College of Music with Thomas Carroll before moving to Oslo to study at Norges Musikhögskola with Truls Mørk.
A prizewinner at the Royal Overseas League (UK) and Antonio Janigro (Croatia) competitions, his cello playing has led to appearances on TV and radio, and has taken him to festivals and venues across Europe and beyond - as soloist performing in venues such as the Cadogan Hall, Queen Elizabeth Hall and the Wigmore Hall, and at festivals such as the Schleswig-Holstein (Germany), Edinburgh Fringe (Scotland), and Ultima (Norway).
With a passion for chamber music, Jun has performed with artists such as Leif Ove Andsnes , Barbara Hannigan, Pekka Kuusisto, Corina Belcea and his teacher Truls Mørk. Jun is a member of Ensemble Caplet, as well as member of the musician community of Norwegian Chamber Orchestra.
Claes Gunnarsson has toured all over the world as a soloist, chamber musician, orchestral musician and teacher. He made an early and acclaimed debut as soloist in Dvorák's Cello Concerto with the Gothenburg Symphony Orchestra. Shortly afterwards he was appointed principal cellist of the orchestra, a position he has held since 1999.
As soloist, Claes has appeared in some of the world's most prestigious concert halls, including Wigmore Hall, Queen Elizabeth Hall, St. Petersburg Philharmonie, Shanghai Symphony Hall, Seoul Arts Center and Singapore Symphony Hall. He has also appeared at leading international festivals such as La Folle Journée in Nantes, Music@Menlo in California, Mecklenburg-Vorpommern, Affinis in Japan, Yuri Temirkanov's Winter Festival in St. Petersburg and the Qingdao International Cello Festival. Conductors he has collaborated with include Neeme Järvi, Kent Nagano, Santtu-Matias Rouvali, Alexander Lazarev, Christian Zacharias and Christopher Warren-Green.
As a chamber musician, Claes has collaborated with prominent musicians such as Leonidas Kavakos, Nikolaj Znaider, Christian Zacharias and Hélène Grimaud. Of particular significance is his nearly 25-year collaboration with violinist Sara Trobäck and pianist Per Lundberg in the piano trio Trio Poseidon. The trio has toured extensively both nationally and internationally and made a critically acclaimed recording of Beethoven's Triple Concerto and Brahms' Double Concerto together with the Gothenburg Symphony Orchestra and Neeme Järvi for Chandos Records.
For Chandos Records, he has also recorded Weinberg's Cello Fantasy and Cello Concerto together with the Gothenburg Symphony Orchestra and Thord Svedlund. The recording of the cello concerto was awarded the Diapason d'Or award. He is also represented on BIS Records with the premiere recording of Albert Schnelzer's cello concerto.
Claes is regularly invited as a guest solo cellist with, among others, the Oslo Philharmonic, the BBC Symphony Orchestra and the London Symphony Orchestra. In parallel with his concert performances, he is active as a teacher at the Academy of Drama and Music at the University of Gothenburg.
Claes plays a cello built in 1707 by David Tecchler, generously on loan from the Järnåker Foundation.
Juan Zurutuza is a pianist trained in Mexico and the Netherlands. He studied with Rian de Waal at the Royal Conservatory in The Hague from 2001-2008. He has played solo and chamber music concerts with members of the Rotterdam Philharmonic Orchestra and the Concertgebouw Orchestra in Scandinavia, Europe and North America. Since 2022, Juan Zurutuza is pianist in the Gothenburg Symphony.
He is currently studying with pianist Robert Durso, thanks to several scholarships received from Göteborgs Symfoniker Friend Association, the Marianne & Ary Paley Scholarship Fund, the Eduard Magnus Music Fund and the Mary von Sydows Donation Fund.
Erik Risberg was employed as a pianist in the Gothenburg Symphony Orchestra from 1995 to 2023, also performing on organ, harpsichord and other keyboard instruments. He regularly performed as a chamber musician, including in a piano duo with Bengt Forsberg. Erik Risberg has also been a valued teacher of musical performance at the Gothenburg Academy of Music and Drama for many years and also gives introductions at the Symphony Orchestra's concerts.
Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra.
She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Katie Thomas is a choral conductor from Wales and since 2023 the choirmaster of the Gothenburg Symphony Orchestra. She is also the conductor and artistic director of the Gothenburg Symphony Vocal Ensemble. Previous engagements include nine years as a voice coach for the BBC Chorus, assignments as a guest choirmaster and conductor with the BBC Singers, MDR Rundfunkchor, National Youth Choirs of Great Britain and the Junior Royal College of Music, as well as a guest lecturer in choral conducting and director of the chamber choir at the University of Music and Performing Arts in Gothenburg. She has been a teacher of choral conducting techniques at the Association of British Choral Directors and a judge at choral festivals worldwide within the organization Interkultur.
As a professional soprano, Katie Thomas has been engaged with the UK's leading choirs, such as the Monteverdi Choir under the direction of Sir John Eliot Gardiner, Polyphony and the Academy of Ancient Music. She has appeared in major concert venues in Europe and the USA, including the Concertgebouw Amsterdam, the Musikverein Vienna and Carnegie Hall in New York. Together with London Voices, she has recorded several soundtracks for films and video games, often at the renowned Abbey Road Studios, as well as concerts for both television and radio. Katie Thomas is a graduate of Cardiff University and the Royal Academy of Music in London. In 2020, she was appointed an Associate of the Royal Academy of Music (ARAM) in the United Kingdom for outstanding contributions to professional music and significant achievements in conducting and choral music.
The Gothenburg Symphony Vocal Ensemble (GSVE) was formed in 2016 and consists of 12 professional singers. The ensemble works both as part of the Gothenburg Symphony Choir in major symphonic works performed together with the Gothenburg Symphony, and as an independent ensemble under the direction of Katie Thomas.
GSVE is a group of experienced and versatile singers, who perform varied programs and explore a wide repertoire, from medieval music to newly commissioned works. The ensemble has previously collaborated with, among others, the Helsingborg Symphony Orchestra and the Barockakademin Göteborgs Symfoniker and performs regular vocal programs both in Gothenburg's Concert Hall and around the Västra Götaland region.
Juan Zurutuza is a pianist trained in Mexico and the Netherlands. He studied with Rian de Waal at the Royal Conservatory in The Hague from 2001-2008. He has played solo and chamber music concerts with members of the Rotterdam Philharmonic Orchestra and the Concertgebouw Orchestra in Scandinavia, Europe and North America. Since 2022, Juan Zurutuza is pianist in the Gothenburg Symphony.
He is currently studying with pianist Robert Durso, thanks to several scholarships received from Göteborgs Symfoniker Friend Association, the Marianne & Ary Paley Scholarship Fund, the Eduard Magnus Music Fund and the Mary von Sydows Donation Fund.
Endre Rydland Vetås grew up on Radøy outside Bergen and took his first steps in music life within the local brass band movement. He later studied at the Norwegian Academy of Music under Aline Nistad. Vetås established himself professionally early. At the age of 19, he was hired as a solo trombonist in the Kristiansand Symphony Orchestra. In 2017, he moved to Sweden and the Gothenburg Symphony Orchestra, where he has been the orchestra's solo trombonist since spring 2025.
In addition to his regular orchestral work, Vetås appeares as soloist, is an active chamber musician and has toured Europe with the Nordic Brass Ensemble. He is also a regular guest in the contemporary music ensemble called Gageego!. Endre Vetås is passionate about the next generation of trombonists and is committed to young talents, including through YOMA (Young Musicians Academy) in Vänersborg.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Richard Strauss wrote his last opera in 1940-41 in the midst of the raging war. The libretto was written by his friend Clemens Krauss, but the idea originally came from the author Stefan Zweig. Perhaps he wanted to write an opera with content that defied the barbarity that was going on around him. If civilized people could converse, why not countries too? And it must have been provocative for those in power that the opera discusses the quality of Couperin's and Rameau's music.
The story takes place around 1775 at a castle in the Paris area. A group has gathered to celebrate Countess Madeleine's birthday. As a newly widowed woman, she is courted by the composer Flamand and the poet Olivier. She is torn between which of them to choose. The two are left to embody the question of which art form comes first, music or literature, a question that can also be said to be the theme of the opera.
The sextet, which serves as an overture, is composed by Flamand in the opera as a love gift to the countess. The style of the work, however, is neither rococo nor modernism. Instead, it contains much of the atmosphere that characterizes Strauss's own late-Romantic style before the turn of the century.
Justyna Jara began playing the violin when she was seven years old. After winning a prize at a competition for young violinists in Gdansk, Poland, she continued her studies in Warsaw with Miroslaw Lawrynowicz. During her studies, she won prizes in several violin competitions. She also recorded Wieniawski's Etudes Caprices Op 10 and 18 for the Acte Préalable record label as a tribute to her teacher. She studied for a year at the Chopin University in Warsaw and then at Juilliard in New York, working with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra, the Philharmonia Orchestra and the Royal Philharmonic Orchestra, often as assistant concertmaster. In 2014, she was appointed second concertmaster of the Gothenburg Symphony Orchestra.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Claes Gunnarsson has toured all over the world as a soloist, chamber musician, orchestral musician and teacher. He made an early and acclaimed debut as soloist in Dvorák's Cello Concerto with the Gothenburg Symphony Orchestra. Shortly afterwards he was appointed principal cellist of the orchestra, a position he has held since 1999.
As soloist, Claes has appeared in some of the world's most prestigious concert halls, including Wigmore Hall, Queen Elizabeth Hall, St. Petersburg Philharmonie, Shanghai Symphony Hall, Seoul Arts Center and Singapore Symphony Hall. He has also appeared at leading international festivals such as La Folle Journée in Nantes, Music@Menlo in California, Mecklenburg-Vorpommern, Affinis in Japan, Yuri Temirkanov's Winter Festival in St. Petersburg and the Qingdao International Cello Festival. Conductors he has collaborated with include Neeme Järvi, Kent Nagano, Santtu-Matias Rouvali, Alexander Lazarev, Christian Zacharias and Christopher Warren-Green.
As a chamber musician, Claes has collaborated with prominent musicians such as Leonidas Kavakos, Nikolaj Znaider, Christian Zacharias and Hélène Grimaud. Of particular significance is his nearly 25-year collaboration with violinist Sara Trobäck and pianist Per Lundberg in the piano trio Trio Poseidon. The trio has toured extensively both nationally and internationally and made a critically acclaimed recording of Beethoven's Triple Concerto and Brahms' Double Concerto together with the Gothenburg Symphony Orchestra and Neeme Järvi for Chandos Records.
For Chandos Records, he has also recorded Weinberg's Cello Fantasy and Cello Concerto together with the Gothenburg Symphony Orchestra and Thord Svedlund. The recording of the cello concerto was awarded the Diapason d'Or award. He is also represented on BIS Records with the premiere recording of Albert Schnelzer's cello concerto.
Claes is regularly invited as a guest solo cellist with, among others, the Oslo Philharmonic, the BBC Symphony Orchestra and the London Symphony Orchestra. In parallel with his concert performances, he is active as a teacher at the Academy of Drama and Music at the University of Gothenburg.
Claes plays a cello built in 1707 by David Tecchler, generously on loan from the Järnåker Foundation.
Jun Sasaki is co-principal cello in Gothenburg Symphony since 2014. He was born in London and studied at the Yehudi Menuhin School and the Royal College of Music with Thomas Carroll before moving to Oslo to study at Norges Musikhögskola with Truls Mørk.
A prizewinner at the Royal Overseas League (UK) and Antonio Janigro (Croatia) competitions, his cello playing has led to appearances on TV and radio, and has taken him to festivals and venues across Europe and beyond - as soloist performing in venues such as the Cadogan Hall, Queen Elizabeth Hall and the Wigmore Hall, and at festivals such as the Schleswig-Holstein (Germany), Edinburgh Fringe (Scotland), and Ultima (Norway).
With a passion for chamber music, Jun has performed with artists such as Leif Ove Andsnes , Barbara Hannigan, Pekka Kuusisto, Corina Belcea and his teacher Truls Mørk. Jun is a member of Ensemble Caplet, as well as member of the musician community of Norwegian Chamber Orchestra.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra.
She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Cellist Johan Stern is principal conductor of the Gothenburg Symphony Orchestra and teaches cello, chamber music and orchestral playing at the Academy of Music and Performing Arts. He studied at the Royal Academy of Music in Stockholm and at the Juilliard School in New York. As a member of Gageego!, the Gothenburg Ensemble for New Music, he has premiered several solo works by our leading Nordic composers. Johan Stern has participated in a number of international festivals and as a soloist and chamber musician has performed with figures such as Bobby McFerrin, Edward Gardner, Petri Sakari, Kristjan Järvi, Daniel Müller-Schott and Levon Chilingirian. During his studies at Juilliard, he had the privilege of collaborating with several internationally renowned musical figures, including cellist Yo-Yo Ma and composers Elliott Carter and John Cage.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Cellist Johan Stern is principal conductor of the Gothenburg Symphony Orchestra and teaches cello, chamber music and orchestral playing at the Academy of Music and Performing Arts. He studied at the Royal Academy of Music in Stockholm and at the Juilliard School in New York. As a member of Gageego!, the Gothenburg Ensemble for New Music, he has premiered several solo works by our leading Nordic composers. Johan Stern has participated in a number of international festivals and as a soloist and chamber musician has performed with figures such as Bobby McFerrin, Edward Gardner, Petri Sakari, Kristjan Järvi, Daniel Müller-Schott and Levon Chilingirian. During his studies at Juilliard, he had the privilege of collaborating with several internationally renowned musical figures, including cellist Yo-Yo Ma and composers Elliott Carter and John Cage.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Philip Glass is often mentioned in the same breath as Steve Reich and Terry Riley. Glass' minimalism, however, can be said to represent a completely different direction than that taken by Reich or Riley, but in history books we often find them on the same page. Today, Glass is probably best known for his film music, where several of his soundtracks have been nominated for Oscars, such as the cello music for The Hours.
String Quartet No. 3 was written for Paul Schrader's acclaimed film Mishisma – a Life in Four Chapters in 1985. The controversial Japanese author Yukio Mishima developed his own form of nationalism and cultural conservatism.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Lisa Ford has been the principal horn player in the Gothenburg Symphony Orchestra for 30 years. Lisa is an active chamber musician and soloist and a member of the ensemble Gageego!. She is a senior lecturer at the Gothenburg Academy of Music and Performing Arts and a mentor in the master's program in symphony orchestra performance, she is a horn teacher and teaches wind and chamber music ensembles. Lisa Ford is educated at the Interlochen Arts Academy. She has been a member of the Civic Orchestra of Chicago and has a diploma from the Norwegian Academy of Music, NMH. She was previously assistant principal horn player in the San Diego Symphony Orchestra. She is also a certified professional coach.
Juan Zurutuza is a pianist trained in Mexico and the Netherlands. He studied with Rian de Waal at the Royal Conservatory in The Hague from 2001-2008. He has played solo and chamber music concerts with members of the Rotterdam Philharmonic Orchestra and the Concertgebouw Orchestra in Scandinavia, Europe and North America. Since 2022, Juan Zurutuza is pianist in the Gothenburg Symphony.
He is currently studying with pianist Robert Durso, thanks to several scholarships received from Göteborgs Symfoniker Friend Association, the Marianne & Ary Paley Scholarship Fund, the Eduard Magnus Music Fund and the Mary von Sydows Donation Fund.
Marjolein Vermeeren successfully made her professional conducting debut with the Gothenburg Wind Orchestra in 2022. She has worked as a guest conductor with several professional orchestras since then, such as Östgötamusiken, Gotlands Musikstiftelse, Marinens Musikkår and Norrköpings Symphony Orchestra. In the 2025-2026 season, she will return to the Gothenburg Wind Orchestra, the Gothenburg Symphony Orchestra, the Helsingborg Symphony Orchestra and the Swedish Chamber Orchestra. Marjolein Vermeeren is also a flutist in the Gothenburg Symphony Orchestra.
She grew up in the southern Netherlands, where wind music is of great importance, and has worked with youth orchestras and participated for several years at the Side by Side music camp as a conductor and instructor for the oldest participants. Vermeeren is educated at the Tilburg Academy of Music, the Netherlands, and has studied flute at the Royal Academy of Music in London. She has also continued her conducting education by studying with Glenn Mossop in Stockholm.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Juan Zurutuza is a pianist trained in Mexico and the Netherlands. He studied with Rian de Waal at the Royal Conservatory in The Hague from 2001-2008. He has played solo and chamber music concerts with members of the Rotterdam Philharmonic Orchestra and the Concertgebouw Orchestra in Scandinavia, Europe and North America. Since 2022, Juan Zurutuza is pianist in the Gothenburg Symphony.
He is currently studying with pianist Robert Durso, thanks to several scholarships received from Göteborgs Symfoniker Friend Association, the Marianne & Ary Paley Scholarship Fund, the Eduard Magnus Music Fund and the Mary von Sydows Donation Fund.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Baroque Academy Gothenburg Symphony was formed around 2008 and consists of 20 musicians who are driven by the desire to explore and bring to life music from the 17th and 18th centuries. Concert master is Terje Skomedal. The ensemble has performed several concerts over the years with guest soloists and baroque specialists, such as Iwona Muszynska (violin), Takashi Watanabe (harpsichord), Stefano Veggetti (cello) and Philippe Pierlot (viola da gamba).In addition to a series of concerts in Gothenburg Concert Hall, the Baroque Academy has also played at the Auktionsverket in Gothenburg, Kulturbruket på Dal and several other places in Västra Götaland. In 2023 BAGS released an album with italian countertenor Nicolò Balducci.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Philip Glass is often mentioned in the same breath as Steve Reich and Terry Riley. Glass' minimalism, however, can be said to represent a completely different direction than that taken by Reich or Riley, but in history books we often find them on the same page. Today, Glass is probably best known for his film music, where several of his soundtracks have been nominated for Oscars, such as the cello music for The Hours.
String Quartet No. 3 was written for Paul Schrader's acclaimed film Mishisma – a Life in Four Chapters in 1985. The controversial Japanese author Yukio Mishima developed his own form of nationalism and cultural conservatism.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
Cellist Johan Stern is principal conductor of the Gothenburg Symphony Orchestra and teaches cello, chamber music and orchestral playing at the Academy of Music and Performing Arts. He studied at the Royal Academy of Music in Stockholm and at the Juilliard School in New York. As a member of Gageego!, the Gothenburg Ensemble for New Music, he has premiered several solo works by our leading Nordic composers. Johan Stern has participated in a number of international festivals and as a soloist and chamber musician has performed with figures such as Bobby McFerrin, Edward Gardner, Petri Sakari, Kristjan Järvi, Daniel Müller-Schott and Levon Chilingirian. During his studies at Juilliard, he had the privilege of collaborating with several internationally renowned musical figures, including cellist Yo-Yo Ma and composers Elliott Carter and John Cage.
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.
The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Gothenburg Concert Hall at Götaplatsen that has gathered music lovers since 1935. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. The title Principal Guest Conductor is shared by Pekka Kuusisto from 2025.
Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra.
In recent decades, the orchestra has had prominent chief conductors such as Santtu-Matias Rouvali, Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region.
The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.
Santtu-Matias Rouvali was Chief Conductor of the Gothenburg Symphony in the years 2017-2025. Since 2021, he is Chief conductor of Philharmonia Orchestra and also honorary conductor of the Tampere Philharmonic Orchestra back home in Finland.
He collaborates with top-level orchestras and soloists across Europe, including the Münchner Philharmoniker, Berliner Philharmoniker, Orchester Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra and Tonhalle-Orchester Zürich. He also works with the Chicago Symphony Orchestra, the Cleveland Orchestra and the New York Philharmonic.
International soloists with whom Rouvali plays are Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride, Ava Bahari and Arabella Steinbacher.
During his long tenure with the Gothenburg Symphony Orchestra, Rouvali performed over 100 concerts in the Great Hall and made over 30 recordings and live concerts for the digital concert hall GSOplay. His collaboration with the orchestra included successful tours in the Nordic countries, Austria, Germany and the Czech Republic, as well as a six-volume Sibelius recording with the Alpha Classics label. The releases have been acclaimed with awards such as the Gramophone Editor's Choice award, Choc de Classica, the prestigious French Diapason d'Or 'Découverte', and the Radio Classiques 'TROPHÉE'. Santtu-Matias Rouvali also has an extensive record label with Philharmonia Records.
The trumpeter Per Ivarsson has been principal trumpet in the Gothenburg Symphony Orchestra since 2011. He was recruited to the Malmö Symphony Orchestra even before he graduated from the Academy of Music in Karlsruhe, where he studied for six years. Per Ivarsson was born and raised in Malmö and started playing the trumpet when he was six years old. He has studied with Björn Lovén, Reinhold Friedrich and Håkan Hardenberger. Per Ivarsson is also a devoted chamber musician. With the Gothenburg Symphony Orchestra, Per Ivarsson has, among many other things, been a soloist in Jolivet's Heptade for trumpet and percussion and in Jolivet's second trumpet concerto. He has also made several recordings for GSOplay.
Endre Rydland Vetås grew up on Radøy outside Bergen and took his first steps in music life within the local brass band movement. He later studied at the Norwegian Academy of Music under Aline Nistad. Vetås established himself professionally early. At the age of 19, he was hired as a solo trombonist in the Kristiansand Symphony Orchestra. In 2017, he moved to Sweden and the Gothenburg Symphony Orchestra, where he has been the orchestra's solo trombonist since spring 2025.
In addition to his regular orchestral work, Vetås appeares as soloist, is an active chamber musician and has toured Europe with the Nordic Brass Ensemble. He is also a regular guest in the contemporary music ensemble called Gageego!. Endre Vetås is passionate about the next generation of trombonists and is committed to young talents, including through YOMA (Young Musicians Academy) in Vänersborg.
Norwegian Terje Skomedal is principal for violin 2 in the Gothenburg Symphony. He studied at the Barratt-Due Music Institute in Oslo and with Giuliano Carmignola in Lucerne where he took a soloist diploma. Terje Skomedal has worked as concertmaster in the Norrandsoperan orchestra in Umeå and in several Norwegian orchestras. He has extensive experience as a chamber musician and has toured internationally with the chamber orchestras Oslo Camerata and Spira Mirabilis as well as appeared as a soloist with several Norwegian and foreign orchestras.